with everted neck above an ovoid body over a lobed foot resting on a gilt-metal base; all in a smoky glass with controlled bubbles; excellent condition; rewired; lampshade as is.

each bookend capped with a head of a spartan soldier with helmet showing the crest, dome and faceplate; all resting on a square plinth; some surface abrasions and chipping

each of urn form having an everted rim above a cylindrical body above a bulbous mid-section all above a splayed foot; raised on fluted giltwood bases; made of a striated teal glass adorned with a gilt painted perimeter band of anthemia and palm leaves with additional banding below; water-gilded caps and bases; professionally rewired; some rubbing to gilded bases and decoration; some bubbling to interior surface of urns

the large round mirror within a well-carved pale blue and silver-gilt frame capped with a shell motif over an openwork crest; all above an exuberantly carved frame with lively C-scrolls and acanthus leaves; purchased in 2022 from the estate of Palermo, Italy antique dealer Bartolomeo Rizzo; good antique condition with some replacements, elements re-glued; professionally restored with refreshed surface; nice overall even wear and rubbing to surface; later plate

centering a baluster-form support above a glass bowl emanating 6 scrolled candle-arms with deep cups surrounding lively flower and leaf inserts; composed of gold aventurine and clear glass; good vintage condition with some replaced stems

Designed by Marbro Lamp Co., each ovoid-form lamp decorated with slender wheat sheaths resting on a gilt-metal base over an ebonized wooden stand; excellent condition with no chips or cracks; re-wired and re-gilded; signed on underside; Camille Tharaud first studied chemistry as a young man, but after an injury during WWI, he convalesced in Limoges, France where he began his work with porcelain, opening up his own factory in 1920.

of varying heights, each with ruffled cup of striking orange glass; raised on clear glass stems; with foil labels; excellent condition with no chips or cracks

signed 1960s bench with floating rectangular upholstered seat resting on a walnut base with square-form tapering legs connected by two stretchers; makers label to inner stretcher; Jens Risom (1916-2016) was a Danish American furniture designer. An exemplar of Mid-Century modern design, Rison was one of the first designers to introduce Scandinavian design in the United States. His designs are on display at the Museum of Modern Art, the Rhode Island School of Design and the Cooper-Hewitt Design Museum;  professionally refinished and reupholstered

a good example of American Abstract Expressionism by established contemporary artist Jan Wunderman, depicting stacked asymmetrical rock-like forms, which is rooted in the artist's nod towards nature; painted in translucent tones retaining a rich and strong color sense which is part of the artist's vocabulary; signed 'wunderman' lower left; good overall vintage condition with minor wear to the canvas; some scratches to the wooden frame

each hand-blown white and clear glass cattail shade set into a brass back plate; no chips or cracks; some wear and patina to back plates; professionally rewired; priced individually $3,800 each

the inset glass top withing a bronze frame raised on cylindrical faux-marble metal supports ending in claw-and-ball feet all joined by an upper perimeter stretcher and lower x-form stretcher; good vintage condition with minor even wear and patina; new glass plate; with 'Made in Spain' metal tag

good quality reproduction with framed cartouche-form back above a loose cushion seat flanked by scrolled padded arms; above a shapely apron all raised on cabriole supports; good vintage condition with strengthened frame and new upholstery

each portly lamp with everted neck above a compressed lobed body all over a splayed circular base; with ivory glazed surface and matching wooden caps; good antique condition with some chipping and patina to surface; professionally rewired

each with curvaceous opening with pinched lip above a cup-shaped body attached to a loop handle; raised on a circular base; professional repair to handle and lip; some wear and fine crackling to glaze.

each heavy candle holder surmounted by a shallow candlecup with flared lip raised on a gadrooned support above a ring of stylized leaves; all over a cylindrical base adorned with applied bosses flanked by opposing birds all ending in a splayed foot; good vintage condition with overall even wear and patina 

each shimmering lamp consisting of stacked geometric crystal elements resting on a pierced shaped metal base; excellent condition with no chips or cracks; patina to metal bases; rewired 

the bullet-form vase in gray glass with oculus opening above a frosted upper section over a carved faceted lower portion tapering to the base; this chiseled glass method is similar to the 'Battuto' style made by Ferro Battato in Murano; 'Rosenthal' acid etched signature to underside; good vintage condition with no chips or cracks; minor wear and abrasions overall and to underside

An unusual pair of hand-blown clear and gold aventurine Venetian candlesticks with large-scale dolphin connectors made by Salviati, circa 1920's featuring dramatic full-bodied upward-facing dolphins; raised on a splayed quilted foot with removable quilted bobeche; excellent condition with no chips or cracks;

the rectangular mirror within an undulating gilt frame giving the appearance of small folds; can also be hung horizontally; even wear to re-gilded surface; minor age to plate

Three globular forms with narrow mouths; comprising blue glaze example, dark purple glaze example, and black glaze with ocher accent; the blue vase with "Otto 98", the purple vase with "Otto 02", the black vase with "Otto 99"; excellent condition with minimal wear

each double-handled urn painted with meandering foliate design on a blue-gray ground; with incised marks to the underside; minor overall surface wear

each hand-blown vase of striking size with everted lip and short neck above a ribbed cylindrical body all resting on a Lucite base; good condition with no chips or cracks; minor surface abrasions commensurate with age; professionally rewired with later Lucite base

each columnar lamp of Carrara marble with Tuscan style capital above a cylindrical standard resting on a cylindrical base all over a square base; height: 16.25" (top of marble) 27.25" (top of shade); good vintage condition with even wear and patina to surface; some abrasions with two polished chips; professionally rewired   

the elongated bowl in colors of coral to citrine tapering to a clear glass foot; good vintage condition with surface abrasions