this explosive brutalist iron nail sculpture contrasting the cold black steel iron nails and the warm buffed-brass brazing combing artistic design, geometric form and the high quality of the braze; excellent vintage condition with no visible condition issues, signed by the artist

the slender brass faux bamboo support resting on a circular bronze rockwork base with outscrolled leaves; good vintage condition with overall even patina and wear; professionally rewired.

Since its inception in 1860, Maison Bagués has been an emblem of French sophistication in luxury interior design and craftsmanship. Founder Noël Baguès emphasized the use of traditional techniques, solidifying the firm's elite standard of elegance and excellence in their craft.

the large ovoid vase tapering to the base; the textured finish in black and white glaze with vibrant red streaking around the body; minor wear.

of stylized form standing erect with direct gaze above a large down-turned bill; minor wear; no chips or cracks.

the inset glass top above curule-form supports with swan motifs; excellent condition with overall minor wear

each hour-glass shaped walnut lamp with three brass bands and waist; patination to brass; rewired; new shades 'as is'

each with long flaring neck above a tapering body painted overall with stylized floral and foliate vines in colors of ochre and aqua with gilt highlights all on a white ground; raised on a water-gilded wooden base; signed 'Marbro Lamp Italy'; excellent condition with no chips or cracks; re-wired; some rubbing to gilding

mounted as lamps, each dressed in a white flowing robe holding a large lotus flower standing on decorative brass stands; rewired; professional repairs to fingers; patina to brass surface

of impressive scale, the orb-form lamp of mercury glass fitted with an ebonized wooden cap and base; good vintage condition with age to silvering; re-wired

the striking ovoid vessel with fish-mouth opening; painted overall with large leaves and bamboo shoots all on a white ground; with underglaze blue markings to underside; The first porcelain factory in the town of Marktredwitz opened in 1872 and was known under the name of Porzellanfabrik Jaeger, Thomas & Co. until Fritz Thomas quit in 1898, opening his own factory in 1903. In 1908, the “F. Thomas, Marktredwitz” factory was purchased by Rosenthal, ceasing operation in 1960.

a versatile lamp that can be used in multiple settings, of thick hand-polished crystal with its ethereal reflective quality allowing light to penetrate changing from day to evening; all resting on a brushed chrome base; the obelisk was originally constructed by Ancient Egyptians and later used by the Greeks who described them as obeliskos; excellent condition with no chips or cracks

each hand painted ginger jar with domed lid above a bulbous tapering body raised on a stained wooden base; painted with various figures in a landscape setting divided by cloud scroll perimeter bands; craquelure to glaze; good antique condition; now mounted as lamps; rewired

each bulbous lamp with frosted overlay on a clear gold ground; the frosted glass finely etched exposing the gold luster glass beneath cresting a perimeter band of classical figures; raised on giltwood bases; height: 13" (top of glass)  24.5 (top of shade); minor wear and rubbing to glass surface; no chips or cracks; professionally rewired

each bulbous urn with gilt perimeter bands with raised decoration all on a luminous white ground; excellent vintage condition with minor rubbing to brass mounts; rewired

each tall vase with long flaring neck above a bulbous body; the white vase encased in a yellow cased glass; excellent condition with no chips or cracks.

centering a convex mirror within a gilt metal frame consisting of radiating spokes of varying lengths; good vintage condition with overall even wear to gilding

the striking ovoid vase tapering to the base; the textured finish in black and white glaze with vibrant red streaking around the body; minor wear

the inset square glass top within a gilt-iron frame adorned overall with a meandering floral and foliate vine; good vintage condition with overall wear and patina; some missing petals

 of contrasting woods with geometric designs on all sides; fitted with brass hardware; the interior fitted with a single drawer and burlwood shelf; each with 'Mastercraft' label; excellent vintage condition; professionally refinished

of stylish mid-century design in the manner of Tommi Parzinger, with ivory-glazed oblelisk-form base emanating two deeply scrolled brass arms supporting candle form socket holders;  centering a cylindrical brass rod and finial; all atop a black marble base with white veining; 18.5" (top of ceramic)  35: (top of shade); good vintage condition with light overall wear; minor pitting to brass; professionally rewired. 

the shaped lamp with slumped glass mirrored panels; the front panel with a Chinoiserie reverse-painted scene; all resting on a wooden base; good vintage condition with no chips or cracks; wear and patina to wooden surface; antiquing to silvering 

the graduated obelisk-form body raised on 4 brass paw feet; resting on a splayed base over a brass plinth; excellent condition; rewired; shade as is

of baluster form with long neck and everted lip above an ovoid body with splayed foot; the densely-painted and colorful flowers at the shoulder above delicate cascading wisteria; excellent vintage condition with no chips or cracks; only minor wear; professionally rewired; vase now drilled and mounted as a lamp