from his Potrero Hill studio, San Francisco artist Bill Stanisich would lay down his brush and gaze down onto Yerba Buena Island, the Bay Bridge and surrounding water.  What he saw was ever-changing so he decided to capture on paper the various moods of mother nature. On still, clear nights, the water was a sheet of glass and Yerba Buena Island's silhouette soaked up the darkness creating a black void, while the tips of the Bay Bridge Towers emitted beacons of light in the distance. When it rained, vague shadows were barely visible through the wet, dark skies.

of good scale and quality, circa 1930; each high back dining chair with beige leather upholstery and birdseye maple frame, for S.Hille & Co, London, consisting of two arm and six side chairs, having a vasiform splat above a tight seat; raised on graceful splayed supports; professionally refinished; minor wear and patina to later leather upholstery; 

a custom pair of flame mahogany Guéridon Tulipe side tables in the manner of Pierre Chareau (b. Bordeaux, France 1883 d. New York 1950) and fabriacted by Gatti Furniture, San Francisco; each hexagonal top of bookmatch veneer flame mahogany raised on a tulip-form slatted support; all over a conforming stepped base; each signed 'Gatti Furniture San Francisco 2000'; diameter: 23.25" (26.5" point to point); good condition and structurally sound; professionally refinished 

the handsome credenza by John Stuart with its simple, straightforward design constructed of richly-patinated and well-figured tiger mahogany; the rectangular top above a conforming body fitted with three doors faced with beautiful bookmatch veneer; all raised on tapering quadrangular supports; good vintage condition with small areas of replaced veneer; professionally refinished.