one of the prettiest pairs of chinese lamps that we have had in our inventory; each of slender baluster form adorned with gilt meandering floral vines; raised on a turned giltwood base; excellent condition with minor even wear; rewired
each large vase modeled in the long ovoid form; the body painted in polychrome enamel depicting bold and colorful flowers, trees and butterflies under a geometric band at the shoulder; mounted as lamps with bronze openwork collar and base with lappet perimeter band; professionally rewired; nice patina to bronze; good antique condition with no chips or cracks
mounted as lamps, each dressed in a white flowing robe holding a large lotus flower standing on decorative brass stands; rewired; professional repairs to fingers; patina to brass surface
each tall ribbed vase painted overall with floral and foliate stems resting on a pierced brass base; good antique condition with overall fine craquelure; rewired
the impressive vessel with everted lip above an ovoid body flanked by double mask handles all over a splayed foot; painted overall with a female figue and putti ina landscape setting in an underglaze blue glaze; professional repair to lip; good antique condition with some wear
each with short everted neck above a baluster-form body all ending in a splayed foot; with ebonized metal cap and wooden bases; all in a rich orange lustre glaze; undersides impressed RUSKIN / ENGLAND 1919; Ruskin Pottery was an English art pottery studio founded in 1898, and closing in 1935.
in the Chinese Export style, each colorful bird with turned head modeled standing on a pierced rockwork base; all raised on black painted metal and brass bases; marked 'France' on underside; Provenance Sotheby's Arcade Furniture & Decorations Sale 1994; from a Greenwich, CT estate; drilled and rewired; excellent condition with minor rubbing and patina to brass base; small chip professionally restored
each hand painted ginger jar with domed lid above a bulbous tapering body raised on a stained wooden base; painted with various figures in a landscape setting divided by cloud scroll perimeter bands; craquelure to glaze; good antique condition; now mounted as lamps; rewired
each large tapering vessel finely decorated with naturalistic paintings in enamel of parrots on flower laden branches with gilt accents; excellent condition with no chips or cracks; minor wear to gilt; now mounted as lamps
each large well-rendered painting depicting Chinese vases finely detailed with colorful floral and foliate stems; professionally conserved and re-stretched on new frames; good clear and vibrant colors; excellent condition; newly framed
overall with blue and white floral and foliate decoration on a yellow ground
each shapely lamp of hand-blown sky blue dappled glass all raised on a brass and lucite circular base; professionally rewired; good vintage condition with minimal wear
with short flaring neck above a voluptuous body over a flared foot; excellent condition.
each tall vase with long flaring neck above a bulbous body; the white vase encased in a yellow cased glass; excellent condition with no chips or cracks.
each large glazed ceramic baluster-form table lamp on later lucite bases designed by Swedish artist Ingrid Atterberg as part of the "Spiral' series, circa 1949, with alternating ochre and white stripes on a matte brown ground; impressed marks to underside; Ingrid Atterberg (1920-2008) was born in the northern Sweden city of Harnosand. She studied at Slojdforeningens School in Gothenburg. Ingrid came to the Upsala-Ekeby Pottery factory in 1944, staying on until 1964.
each with curvaceous opening with pinched lip above a cup-shaped body attached to a loop handle; raised on a circular base; professional repair to handle and lip; some wear and fine crackling to glaze.
each of simple cylindrical form covered in a mottled celadon green glaze; with custom giltwood bases and gilt-metal caps; 17.5" (top of vase) 28.5" (top of shade); good vintage condition with minor wear; the vases now drilled and mounted as lamps; rubbing and patina to gilding
each double-handled urn painted with meandering foliate design on a blue-gray ground; with incised marks to the underside; minor overall surface wear
each well-carved foo lion with expressive straightforward gaze on a rectilinear base with dragon-carved frieze; usually depicted in pairs consisting of a male leaning his paw upon an embroidered ball, representing supremacy over the world, and a female restraining a playful cub, symbolizing nurturing and protection for the inhabitants of a building; good antique condition with weathered surface and minor chipping
each hand-blown shapely lamp with a nod to Chinese ceramic ginger jars composed of a luminous crackle-glass; all resting on gold painted wooden bases; height: 15.75" (top of glass) 26" (top of shade); good vintage condition with no chips or cracks; rubbing to gold; professionally rewired
each bulbous lamp of white cased glass fitted with a walnut neck and base; good vintage condition with minor wear; re-wired
each with flaring neck above a bulbous body; the textured surface covered in a deeply colored blue and teal drip glaze; excellent condition with no chips or cracks; professionally rewired
the thickly-modeled and tall vases in a richly-colored orange glass with clear base infused with black and white swirls; no chips or cracks
each tall vase of ovoid form with short neck above an ovoid body; the luminous glass with subtle white streaking; excellent condition with no chips or cracks; with foil labels
