the arbalete top with perimeter stringing within a crossbanded border all above a shapely bombe-form body with similar stringing and crossbanding; fitted with two long drawers having openwork solid brass pulls; the whole raised on graceful cabriole supports; overall even wear and nice warm patina; good vintage condition; professionally refinished 

in the neoclassical taste decorated in a silver and gold leaf finish; the reeded central support joined at the mid-section with a gadrooned sphere and acanthus leaf collars all above a tapering reeded base ending in a berry finial; emanating six scrolled gilt-iron candle arms supporting beaded bobeches; overall even wear and patina to new gilded surface; in good working order

the cerused oak blackplate centering a beveled mirror flanked by 2 similar mirrors with mirrors on the reverse; fitted with a steel and chrome hinged framework; age to plates; good antique condition

the oval top above a plain frieze apron all raised on deep-brown stained cluster column supports ending in bun feet; all joined by a shaped lower stretcher; excellent antique condition with refinished surface

of pegged construction the serpentine top with hand-tooled maroon leather insert above a shaped apron fitted with 3 drawers adorned with rocaille brass escutcheons; all raised on graceful cabriole supports; professionally refinished; replaced leather top

the well-figured round top with an inlaid laurel-leaf and interlaced ribbon perimeter border; above a plain frieze apron with inlaid beading; raised on graceful splayed legs joining a lower shelf; excellent antique condition; professionally refinished

with arching openwork top above a square-form body tapering to a foliate pendant knob; good antique condition; rewired with 4 standard sockets; later solid brass bobeches

the hand-carved walnut bear with expressive gaze fitted with glass eyes; most likely from the Black forest area in the Swiss city of Interlagen; with rich dark patina; good antique condition with minor wear

the portly jug fitted with two handles below a large pouring spout; overall wear, pitting, indentations and patina  

in the neoclassical taste, the rectangular top with turret rear and front corners over a conforming body with 3 paneled long drawers flanked by fluted turrets; all raised on turned tapering supports ending in toupie feet; fitted with neoclassical-inspired brasses; professionally refinished with some replaced and re-glued veneer to top; overall even wear and patina

with incurved caned back centering an inlaid crest above sloping arms with brass terminals over a caned seat fitted with a loose cushion all raised on reeded supports ending in brass feet; good antique condition with minor wear and surface indentations; patina to brass; refreshed surface; new seat cushion

the open back with carved Greek Key rail above reeded downscrolled arms with foliate carving; all raised on curule form legs joined by turned stretchers; good antique condition with deep patina and overall even wear; minor wear to upholstery 

the cartouche mirror plate within a conforming giltwood frame with floral crest above an openwork frame of acanthus and rocaille carving all flanked by the mythical Ho Ho bird with one bird upright and the other downward; the Ho Ho bird was originally seen in Asian artwork and symbolizes good fortune and longevity; overall even wear and patina to re-gilded surface; later plate

a rare Art Deco cabinet with rectangular top with notched corners above a conforming body fitted with two hinged doors opening to reveal a divided interior; all raised on long sweeping cabriole supports ending in a splayed foot; all in a richly-colored and well-figured macassar veneer; good vintage condition; professionally refinished with small areas of replaced veneer

originally used as traveling tea tables for the British in India; the octagonal top with central eight-pointed star medallion within a perimeter band depicting a meandering foliate vine ; raised on a hinged base with arabesque spandrels; good antique condition with overall warm patina; small areas of replaced inlay; one spandrel with repairs and replacements 

originally used as traveling tea tables for the British in India; the octagonal top centering a large stylized floral medallion surrounded foliate stems all within a perimeter border of a meandering foliate vine; raised on a hinged base with arabesque spandrels; good antique condition with overall warm patina; small replacements to inlay; two spandrels on base replaced; top now affixed to base

each well-rendered artist's study depicting grasping hands and a foreshortened foot; very nicely detailed; unsigned; excellent condition with minor discoloration to paper; new deep brown lacquered wooden frames and fillets with acid-free matting

the shapely arching crest surmounted by a floral cluster emanating floral and foliate vines cascading around the perimeter surrounding gold painted chinoiserie decoration on a black ground; good antique condition with general marks and wear commensurate with age; some shrinkage at joints

A Boldly Rendered Pair of French Art Nouveau Prints of Architectural Interior and Exterior Details by Ernest David; newly matted and framed.

a handsome pair of framed sea charts of the coasts of Great Britain by Captain Greenvile Collins; minor foxing; with later matte and ebonized wooden frame
London, 1781

each of solid birch construction with rectangular tops and demi-bullnose edge above a conforming body fitted with 3 uniquely sculpted drawers of raised panels acting as drawer pulls; the whole raised on splayed legs; the lack of hardware and three-dimensional shape give the Sculptura line its distinctive sculptural quality; with incised maker's mark to drawer lining; professionally refinished; good vintage condition with warm patina

in the Neoclassical taste, each well-constructed, custom made cabinet with satinwood and mahogany veneers and exotic wood inlay; centering a single curved door opening to an interior shelf; the tops adorned overall with radiating fan decoration within a scalloped inlaid border; the sides with intricate urn-form marquetry panels and crossbanding; all raised on square tapering supports; good condition with professionally restored finish; minor veneer replacements

Fred Pye (b. 1882 England d. 1964 Ogunquit, ME) Oil on canvas; large and dramatic rocky seascape painting depicting a rocky shore (most likely Ogunquit, ME) with crashing and cresting waves under a partly sunny sky with billowing clouds; signed lower right; good condition with some craquelure in upper right portion of sky; relined; within the original white-washed and gilt wooden frame with beige linen slip. 

each 20-light Lumiere Sputnik style chandelier designed by Jean De Merry with nickel-plated spikes creating a dazzling sphere of light; in good condition with some tarnishing to metal