Milos 2000 no. 1, Watercolor On Paper By William Stanisich, San Francisco presented by epoca. Milos Series, watercolor on paper, 2000-2013. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’ phone (415) 864-6895.
impressed mark 'AD' for the Delafontaine Foundry, Paris
each well-carved foo lion with expressive straightforward gaze on a rectilinear base with dragon-carved frieze; usually depicted in pairs consisting of a male leaning his paw upon an embroidered ball, representing supremacy over the world, and a female restraining a playful cub, symbolizing nurturing and protection for the inhabitants of a building; good antique condition with weathered surface and minor chipping
also available in Belgian Bluestone; the thick rectangular top with bullnose edge raised on 4 detached rectilinear supports; tables are custom made in Belgium so variations in stone will occur
each of unique fluid form with cantilevered seat flanked by padded arms; each with 'made in Italy' labels; with newly upholstered leather upholstery; minor pitting and scuffing to chrome commensurate with age
each of good proportion the ribbon crest above an oval caned back over a serpentine caned seat flanked by open arms; all raised on turned fluted supports ending in toupie feet; good restored condition with professionally restored finish with newly upholstered loose cushions; cane in overall good condition; caned seats replaced
each with circular wall mount emanating 3 scrolling iron candle arms ending in pierced candle-cups adorned with crystal flowers, all below upright tendrils; adorned overall with crystal pendants and beads; excellent restored condition; rewired; patination to gilding (3 pairs available)
tall pair of Kashmir polychrome and black lacquer candlesticks now electrified; each twisting openwork stick surmounted by a candle cup issuing an electrified socket all raised on a round foot over a later ebonized wooden plinth; adorned overall with colorfully painted floral decoration; good antique condition with overall even wear and patina; professionally rewired; one foot with old stable split
each of conical form in a deep cerulean blue opaline glass; with brass caps and bases; good vintage condition with no chips or cracks; 18.25" (top of glass) 29.25" (top of shade); some pitting to well-patinated brass; professionally rewired
each columnar lamp of Carrara marble with Tuscan style capital above a cylindrical standard resting on a cylindrical base all over a square base; height: 16.25" (top of marble) 27.25" (top of shade); good vintage condition with even wear and patina to surface; some abrasions with two polished chips; professionally rewired
each plaster baluster-form lamp by the Bradburn Gallery covered in a celadon painted linen with hand-painted colorful birds perched on a meandering foliate branch speckled with purple berries; height: 16" (top of plaster) 27" (top of shade); gilt embossed maker's mark to underside; good condition with minimal wear; professionally rewired
of good scale and proportions, each with scrolled crest with sloping arms ending in inwardly scrolling terminals; flanking an upholstered loose cushion seat above a carved apron; raised on turned tapering and fluted supports; good antique condition and structurally sound; professionally refinished and reupholstered
good quality reproduction with framed cartouche-form back above a loose cushion seat flanked by scrolled padded arms; above a shapely apron all raised on cabriole supports; good vintage condition with strengthened frame and new upholstery
each with ruffled lip above an ovoid body over a splayed base; painted overall with brightly colored floral decoration; some wear to surface
each with ebonized and carved reeded frame having arching backs above continuous arms raised on tapering legs; good restored condition with new upholstery; professionally refinished
each with round beveled central plate within a scalloped mirrored frame of reverse-etched panels; label to back 'Uttermost'; good vintage condition with no chips or cracks; light wear to frame
a large and well-executed pair of rococo style 4-arm candelabra with trefoil-shaped baluster stem supporting a single candle cup; all resting on a six-footed splayed base; the four double-modeled candle arms supporting tulip-shaped cups on circular bobeches; adorned overall with meandering floral vines, foliate scrolls and rocaille motifs; with underglaze blue maker's mark; excellent vintage condition with no apparent chips or cracks
the inset glass top withing a bronze frame raised on cylindrical faux-marble metal supports ending in claw-and-ball feet all joined by an upper perimeter stretcher and lower x-form stretcher; good vintage condition with minor even wear and patina; new glass plate; with 'Made in Spain' metal tag
the baluster-form lamp of translucent frosted glass raised on a giltwood base
the upright glass stand raised on cylindrical rods; with protruding knobs suspending 2 tools; excellent vintage condition with overall minor wear
excellent condition with overall even wear
of impressive scale, the orb-form lamp of mercury glass fitted with an ebonized wooden cap and base; good vintage condition with age to silvering; re-wired
The Italian menswear brand Isaia, now occupies Frank Lloyd Wright's only San Francisco address, 140 Maiden Lane which was an early model for The Guggenheim, -Quoted within is Epoca's owner, Eric Petsinger