Excellent vintage condition with no chips or cracks; Königliche Porzellan Manufaktur, or KPM (established 1723) was a fundamental part of the landscape of the European decorative arts in the 19th Century, and was, and still is, one of the most prolific producers of luxury porcelain
the porcelain column wrapped with metal wire above a porcelain crackle-glazed orb; all raised on a black and gold painted base; patination to metal; excellent condition
a handsome hand-crafted vintage American half-hull wooden boat builder's model constructed of laminated mahogany and maple in a warm honey-toned patina; within the original wooden frame with later black leather backing; the half-hull models were used to commemorate the launching of a vessel and given to the owner, or may have be been used by the builder as a sales tool to show prospective customers; hull measurement: h 6" w 29.5" d 4"; good vintage condition with minor overall wear and patina; with some indentations to frame and hull
each heavy candle holder surmounted by a shallow candlecup with flared lip raised on a gadrooned support above a ring of stylized leaves; all over a cylindrical base adorned with applied bosses flanked by opposing birds all ending in a splayed foot; good vintage condition with overall even wear and patina
each of voluptuous, elegant form in vibrant fuschia cased glass; raised on splayed gilt-wood bases; excellent condition; rewired
each with long neck above a bulbous body; adorned overall with a gold and white mottled surface with applied colorful flecks in red, yellow and green; excellent vintage condition with no chips or cracks; rewired; nice patina to brass bases
each tall vase with long flaring neck above a bulbous body; the white vase encased in a yellow cased glass; excellent condition with no chips or cracks.
Designed by Marbro Lamp Co., each ovoid-form lamp decorated with slender wheat sheaths resting on a gilt-metal base over an ebonized wooden stand; excellent condition with no chips or cracks; re-wired and re-gilded; signed on underside; Camille Tharaud first studied chemistry as a young man, but after an injury during WWI, he convalesced in Limoges, France where he began his work with porcelain, opening up his own factory in 1920.
the bullet-form vase in gray glass with oculus opening above a frosted upper section over a carved faceted lower portion tapering to the base; this chiseled glass method is similar to the 'Battuto' style made by Ferro Battato in Murano; 'Rosenthal' acid etched signature to underside; good vintage condition with no chips or cracks; minor wear and abrasions overall and to underside
the rectangular carved frame in the neoclassical style of overlapping laurel leaves and berries tied with ribbons all highlighted with acanthus leaves at the corners; refreshed paint and gilding; nice overall even wear and patina; age to original antique plate
of stylish mid-century design in the manner of Tommi Parzinger, with ivory-glazed oblelisk-form base emanating two deeply scrolled brass arms supporting candle form socket holders; centering a cylindrical brass rod and finial; all atop a black marble base with white veining; 18.5" (top of ceramic) 35: (top of shade); good vintage condition with light overall wear; minor pitting to brass; professionally rewired.
the rectangular hinged lid fitted with a flush-mounted handle over a conforming body flanked by solid brass bail handles; all resting on a later detached stand; adorned overall with brass perimeter strapping and decorative brass inlay; good antique condition commensurate with age; overall wear and patina; brass strapping with indentations and wear; professionally refinished; new custom-made stand
a quality lamp made by Chapman Manufacturing Company, USA, the swivel shade fitted with a standard socket and frosted glass panel raised on adjustable brass arms all over a rectangular base mounted with a toggle switch; professionally disassembled, cleaned and rewired; brass in good condition; ebonized elements re-painted.
the octagonal forest-green marble top with painted inlaid scrollwork surrounded by floral and foliate decoration; all raised on a neoclassical style Michael Taylor faux stone cross tripod lyre base; overall good condition with some minor chips to base; minor even wear to top
each of good proportion the ribbon crest above an oval caned back over a serpentine caned seat flanked by open arms; all raised on turned fluted supports ending in toupie feet; good restored condition with professionally restored finish with newly upholstered loose cushions; cane in overall good condition; caned seats replaced
each of elegant shape with cartouche-shaped back above a serpentine seat flanked by scrolled arms; all raised on cabriole supports; with custom down-filled cushions; good sturdy condition with overall minor wear and rich patina; refreshed surface; caning intact
each shapely lamp of hand-blown sky blue dappled glass all raised on a brass and lucite circular base; professionally rewired; good vintage condition with minimal wear
originally used as traveling tea tables for the British in India; the octagonal top with central eight-pointed star medallion surrounded by floral and foliate motifs within a foliate vine perimeter band; raised on a hinged base with arabesque spandrels; good antique condition with overall warm patina; small areas of replaced inlay; top now affixed to base
minor wear to honed surface; new wiring; shade as is; French wired
composed of interlocking antlers resting on a circular wooden base; general marks, rubbing and wear; antlers painted with some chipping; professionally rewired
high quality antique hand-forged andirons having barley twist shafts topped with gadrooned brass finials all raised on a scrolled openwork base; good antique condition with nice overall patina and wear
each double-handled urn painted with meandering foliate design on a blue-gray ground; with incised marks to the underside; minor overall surface wear
with exuberant rocaille crest flanked by foliate scrolls at the corners; with rocaille carving at the base; good antique condition with overall even patination to gilding
the ovoid pot with short neck above a tapering body adorned with carved relief decoration depicting parrots; patina and fine craquelure to glazed surface; repaired chip to inside of lip
good quality reproduction with framed cartouche-form back above a loose cushion seat flanked by scrolled padded arms; above a shapely apron all raised on cabriole supports; good vintage condition with strengthened frame and new upholstery
