of elegant form, the long upholstered seat with scrolled ends above a plain frieze apron all raised on splayed supports ending in incised brass sabots; professionally restored frame with refreshed finish; newly upholstered 

each well-rendered painting depicting mounds of cherries and raspberries in bowls on a black ground; in period gilded frames; newer mattes and gilt fillets; vibrant and clear colors; rubbing and patina to gilding

a beautiful example of Gustavian furniture having a well-figured top with canted corners with similalry veneered side panels; the front fitted with 3 graduated drawers with tumbling block and geometric parquetry veneer; raised on tapering quadrangular supports with gilt-bronze mounts; good antique condition; professionally refinished; small areas of replaced veneer

each of graceful form with long cylindrical neck above a bulbous body; the whole adorned with applied striated decoration in a graduated color pattern from white to aqua; resting on brass canted bases; height: 17.25" (top of glass)  28.25"  (top of shade); good vintage condition with no chips or cracks; some imperfections in glass inherent in the glass blowing process; some pitting to brass; professionally rewired

attributed to Warren Kessler Lamps, New York est. 1939; each hand-blown columnar lamp of baluster-form with reeded shaft above a bulbous mid-section over a cylindrical pedestal and splayed foot; all resting on a gold painted metal base; each in a soft butterscotch cased glass; height: 18.5" (top of glass); good condition with no chips or cracks; professionally rewired  

attributed to Warren Kessler Lamps, New York est. 1939; each hand-blown columnar lamp of baluster-form with reeded shaft above a bulbous mid-section over a cylindrical pedestal and splayed foot; all resting on a gold painted metal base; each in a soft butterscotch cased-glass; height: 18.5" (top of glass); good condition with no chips or cracks; professionally rewired  

a versatile lamp that can be used in multiple settings, of thick hand-polished crystal with its ethereal reflective quality allowing light to penetrate changing from day to evening; all resting on a brushed chrome base; the obelisk was originally constructed by Ancient Egyptians and later used by the Greeks who described them as obeliskos; excellent condition with no chips or cracks

each of campagna form with everted lip tapering to a compressed portly body all over a square plinth; adorned with ebonized highlights; 18.5" (top of wood)  29.5" (top of shade); professionally rewired; good vintage condition with minor wear and nice warm patina

each large vase modeled in the long ovoid form; the body painted in polychrome enamel depicting bold and colorful flowers, trees and butterflies under a geometric band at the shoulder; mounted as lamps with bronze openwork collar and base with lappet perimeter band; professionally rewired; nice patina to bronze; good antique condition with no chips or cracks

each tall ribbed vase painted overall with floral and foliate stems resting on a pierced brass base; good antique condition with overall fine craquelure; rewired

each large-scaled urn with sweeping flared neck tapering to a flared foot; now drilled with later wooden mounts

Each tall beveled mirror obelisk resting on a square stepped mirrored plinth; no chips or cracks, excellent condition. 

each with round beveled central plate within a scalloped mirrored frame of reverse-etched panels; label to back 'Uttermost';  good vintage condition with no chips or cracks; light wear to frame

of impressive scale, the orb-form lamp of mercury glass fitted with an ebonized wooden cap and base; good vintage condition with age to silvering; re-wired

each shapely lamp of hand-blown sky blue dappled glass all raised on a brass and lucite circular base; professionally rewired; good vintage condition with minimal wear

Excellent vintage condition with no chips or cracks; Königliche Porzellan Manufaktur, or KPM (established 1723) was a fundamental part of the landscape of the European decorative arts in the 19^th Century, and was, and still is, one of the most prolific producers of luxury porcelain

good quality reproduction with framed cartouche-form back above a loose cushion seat flanked by scrolled padded arms; above a shapely apron all raised on cabriole supports; good vintage condition with strengthened frame and new upholstery

each well-rendered expressive fish with gaping mouth above a reticulated body with upturned tail; each having a rich turquoise tonal glaze and drainage hole; one with mottled glazed finish; overall even wear with fine craquelure to surface; good vintage condition with no breaks; some firing imperfections

each of solid birch construction with rectangular tops and demi-bullnose edge above a conforming body fitted with 3 uniquely sculpted drawers of raised panels acting as drawer pulls; the whole raised on splayed legs; the lack of hardware and three-dimensional shape give the Sculptura line its distinctive sculptural quality; with incised maker's mark to drawer lining; professionally refinished; good vintage condition with warm patina

each having silver-embossed leather double doors with Lucite handles and decorative round Lucite handles on the sides all raised on Greek key form legs; excellent vintage condition with patina to leather; professionally polished.

MADELEINE LIEPE (Oregon/Switzerland, 1929-2017) Signed lower right and dated 1970, signed again and titled verso; the serene charcoal drawing of lush trees surrounding a pond with a gently rolling lawn in the foreground; good clean condition with only minor discoloration; new acid-free matting with gilt fillet and ebonized wooden frame;  Madeleine Liepe was a Postwar and Contemporary artist who spent her professional career in Oregon.

each tall and finely crafted fluted bronze hall tree adorned with finely detailed gilt-bronze neoclassical decoration with berry finials, bows, ribbons, and tassels centering a trophy with lyre; the dramatic medusa mask emanating writhing snakes (for coats) with coiled snakes further down the shaft (for umbrellas); all over a square openwork base; purchased in 1994 from Leah's Antique Gallery, New York City (receipt attached); in good antique condition with minor wear to gilding and bronze; some oxidation to bases

Each beautifully decorated chest with concave top with canted corners above a conforming body fitted with 2 short over 2 long drawers all raised on splayed bracket feet; with overall red ground and gilt decorated chinoiserie motifs including bird, floral and vine, architectural follies and waterscapes; good antique condition with refreshed surface; professionally restored with overall craquelure and patina; japanning possibly later

each with central glass support surrounded by two tall opposing leaves of translucent gold aventurine glass all raised on a thick gold bullicante disk over a later Lucite base; height: 16.5" (top of glass) 27.5" (top of shade); good vintage condition with no chips or cracks; professionally rewired; later Lucite bases