the circular tabouret with new decking above a rope-twist giltwood frame with cabriole supports with knotted feet all joined by an x-form stretcher centering a robust central knot; furniture carved in this manner is generally associated with the Parisian upholsterer A.M.E. Fournier, who supplied at least one carved rope stool to the Musée National du Château de Compiègne; gilding refreshed; nice patina with overall even rubbing; structurally sound frame; new taupe leather upholstery with saddle-stitch detailing. 

a good quality cabinet in the neoclassical style with inset square top of ribbon mahogany above a single drawer apron raised on turned supports all joined by a lower shelf over a single drawer; raised on brass casters; good vintage condition with minor overall wear and good patina; professionally refinished 

the large beautifully-detailed ceramic white glazed parrot with head in profile above a well-delineated plumed body with long tail feathers; all perched upon a branch-work base with applied leaves and grapes; with underglaze blue maker's mark and paper label 'made in Italy'; good vintage condition with small areas of missing glaze; small hairline crack to one wing

a handsome hand-crafted vintage American half-hull wooden boat builder's model constructed of laminated mahogany and maple in a warm honey-toned patina; within the original wooden frame with later black leather backing; the half-hull models were used to commemorate the launching of a vessel
and given to the owner, or may have be been used by the builder as a sales tool to show prospective customers; hull measurement: h 6"  w 29.5" d 4"; good vintage condition with minor overall wear and patina; with some indentations to frame and hull

a versatile lamp that can be used in multiple settings, of thick hand-polished crystal with its ethereal reflective quality allowing light to penetrate changing from day to evening; all resting on a brushed chrome base; the obelisk was originally constructed by Ancient Egyptians and later used by the Greeks who described them as obeliskos; excellent condition with no chips or cracks

the hand-blown lamp of translucent pale blue glass with long neck above a bulbous body all raised on brass bases; excellent vintage condition with minor wear; no chips or cracks; some pitting to brass; professionally rewired

of good scale and quality, circa 1930; each high back dining chair with beige leather upholstery and birdseye maple frame, for S.Hille & Co, London, consisting of two arm and six side chairs, having a vasiform splat above a tight seat; raised on graceful splayed supports; professionally refinished; minor wear and patina to later leather upholstery; 

of compressed form covered overall in an ivory and brown drip-glaze over a caramel ground; excellent vintage condition with no chips or cracks; rewired

the rectangular sandalwood box veneered in water buffalo horn with sloping top centering a lotus flower form finial; all raised on turned horn feet;  warpage to lid; lacking key

the baluster support surrounded by 8 deeply scrolled arms joining a bowl with faceted pendant; excellent condition; rewired

a robust american 1960's baluster-form cork lamp with ebonized base and cap; rewired; shade as is

a handsome english art deco beechwood floor lamp with blond highlights

of impressive scale, the orb-form lamp of mercury glass fitted with an ebonized wooden cap and base; good vintage condition with age to silvering; re-wired

the square clear glass plate resting on a nickel plated base consisting of 4 upturned supports over 4 downturned legs; minor patination to metal.

the pastoral setting depicting three grazing cows in a lush green field below billowing clouds; signed 'A J Groenewegen' lower left

the large oval tray of well-figure mahogany centering a robust inlaid fan medallion with crossbanded perimeter band all within a scalloped wooden gallery flanked by solid brass handles; green felt to underside; good antique condition with normal wear and patina

the square top with inset tiles all above intricate openwork aprons with arabesque spandrels; painted overall with stylized floral and foliate motifs in colors of scarlet, ochre and olive green; overall wear and patina with some chipping to paint 

from Vizagapatam, the rectangular sandalwood box veneered in water buffalo horn with sloping top centering a lotus flower form finial; all raised on compressed spheroid horn feet; horn of a mellow green color; good antique; lacking key

each in a rich egg yolk-yellow glaze with everted neck above an ovoid body with stylized laurel leaf perimeter band flanked by lions masks; all raised on a fluted splayed support resting on an ebonized wooden base; excellent vintage condition with no chips or cracks; wooden base refinished; rewired

of neoclassical style, the oval inset beveled glass top within a nickel-plated frame; all raised on cylindrical supports ending in toupie feet all joined by a shaped stretcher; good vintage condition with some abrasions to glass and metal; minor pitting on feet; small interior chip to glass along edge

with short everted neck above a tapering ovoid body in a deep red 'orange peel' glaze adorned with lava glaze perimeter bands; minor wear.

each of rectangular form with raised offset concentric rings or 'ripples' all in a deep blue on black glaze; excellent vintage condition with no chips or cracks; STEULER was founded in Höhr-Grenzhausen, a center of the ceramic industry in the Rhineland's Kannenbäckerland, in 1917.  STEULER reached its artistic zenith in the 1960s and '70s and is best known today for the inspiring designs of Cari Zalloni. Here's a fine specimen from Cari Zalloni's shapely and colorful 'Zyklon' line of 1968 for STEULER KERAMIK.

the framed incurved upholstered back above a loose cushion seat flanked by graceful sling-form arms; all raised on tapering turned supports ending in ebonized feet; good vintage condition; nice warm patina to professionally refinished surface; newly upholstered

Fred Pye (b. 1882 England d. 1964 Ogunquit, ME) Oil on canvas; large and dramatic rocky seascape painting depicting a rocky shore (most likely Ogunquit, ME) with crashing and cresting waves under a partly sunny sky with billowing clouds; signed lower right; good condition with some craquelure in upper right portion of sky; relined; within the original white-washed and gilt wooden frame with beige linen slip. 

the long inset glass top within a molded brass border; raised on a black metal base joined by a lower glass shelf; excellent condition with overall minor wear