each striking lamp with long flaring neck above an ovoid body decorated with ivory, brown and ochre perimeter stripes on a mottled pumice-colored ground; resting on splayed walnut bases with brass caps; height: 21.25" (top of ceramic)  34" (top of shade); good vintage condition with minor rubbing to surface; professionally rewired; no chips or cracks

each well-rendered painting depicting mounds of cherries and raspberries in bowls on a black ground; in period gilded frames; newer mattes and gilt fillets; vibrant and clear colors; rubbing and patina to gilding

each lamp of columnar form with long cylindrical neck over a stepped base all resting on a brass foot; 18.5" (top of glass) 30.5" (top of shade); professionally rewired; slight variation in color; minor wear and some lifting of paint to underside of glass; some rubbing to gilding; no chips or cracks

each with long neck above a bulbous body; adorned overall with a gold and white mottled surface with applied colorful flecks in red, yellow and green; excellent vintage condition with no chips or cracks; rewired; nice patina to brass bases

each tall ribbed vase painted overall with floral and foliate stems resting on a pierced brass base; good antique condition with overall fine craquelure; rewired

each with long flaring neck above a tapering body painted overall with stylized floral and foliate vines in colors of ochre and aqua with gilt highlights all on a white ground; raised on a water-gilded wooden base; signed 'Marbro Lamp Italy'; excellent condition with no chips or cracks; re-wired; some rubbing to gilding

each striking lamp of deep purple bullicante and gold aventurine glass with an iridescent surface; raised on a brass octagonal base; excellent vintage condition with no chips or cracks; rewired 

each well constructed chest fitted with 2 drawers with inset reserves and brass pulls; raised on tapering supports; drawer interiors of solid oak; John Stuart furniture labels inside drawers; professionally refinished  

each square tapered column of well-figured rock crystal, having four sides and a pyramidal top; resting on a lacquered base; good antique condition with no chips or cracks to crystal; some lifting to veneers on bases. 

Rock crystal is the purest variety of Quartz and is transparent and colorless. Its name derives from the Greek term krustallos meaning 'ice' and is the sister gemstone to colorful varieties of quartz, such as amethyst and citrine. 

great statement lamps with long flaring ceramic neck above a spheroid cork body resting on a similar ceramic base; good vintage condition with overall even wear; no chips or cracks to ceramic; rewired

the French made cased-glass bodies of graduated triple-gourd form resting on brass bases; in a deep teal color accentuated by the cased-glass process of fusing together multiple layers of glass; each with foil label 'BASE MADE IN FRANCE'; height: 17" (top of glass)  28" (top of shade); excellent condition with no chips or cracks; some pitting and patina to brass bases; professionally rewired 

of exceptional quality, each double-gourd form lamp with hand-painted butterflies and raised polychrome floral and foliate vines all on a white glazed ground; height: 18" (top of porcelain  30" (top of shade); professionally rewired and restored with minor replacements to flower heads and vines

these unique carvings are from a Churulan Vallam, a traditional narrow boat used in the famous snake boat races of Kerala, South India and powered by approximately 45 people; the prow is carved as a "churul" meaning a ring out of local aini wood and adorned with incised carvings and applied metal embellishments; some missing metal elements with overall wear and abrasions; age cracks

each with four panels detailing various ways to prevent accidents and lessons learned, including 'Feu, Eau, Contagion, Empoisonnements, and Maison'; based on 19th century original lithographs by Emile Deyrolle; Les Fils d’Emile Deyrolle, Rue du Bac, Paris; restored ebonized wooden frames; some darkening, wrinkling, and foxing; PRICED PER PAIR

of stylish mid-century design in the manner of Tommi Parzinger, with ivory-glazed oblelisk-form base emanating two deeply scrolled brass arms supporting candle form socket holders;  centering a cylindrical brass rod and finial; all atop a black marble base with white veining; 18.5" (top of ceramic)  35: (top of shade); good vintage condition with light overall wear; minor pitting to brass; professionally rewired. 

an impressively long bench ideal for a hallway or bedroom, in the Baroque taste with rectangular upholstered tight seat above an ornate and symmetrically carved openwork apron with shell motifs flanked by lively scrollwork; all raised on scrolled supports terminating in acanthus leaves over a lobed foot; all joined by cross stretchers; overall dark patina with subtle areas of gilding; professionally restored with refreshed finish; one stretcher replaced; good solid condition; newly upholstered

the large round mirror within a well-carved pale blue and silver-gilt frame capped with a shell motif over an openwork crest; all above an exuberantly carved frame with lively C-scrolls and acanthus leaves; purchased in 2022 from the estate of antique dealer Bartolomeo Rizzo, Palermo, Italy; good antique condition with some replacements, elements re-glued; professionally restored with refreshed surface; nice overall even wear and rubbing to surface; later plate

a charming impressionist painting of young French boys dressed in their school uniforms and carrying red flags as they walk across an urban park dappled with patches of light and shade; artist signed lower left 'R.

Jules Leleu (French 1883-1961); executed in a well-figured tiger-mahogany with mahogany secondary wood, having a shaped top, above the four drawer case with chromed pulls all flanked by two doors; raised on splayed supports with chrome sabots; a similar model can be seen in Yvonne Brunhammer, Le Style 1925, Editions Baschet et Cie, Paris, p. 45 & Francoise Siriex, The House of Leleu pgs. 46, 47; excellent vintage condition with refinished surface

the large beautifully-detailed ceramic white glazed parrot with head in profile above a well-delineated plumed body with long tail feathers; all perched upon a branch-work base with applied leaves and grapes; with underglaze blue maker's mark and paper label 'made in Italy'; good vintage condition with small areas of missing glaze; small hairline crack to one wing

Ideal for a smaller space, of polished and brushed chrome construction supporting three beveled glass shelves all joined by columnar supports; the whole flanked by scrolled handles and raised on steel casters; good vintage condition with some surface abrasions and rubbing; scratches and wear to glass shelves  

each with round teak top raised on metal supports ending in teak feet; Albert Larsson was a Swedish carpenter and furniture maker from the Mid-century modern period. He established his own business Alberts Tibro in 1938, and after World War II the small production team began specializing in coffee tables and multifunctional height-adjustable tables. Throughout the following decades the company grew to become one of Sweden's most successful manufacturers.

purchased in Rome in the 1980's, the well-carved chubby winged putti in opposing stances and poised on one foot over a rock-work base; depicting the grape harvest also known as the allegory of autumn (see detail image of Jean-Jacques Lagrenée's 'Putti Harvesting Grapes'); interior image courtesy 'Edward Lobrano Interior Design', NYC; excellent antique condition with overall rubbing to refreshed gilding

each of graceful form with long cylindrical neck above a bulbous body; the whole adorned with applied striated decoration in a graduated color pattern from white to aqua; resting on brass canted bases; height: 17.25" (top of glass)  28.25"  (top of shade); good vintage condition with no chips or cracks; some imperfections in glass inherent in the glass blowing process; some pitting to brass; professionally rewired

each with short everted neck above a baluster-form body all ending in a splayed foot; with ebonized metal cap and wooden bases; all in a rich orange lustre glaze; undersides impressed RUSKIN / ENGLAND 1919; Ruskin Pottery was an English art pottery studio founded in 1898, and closing in 1935.