the cartouche-shaped mirror within an elaborate giltwood frame of C-scrolls, rocaille, and floral carving; good antique condition with refreshed gilding; overall even wear
An elegant and finely ; Labeled: Han Larsen, Kallundborg, Kjobenhavn; the half-round top over a conforming base inlaid with satinwood inlay and ebony stringing; fitted with four drawers flanked by two hinged doors; raised on short tapering legs; Circa 1880
the well-detailed studies depicting a tented ceiling and a restaurant wall in rich layered colors; with new art nouveau style giltwood frames. (1 available)
each with central glass support surrounded by two tall opposing leaves of translucent gold aventurine glass all raised on a thick gold bullicante disk over a later Lucite base; height: 16.5" (top of glass) 27.5" (top of shade); good vintage condition with no chips or cracks; professionally rewired; later Lucite bases
each with circular wall mount emanating 3 scrolling iron candle arms ending in pierced candle-cups adorned with crystal flowers, all below upright tendrils; adorned overall with crystal pendants and beads; excellent restored condition; rewired; patination to gilding (3 pairs available)
tall pair of Kashmir polychrome and black lacquer candlesticks now electrified; each twisting openwork stick surmounted by a candle cup issuing an electrified socket all raised on a round foot over a later ebonized wooden plinth; adorned overall with colorfully painted floral decoration; good antique condition with overall even wear and patina; professionally rewired; one foot with old stable split
each of conical form in a deep cerulean blue opaline glass; with brass caps and bases; good vintage condition with no chips or cracks; 18.25" (top of glass) 29.25" (top of shade); some pitting to well-patinated brass; professionally rewired
A pair of Royal Crown Derby vases ca. 1893 having relief gilt floral and fruit motif encircling the bodies with Art Nouveau pattern at the flared necks, all on a pink ground; each having an iron red overglaze Derby Crown mark with interlacing D's above cypher indicating year 1893; gentle wear commensurate with age including slight wear to gilding; one minuscule fleabite at lower edge of one vase; slight crazing along bottom edge of one vase.
each plaster baluster-form lamp by the Bradburn Gallery covered in a celadon painted linen with hand-painted colorful birds perched on a meandering foliate branch speckled with purple berries; height: 16" (top of plaster) 27" (top of shade); gilt embossed maker's mark to underside; good condition with minimal wear; professionally rewired
each of simple cylindrical form covered in a mottled celadon green glaze; with custom giltwood bases and gilt-metal caps; 17.5" (top of vase) 28.5" (top of shade); good vintage condition with minor wear; the vases now drilled and mounted as lamps; rubbing and patina to gilding
Excellent vintage condition with no chips or cracks; Königliche Porzellan Manufaktur, or KPM (established 1723) was a fundamental part of the landscape of the European decorative arts in the 19th Century, and was, and still is, one of the most prolific producers of luxury porcelain
each composed of a metal frame with wooden top and side panels; fitted with 2 metal faux-bamboo doors with antiqued mirrored panels; excellent restored condition with replaced tops
the circular tabouret with new decking above a rope-twist giltwood frame with cabriole supports with knotted feet all joined by an x-form stretcher centering a robust central knot; furniture carved in this manner is generally associated with the Parisian upholsterer A.M.E. Fournier, who supplied at least one carved rope stool to the Musée National du Château de Compiègne; gilding refreshed; nice patina with overall even rubbing; structurally sound frame; new taupe leather upholstery with saddle-stitch detailing.
the large sturdy hand-carved table of pegged construction with shaped rectangular top of matchbook European walnut veneer above a scalloped apron with rocaille carving; all raised on bold cabriole supports ending in hoof feet; structurally sound; intentionally distressed finish to imitate age; minor overall wear and rubbing; professionally polished and waxed
of elegant form, the long upholstered seat with scrolled ends above a plain frieze apron all raised on splayed supports ending in incised brass sabots; professionally restored frame with refreshed finish and gilding; overall even wear an rubbing; newly upholstered
the tall and striking ribbed art glass lamp of conical form in luminous smoked glass all resting on a brass base; Empoli is known as the other Italian mid-century glass. Simpler in design than their Murano cousins, the simple traditional styles of Empoli glass were quickly adapted to the sparse abstract shapes of mid 20th century modernism. The vast majority of mid century-styled Empoli glass was made for the American market; height: 21.25" (top of glass) 32" (top of shade); good vintage condition with no chips or cracks; professionally rewired; even wear to re-painted base
of asymmetrical form with a lively floral head emanating from one corner; with artist's initials 'PSM', overall oxidized surface
the delicately beaded frame emanating 6 scrolled arms; adorned overall with crystal pendants and swags; excellent condition; cleaned and rewired
the center support of simulated drapery and bow; emanating 6 double-scrolled candlearms; the whole tapering to a grape cluster pendant surrounded by openwork foliate motifs; rewired.
with exuberant rocaille crest flanked by foliate scrolls at the corners; with rocaille carving at the base; good antique condition with overall even patination to gilding
perfect for the foot of a bed; the shaped padded seat above a scalloped apron raised on graceful cabriole supports; adorned overall with rocaille and shell carving; overall even wear; excellent restored condition; newly upholstered
the round top above a plain frieze apron fitted with a single drawer; raised on a tripod base of elegantly splayed and tapering supports with a waisted neck; good vintage condition with overall even wear and patina; minor repairs and re-gluing to veneer
with flared neck above a lobed body all raised on a square plinth; good antique condition with overall weathered and chipped surface
the gray marble top resting on an open iron-work base with 8 over-scaled double c-scrolled supports adorned with bold gilt-tole leaves; overall oxidation; later top
the square top with inset tiles all above intricate openwork aprons with arabesque spandrels; painted overall with stylized floral and foliate motifs in colors of scarlet, ochre and olive green; overall wear and patina with some chipping to paint
