Night Vision 2010 no. 7, Watercolor On Paper By William Stanisich, San Francisco; Signed And Framed Dated 2010 Speed Series – Watercolor On Paper 2006 – 2008; A series of the night in urban San Francisco; Artist William Stanisich brings to life with his watercolor paintings rich in color, motion and mood, this series of moving cars through a rainy night.
Land's End 2003 no. 6 - Watercolor On Paper By William Stanisich, San Francisco presented by epoca Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End ph. 415 864-6895
Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End with its wind whipped trees and branches and natural cathedrals, creating ‘magical spaces that are lit from above and glow from within, creating a kaleidoscope of colors and shapes”.
Milos Series – watercolor on paper 2000-2013; A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’. San Francisco painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”.
Milos 2006 no. 12, Watercolor By William Stanisich, San Francisco presented by epoca. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’. San Francisco painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”
Milos 2009 no. 17 Watercolor On Paper; William Stanisich, San Francisco Presented by epoca. Milos Series: watercolor-on-paper ,2000-2013. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’. San Francisco Painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated, “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”.
Milos 2006 no. 24, Watercolor On Paper By William Stanisich, San Francisco presented by epoca. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’. San Francisco painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”
Milos 2000 no. 1, Watercolor On Paper By William Stanisich, San Francisco presented by epoca. Milos Series, watercolor on paper, 2000-2013. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’ phone (415) 864-6895.
the framed cartouche-shaped back above a serpentine seat flanked by scrolled padded arms; the scalloped apron with rocaille and foliate carving all raised on cabriole supports with incurved feet; restored with new upholstery.
surmounted by a bold ribbon above an oval frame adorned with laurel leaves and pinwheel bosses all in a finely detailed repoussé metalwork; later antiqued mirror plate; overall even rubbing and patina to gilt metal surface
originally used as traveling tea tables for the British in India; the octagonal top with central eight-pointed star medallion surrounded by floral and foliate motifs within a foliate vine perimeter band; raised on a hinged base with arabesque spandrels; good antique condition with overall warm patina; small areas of replaced inlay; top now affixed to base
Each with sloping in-curved crest rail over vertical spiral-carved stiles; joining a U-shaped tight seat above a reeded apron all raised on cabriole supports joined by a carved X-form stretcher; professionally restored with warm patina and new leather upholstery
having curved front with five inlaid doors, all raised on turned and flared feet with brass terminals; the center door opens to reveal sycamore-veneered drawers; the right door opens to reveal a mirrored and glass bar compartment; excellent condition
Land's End 2006 no. 6 - Oil On Canvas By William Stanisich, San Francisco presented by epoca Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End. Presented by epoca ph. (415) 864-6895.
this stylish Hollywood Regency gilt-brass and crystal pendant light fitted with over-scaled round faceted crystal elements; rewired with 6 chandelier bulbs with a maximum of 60 watts each; excellent vintage condition with no chips or missing crystals
the hinged circular top centering a beautifully inlaid checkboard on one side flipping to reveal an inlaid Parcheesi (Ludo) board on the reverse; raised in 4 dramatically incurved supports joined by a lower shelf fitted with a hidden compartment for game pieces; professionally refinished with minor warpage to top; Parcheesi is based on Pachisi, originated in India around the 4th century A.D. Its popularity headed west in the 1860s, first traveling to England, which had taken over rule of India from the British East India Company in 1858, and then further into Europe.
the squared top above a conforming body fitted with a single tambour door; the arching apron joining four columnar supports above a lower shelf; raised on compressed bulbous feet; restored condition
of overall rich patina, the circular dish top with ribbed edge above a turned baluster support raised on 3 splayed legs with spheroid feet; repairs to base of support; overall age and warm patina; small age crack to top
of well-figured mahogany with oval top raised on turned ebonized double-column supports over a conforming lower shelf; all over four short ebonized turned feet; good restored condition; professionally refinished surface
a stylish French 1940s brass rectangular coffee table with inset black glass top; with black glass top inset within a brass frame raised on reeded supports with stylized melon-form caps all joined by a lower x-form stretcher; later glass; good vintage condition with overall even wear and patina
of openwork pineapple form in a gray and subtle verdigris finish with flared top above a bulbous woven body raised on splayed feet; glass top not included; structurally sound with expected wear and patina to the iron surface from outdoor use
from the artist: old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and i cannot pass one by without shooting a photograph as inspiration for a future painting. i seek to capture their essence, in a time less hurried, a calmness of spirit. i want to preserve their beauty.
michael dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his b.a. and masters in art from california state university, sacramento.
