The Italian menswear brand Isaia, now occupies Frank Lloyd Wright's only San Francisco address, 140 Maiden Lane which was an early model for The Guggenheim, -Quoted within is Epoca's owner, Eric Petsinger
the shaped faux marble top above a bombe-form case fitted with 2 drawers over 2 doors all raised on cabriole legs; the whole painted with foliate vines and floral garlands on a muted butter-yellow ground; refreshed surface with overall even wear
the shapely arching crest surmounted by a floral cluster emanating floral and foliate vines cascading around the perimeter surrounding gold painted chinoiserie decoration on a black ground; good antique condition with general marks and wear commensurate with age; some shrinkage at joints
the serene tonal painting with its limited palette and harmonizing colors depicting an impressionistic, hilly wintry scene; excellent condition; new giltwood frame and fillet; Robb Beebe began his art training in 1910 at the Cleveland School of Art. Post-university studies led Beebe to the Art Institute of Chicago. In 1913, he began using the name Robb Beebe with its unusual spelling. In the 1930's, Beebe worked as an illustrator for the pulp magazine, All Story Love Tales while contributing to Women's World, Collier's and McCalls.
a fantastic example of Gothic revival furniture, the robust pair of ebonized Gothic style arm chairs with padded back with openwork pointed arch crest flanked by turned stiles; above a tight seat flanked by padded arms with over-scaled spheroid terminals; all raised on turned supports ending in wooden casters; finish professionally refreshed; wear to casters; good antique condition; newly upholstered
with incurved caned back centering an inlaid crest above sloping arms with brass terminals over a caned seat fitted with a loose cushion all raised on reeded supports ending in brass feet; good antique condition with minor wear and surface indentations; patina to brass; refreshed surface; new seat cushion
the large beautifully-detailed ceramic white glazed parrot with head in profile above a well-delineated plumed body with long tail feathers; all perched upon a branch-work base with applied leaves and grapes; with underglaze blue maker's mark and paper label 'made in Italy'; good vintage condition with small areas of missing glaze; small hairline crack to one wing
each of elegant shape with cartouche-shaped back above a serpentine seat flanked by scrolled arms; all raised on cabriole supports; with custom down-filled cushions; good sturdy condition with overall minor wear and rich patina; refreshed surface; caning intact
each with padded crest rail above an openwork back over a tight seat with a channeled apron; flanked by upright arm rests; professionally refinished and reupholstered
each with ebonized and carved reeded frame having arching backs above continuous arms raised on tapering legs; good restored condition with new upholstery; professionally refinished
each well-executed plaque of impressive scale depicting a moody forest scene and a tranquil lake setting; all within custom ebonized moulded frames with giltwood slips; excellent antique condition with no chips or cracks to ceramic; minor professional repair to one frame
The serpentine marble top above a conforming body having two drawers fitted with foliate bronze hardware all over a scalloped apron. adorned overall with floral and foliate inlaid olivewood reserves on a black walnut ground; good antique condition with small areas of replaced veneer; professionally refinished; some age and patina to later marble top
of cornucopia form with flared candle holder tapering to a scrolled end; adorned with florets and acanthus leaves all over a later ebonized wooden plinth; ex-collection of Michael Taylor, San Francisco; later plinth; overall patina and wear; refreshed gilding
the arbalete top with perimeter stringing within a crossbanded border all above a shapely bombe-form body with similar stringing and crossbanding; fitted with two long drawers having openwork solid brass pulls; the whole raised on graceful cabriole supports; overall even wear and nice warm patina; good vintage condition; professionally refinished
the large round mirror within a well-carved pale blue and silver-gilt frame capped with a shell motif over an openwork crest; all above an exuberantly carved frame with lively C-scrolls and acanthus leaves; purchased in 2022 from the estate of Palermo, Italy antique dealer Bartolomeo Rizzo; good antique condition with some replacements, elements re-glued; professionally restored with refreshed surface; nice overall even wear and rubbing to surface; later plate
dressed in vintage 1940's clothes, the pensive golfer stares down the fairway after completing the perfect swing; inscribed EG ; with an overall brown patina with some green oxidation; good vintage condition with general overall wear; appears to have had a plaque on marble base; some chipping along bottom edge of base
Excellent vintage condition with no chips or cracks; Königliche Porzellan Manufaktur, or KPM (established 1723) was a fundamental part of the landscape of the European decorative arts in the 19th Century, and was, and still is, one of the most prolific producers of luxury porcelain
the playful chubby putti with head turned holding onto a writhing dolphin; overall even weathering; excellent condition.
each of colored satinato glass with domed lids above a cylindrical body over a splayed foot; good vintage condition with one minor chip to green jar lip
the oval top above a plain frieze apron all raised on deep-brown stained cluster column supports ending in bun feet; all joined by a shaped lower stretcher; excellent antique condition with refinished surface
each assembled one-of-a-kind table composed of iron gear wheels and cogs; fitted with glass tops; good condition; professionally cleaned and sealed
a serene impressionistic sunlit scene of a couple in the foreground seated in a gondola facing the viewer with a typically-dressed gondolier standing at the stern; with the towering St. Mark's Campanile and striking Basilica softly lit in the background; signed lower right; site dimensions: 11.5" x 11.5", overall dimensions: 16.5" x 16.5"; Raul Jose Mina Mora (Minamora) was born in Santa Ana, El Salvador in 1915, the son of a wealthy coffee plantation owner. Minamora came to San Francisco in 1924 where he studied at the California School of Fine Arts (San Francisco).
the tall back with dramatic arching crest above a serpentine seat flanked by padded arms all above a scalloped apron raised on cabriole supports; excellent restored condition.
the sturdy aluminum frame with adjustable back rest; raised on graceful splayed supports
