each with flaring neck above a tapering body; adorned with gilt perimeter bands depicting delicate meandering floral vines; raised on a metal base with chow feet; rewired; minor wear to gilding; shades as is.

a quality lamp made by Chapman Manufacturing Company,  USA, the swivel shade fitted with a standard socket and frosted glass panel raised on adjustable brass arms all over a rectangular base mounted with a toggle switch; professionally disassembled, cleaned and rewired; brass in good condition; ebonized elements re-painted.

from the Bay Area Figurative Movement; Artist note: "Toni could adopt any guise. As you see in these drawings, she could be worldly or virginal, voluptuously naked or costumed, topped by one of her many hats. She could be young, middle-aged or timeless, she could evoke a classical goddess, an African queen, a con- temporary urbanite, a peasant maid."

of cornucopia form with flared candle holder tapering to a scrolled end; adorned with florets and acanthus leaves all over a later ebonized wooden plinth; ex-collection of Michael Taylor, San Francisco; later plinth; overall patina and wear; refreshed gilding

the shaped faux marble top above a bombe-form case fitted with 2 drawers over 2 doors all raised on cabriole legs; the whole painted with foliate vines and floral garlands on a muted butter-yellow ground; refreshed surface with overall even wear

a good French Rococo Style Fall Front Desk having a rectangular top with an undulating herring bone-veneered slant front, opening to reveal a hand-tooled leather writing surface below drawers and compartments; resting on a case fitted with 3-short drawers over one long drawer; supported on shapely cabriole legs; professionally restored and refinished with areas of replaced veneer; nice patina to later leather surface

the arbalete top with perimeter stringing within a crossbanded border all above a shapely bombe-form body with similar stringing and crossbanding; fitted with two long drawers having openwork solid brass pulls; the whole raised on graceful cabriole supports; overall even wear and nice warm patina; good vintage condition; professionally refinished 

the scalloped top centering an oval medallion radiating coved reserves above a conforming body fitted with brass bale handles;  finely decorated with gilded figures in a garden landscape with pavilions and dragons; the interior fitted with a removable tray; lacking lock; professionally restored with some losses and infilling; crackling to lacquer

a beautiful example of Gustavian furniture having a well-figured top with canted corners with similalry veneered side panels; the front fitted with 3 graduated drawers with tumbling block and geometric parquetry veneer; raised on tapering quadrangular supports with gilt-bronze mounts; good antique condition; professionally refinished; small areas of replaced veneer

a rare Art Deco cabinet with rectangular top with notched corners above a conforming body fitted with two hinged doors opening to reveal a divided interior; all raised on long sweeping cabriole supports ending in a splayed foot; all in a richly-colored and well-figured macassar veneer; good vintage condition; professionally refinished with small areas of replaced veneer

each having silver-embossed leather double doors with Lucite handles and decorative round Lucite handles on the sides all raised on Greek key form legs; excellent vintage condition with patina to leather; professionally polished.

As one person described Arthur Court's San Francisco shop, "it's a world of wonders - elegant and exotic". A new and innovative aluminum casting process led Arthur and Arthur Court Designs into a new era. His unique aluminum furniture and accessories featured cast antler chandeliers, chairs, tables and bookcases. 
Department stores across the United States brought his aluminum creations to loyal followers and collectors; reupholstered in brown cowhide. 
 

A stunning ash desk designed by Paul László for Brown Saltman c.1950s ,USA as part of the "Basket Weave" collection; this classic California Modern design features two cabinet doors flanking the kneehole; one door opens to reveal an open shelf while the other provides three sliding drawers. It also has a center drawer with dividers for desk accessories and such. This piece can also be used as a console table. Stamped - Brown Saltman Co - South Gate, California; good vintage condition with professionally refinished surface

the rectangular paneled tray fitted with hinged drop-down sides having pierced handles all in a mellow oak finish; with original brass inset hinges; the sides are slightly canted when closed; all raised on the original oak folding stand; measures 29"H  35"W  26" D 35 (flaps down) and 33"H  31.25"W  22.75"D (flaps up); good antique condition with overall even wear and warm patina; minor old repairs with stabilized split to one panel

Ideal for a smaller space, of polished and brushed chrome construction supporting three beveled glass shelves all joined by columnar supports; the whole flanked by scrolled handles and raised on steel casters; good vintage condition with some surface abrasions and rubbing; scratches and wear to glass shelves  

the 3-sided top above a paneled conforming body centering double-doors fitted with a solid brass latch; John Van Koert was a prominent New York designer who helped promote the fascination with Danish modern furnishings in the 1950's. In 1954, he was exhibition director of ''Design in Scandinavia,'' at the Brooklyn Museum of Art, introducing modern Scandinavian design to Americans. Mr. Van Koert's furniture designs for Drexel, were represented by prominent department stores such as Macy's and Bloomingdale's; good vintage condition with minor wear and patina; patina to brass

each of solid birch construction with rectangular tops and demi-bullnose edge above a conforming body fitted with 3 uniquely sculpted drawers of raised panels acting as drawer pulls; the whole raised on splayed legs; the lack of hardware and three-dimensional shape give the Sculptura line its distinctive sculptural quality; with incised maker's mark to drawer lining; professionally refinished; good vintage condition with warm patina

this incredibly stylish and practical dressing cabinet having a hinged top with interior mirror and divided compartments; above a shaped front with two bi-fold doors with interior drawers; the upper section with two small drawers; excellent restored condition; stamped 'John Widdicomb, Grand Rapids'

Jules Leleu (French 1883-1961); executed in a well-figured tiger-mahogany with mahogany secondary wood, having a shaped top, above the four drawer case with chromed pulls all flanked by two doors; raised on splayed supports with chrome sabots; a similar model can be seen in Yvonne Brunhammer, Le Style 1925, Editions Baschet et Cie, Paris, p. 45 & Francoise Siriex, The House of Leleu pgs. 46, 47; excellent vintage condition with refinished surface

excellent quality reproductions, each with serpentine shaped top above a conforming bombe-form body fitted with two drawers over a pierced rocaille-carved apron all raised on scrolled supports; the drawer fronts with graceful hand-carved surface depicting elegant scrollwork and floral vines all flanked by shaped side panels centering circular reserves; richly-colored patina with intentionally distressed finish to imitate age; good overall condition with light wear; refreshed finish

In two parts, the top section with molded crown over three short drawers above three graduated long drawers, the base with three long drawers all supported on bracket feet; later pierced brass bat pulls; crossbanded inlay to drawer edges; overall good solid antique condition appropriate to age; overall wear and patina; areas of replaced veneer; shrinkage to oak side panels; professionally refinished

the lushly painted still life depicting a woven basket full of finely painted bearded irises, parrot tulips, hydrangeas and peonies with discreetly painted bees and a snail; all resting on a draped table; good antique condition; signed lower left: M. Luber München; height: 36" (overall)  26.75" (canvas), width: 28" (overall)  18.5" (canvas); Max Luber (1879-1950) was a German academic painter who studied and worked in Munich. His paintings primarily depict lush, dark still lifes in the Flemish style.

the handsome credenza by John Stuart with its simple, straightforward design constructed of richly-patinated and well-figured tiger mahogany; the rectangular top above a conforming body fitted with three doors faced with beautiful bookmatch veneer; all raised on tapering quadrangular supports; good vintage condition with small areas of replaced veneer; professionally refinished.