the chrome body with square support and base supporting an upright crowing rooster; excellent vintage condition with minor pitting to chrome; rewired
each octagonal covered urn with large arching reserves adorned overall with floral and foliate stems; all raised on a giltwood base; excellent condition with some professional restorations; rewired
the baluster-form lamp of translucent frosted glass raised on a giltwood base
each with rectangular top above a swag-carved apron with giltwood tassel decoration all fitted with a single drawer; raised on square tapering supports over a splayed base; excellent condition
each having silver-embossed leather double doors with Lucite handles and decorative round Lucite handles on the sides all raised on Greek key form legs; excellent vintage condition with patina to leather; professionally polished.
the rolled bark edge and arching handle above an everted oblong body of simulated grained wood resting on a splayed base; weathered and chipped surface.
each robust pinecone finial with dramatically textured surface; mounted on later russet-colored painted turned wooden bases; wear and patination to surface (intended for indoor use)
the long inset glass top within a molded brass border; raised on a black metal base joined by a lower glass shelf; excellent condition with overall minor wear
the gray marble top resting on an open iron-work base with 8 over-scaled double c-scrolled supports adorned with bold gilt-tole leaves; overall oxidation; later top
each tall upholstered back with shaped crest above a tight serpentine seat flanked by padded arms; over a scalloped apron with foliate and rocaille carving all raised on cabriole supports ending in scrolled feet joined by a curved x-form stretcher; later leather upholstery with fine nailhead detailing; structurally sound with general rubbing and wear; nice overall patina; professionally polished
each hand-carved swag with plump fruit and vegetables nestled among flower heads and foliage; good antique condition with overall minor wear
each of urn form having an everted rim above a cylindrical body above a bulbous mid-section all above a splayed foot; raised on fluted giltwood bases; made of a striated teal glass adorned with a gilt painted perimeter band of anthemia and palm leaves with additional banding below; water-gilded caps and bases; professionally rewired; some rubbing to gilded bases and decoration; some bubbling to interior surface of urns
the bullet-form vase in gray glass with oculus opening above a frosted upper section over a carved faceted lower portion tapering to the base; this chiseled glass method is similar to the 'Battuto' style made by Ferro Battato in Murano; 'Rosenthal' acid etched signature to underside; good vintage condition with no chips or cracks; minor wear and abrasions overall and to underside
the circular tabouret with new decking above a rope-twist giltwood frame with cabriole supports with knotted feet all joined by an x-form stretcher centering a robust central knot; furniture carved in this manner is generally associated with the Parisian upholsterer A.M.E. Fournier, who supplied at least one carved rope stool to the Musée National du Château de Compiègne; gilding refreshed; nice patina with overall even rubbing; structurally sound frame; new taupe leather upholstery with saddle-stitch detailing.
with slender flared neck flanked by graceful handles; above an elongated bulbous body over a splayed base with floral vine relief; newly nickel plated; rewired; shade as is
each shapely lamp of hand-blown sky blue dappled glass all raised on a brass and lucite circular base; professionally rewired; good vintage condition with minimal wear
of impressive scale, the orb-form lamp of mercury glass fitted with an ebonized wooden cap and base; good vintage condition with age to silvering; re-wired
the round top with quarter edge molding above a shallow apron all raised on shapely cabriole supports; profusely decorated overall with polychrome and gilt flowers and foliage in the traditional manner; some infill to top; good antique condition with minor wear and chips; legs re-glued
composed of interlocking antlers resting on a circular wooden base; general marks, rubbing and wear; antlers painted with some chipping; professionally rewired
a stylish pair of italian white-glazed urns with over-scaled flared reticulated neck over a bulbous mid-section with raised foliate decoration; raised on a splayed base resting on a black lacquer wooden plinth; excellent vintage condition with custom wooden base; rewired
each with oval-shaped bowl flanked by outscrolled handles all raised on a splayed oval base ending in a raised laurel leaf perimeter band; good antique condition with overall even wear and patina; rubbing to gilding; no chips or cracks
each with dramatic incurved openwork back sloping to upright teminals capped with giltwood spheres; flanking an attached leather seat all raised on a curule-form support; newly painted and gilded; newly upholstered in tan leather
of solid construction, the round top with random swirl burnished finish over a plain frieze apron all raised on elegant splayed supports joined by a lower shelf with similar swirl finish; abrasions to top and overall even wear and patina
Designed by Marbro Lamp Co., each ovoid-form lamp decorated with slender wheat sheaths resting on a gilt-metal base over an ebonized wooden stand; excellent condition with no chips or cracks; re-wired and re-gilded; signed on underside; Camille Tharaud first studied chemistry as a young man, but after an injury during WWI, he convalesced in Limoges, France where he began his work with porcelain, opening up his own factory in 1920.
