each tall urn with rolled lip above a flared body and lobed mid-section; raised on a splayed base; overall even weathered and oxidized surface
dressed in vintage 1940's clothes, the pensive golfer stares down the fairway after completing the perfect swing; inscribed EG ; with an overall brown patina with some green oxidation; good vintage condition with general overall wear; appears to have had a plaque on marble base; some chipping along bottom edge of base
each tall stick with graduated shaft adorned with foliate carving raised on a splayed tripod base with paw feet supports; excellent restored condition with wear to gilding.
the long flaring neck above a compressed lobed mid-section flanked by foliate loop handles; all over a flared base adorned with an acanthus leaf border; excellent condition with no chips.
the large ovoid vase tapering to the base; the textured finish in black and white glaze with vibrant red streaking around the body; minor wear.
the inset glass top within a chrome frame with geometric openwork apron; good condition with minor overall wear
the shaped lacquered antique tray (circa 1890) with Chinoiserie decoration centering a floral bouquet surrounded by birds and butterflies; raised on a faux bamboo gilt metal stand (circa 1940); good condition with crackling to lacquer and overall even wear and patina
the shaped top wit 2 zinc-lined compartments over a deep apron; raised on cabriole supports joined by a shaped stretcher; excellent restored condition
of compressed form covered overall in an ivory and brown drip-glaze over a caramel ground; excellent vintage condition with no chips or cracks; rewired
the large bottle-form lamp with long neck and tapering body all in a crater glaze
each large-scaled urn with sweeping flared neck tapering to a flared foot; now drilled with later wooden mounts
minor wear to honed surface; new wiring; shade as is; French wired
a well-thought out composition as the table plain draws the viewer into the room of a seated woman with distant gaze dressed in a blue jacket; the table set with a bowl of fruit, a goblet and plant; all within a silver-leafed carved wooden frame with linen slip; excellent condition professionally cleaned and restored; unsigned; later frame
each with four panels detailing various ways to prevent accidents and lessons learned, including 'Feu, Eau, Contagion, Empoisonnements, and Maison'; based on 19th century original lithographs by Emile Deyrolle; Les Fils d’Emile Deyrolle, Rue du Bac, Paris; restored ebonized wooden frames; some darkening, wrinkling, and foxing; PRICED PER PAIR
the large square inset glass top in a polished nickel and patinated brass frame raised on quadrangular supports joined by a lower glass shelf; excellent vintage condition with overall even wear and patina; signed 'Jean Charles"; Jean Charles Furniture produced a wide range of furniture in Paris over the last century closing in the late 1980`s. Jean Charles furniture appears consistently stamped with a logo of `JC` followed by `Jean Charles`.
one of the best examples of a spoon back chair with its tall incurved back with an inlaid stylized floral and foliate motif; the down-swept arms above a box seat raised on console legs with carved volutes and lotus leaves at the knee; professionally restored with new black boar-skin upholstery
the serpentine top above a bome body fitted with two drawers raised on cabriole supports; adorned overall with a well-executed chinoiserie decoration on an unusual teal ground; refreshed surface; good antique condition
the hinged circular top centering a beautifully inlaid checkboard on one side flipping to reveal an inlaid Parcheesi (Ludo) board on the reverse; raised in 4 dramatically incurved supports joined by a lower shelf fitted with a hidden compartment for game pieces; professionally refinished with minor warpage to top; Parcheesi is based on Pachisi, originated in India around the 4th century A.D. Its popularity headed west in the 1860s, first traveling to England, which had taken over rule of India from the British East India Company in 1858, and then further into Europe.
of asymmetrical form with a lively floral head emanating from one corner; with artist's initials 'PSM', overall oxidized surface
a charming impressionist painting of young French boys dressed in their school uniforms and carrying red flags as they walk across an urban park dappled with patches of light and shade; artist signed lower left 'R.
Each tall beveled mirror obelisk resting on a square stepped mirrored plinth; no chips or cracks, excellent condition.
each with curvaceous opening with pinched lip above a cup-shaped body attached to a loop handle; raised on a circular base; professional repair to handle and lip; some wear and fine crackling to glaze.
the long seat of slatted wood flanked by incurved arms with ball-form handholds; raised on a folding scissors double base; the term Savonarola derives from the chair on which the Savonarola used to sit in the convent of San Marco in Florence. The chair is named for the Italian Renaissance religious zealot Girolamo Savonarola; wear and patina to surface; movement to hinged frame; 2 ball-form handles replaced
the domed lid with finial knob resting on a bulbous body tapering to the base with a flared foot; painted overall with blue and rouge-de-fer floral clusters within diaper perimeter bands; The historic production of Faenza majolica is recognized worldwide as one of the highest moments of artistic creativity expressed through pottery.
As Seen on Martha Stewart Christophe Pourny is coming to epoca to sign his first book ‘The Furniture Bible'
Thursday, October 8th 4:00 - 7:00pm