the solid oak circular top above a carved apron adorned with Jacobean motifs all raised on four turned supports ending in block feet all joined by perimeter stretchers; structurally sturdy with pegged construction; intentionally distressed finish to imitate age; overall wear and patina 

the large mahogany oval tray centering am impressive satinwood shell motif surrounded by rosewood banding; raised on a later stand; excellent restored condition

with baluster support above a glass bowl emanating 6 scrolling candle-arms with boldly-scaled cups; adorned overall with floral and foliate stems; the whole over a triple-sphere pendant; professionally cleaned and re-wired with plug-in arms for easy assembly/disassembly; excellent vintage condition with no chips or cracks

each large-scaled curule bench with semi-detached seat flanked by flared openwork arms with turned double-baluster stretchers; all raised on down-scrolled supports ending in paw feet all joined by turned stretchers; good antique condition; professionally restored with refinished surface and new upholstery

each of graceful form with long cylindrical neck above a bulbous body; the whole adorned with applied striated decoration in a graduated color pattern from white to aqua; resting on brass canted bases; height: 17.25" (top of glass)  28.25"  (top of shade); good vintage condition with no chips or cracks; some imperfections in glass inherent in the glass blowing process; some pitting to brass; professionally rewired

the tall and striking ribbed art glass lamp of conical form in luminous smoked glass all resting on a brass base; Empoli is known as the other Italian mid-century glass. Simpler in design than their Murano cousins, the simple traditional styles of Empoli glass were quickly adapted to the sparse abstract shapes of mid 20th century modernism. The vast majority of mid century-styled Empoli glass was made for the American market; height: 21.25" (top of glass)  32" (top of shade); good vintage condition with no chips or cracks; professionally rewired; even wear to re-painted base

minor overall weathered surface

minor overall weathered surface

$5,500/pair; each of brushed solid brass with a clean and simple cup-shaped design; no longer in production; some patina and rubbing to frames and mirror plates

a pair of flame mahogany side tables by Pierre Chareau (b. Bordeaux, France 1883 d. New York 1950); each hexagonal top of bookmatch veneer flame mahogany raised on a tulip-form slatted support; all over a conforming stepped base; good antique condition; professionally refinished 

the original rectangular plate surrounded by a deeply, well-carved frame of robust cascading laurel leaves; the crest and lower rail with lively foliage, stylized flowers and grapes; antiquing to plate; patination to later paint and gilding.

with tole candlecup above a well-carved graduated support raised on a tripartite base; excellent restored condition with areas of refreshed gilding.

this cleverly designed mid-century set of nesting tables designed by Bertha Schaefer (American 1895-1971) for M. Singer & Sons with rectangular case table fitted on the underside with 4 round drop-leaf slide-in collapsible tables suspended from slots; with label 'M. Singer & Sons, New York  Chicago'; In 1924 Schaefer founded Bertha Schaefer Interiors. Her company designed Bauhaus-inspired furniture and interiors for both residences and businesses.

the open back with carved Greek Key rail above reeded downscrolled arms with foliate carving; all raised on curule form legs joined by turned stretchers; good antique condition with deep patina and overall even wear; minor wear to upholstery 

the half-round top over a conforming base inlaid with satinwood inlay and ebony stringing; fitted with four drawers flanked by two hinged doors; raised on short tapering legs; paper label 'Han Larsen, Kallundborg, Kjobenhavn'; good antique condition with minor replacements; refreshed finish

the octagonal forest-green marble top with painted inlaid scrollwork surrounded by floral and foliate decoration; all raised on a neoclassical style Michael Taylor faux stone cross tripod lyre base; overall good condition with some minor chips to base; minor even wear to top

the lively capital with outscrolled acanthus leaves all resting on a separate wooden base; excellent condition with later base

the well-carved Corinthian capital with faux marble top adorned overall with outscrolled acanthus leaves below scrolling volutes; all raised on a later square wooden plinth; remnants of label from Tony Duquette Collections sale, Christie's Auction House, Los Angeles, 2001, image can be seen in the book "Tony Duquette" by Wendy Goodman and Hutton Wilkinson, pg. 216; good solid condition with overall wear and patina; some shrinkage

the winter green fiberglass top depicting a draped table cloth adorned with gilt fleur-de-lis decoration; raised on an iron tripod stand

tall pair of Kashmir polychrome and black lacquer candlesticks now electrified;  each twisting openwork stick surmounted by a candle cup issuing an electrified socket all raised on a round foot over a later ebonized wooden plinth; adorned overall with colorfully painted floral decoration; good antique condition with overall even wear and patina; professionally rewired; one foot with old stable split

imported from France and in three pieces, the thick rectangular top with ogee edge raised on concave supports; great for outdoor patio or interior use; some weathering and patina to surface

with lively interlacing foliate crest above a rectangular-form frame adorned with rocaille carving at the shoulder above meandering foliate vines; good antique condition with overall even rubbing to gilding; age to original mirror plate

each with square, richly-figured macassar veneered tops cantilevered on a chrome base; excellent vintage condition with minor wear to chrome; tops professionally refinished