the rectangular hinged lid fitted with a flush-mounted handle over a conforming body flanked by solid brass bail handles; all resting on a later detached stand; adorned overall with brass perimeter strapping and decorative brass inlay; good antique condition commensurate with age; overall wear and patina; brass strapping with indentations and wear; professionally refinished; new custom-made stand

the hinged rectangular lid resting on a conforming body flanked by wrought iron handles; adorned on all sides with an exotic wood inlaid perimeter band inset with bone inlay; the front, top and back centering a pinwheel motif; good antique condition with professionally refinished surface; warm honey-color patina with overall wear; lock mechanism now lacking

the circular top with demi-bullnose edge all in a richly-colored book-match burl walnut veneer with a satinwood and ebony inlaid perimater band; raised on a turned baluster support with lappet carving the whole raised on burl wood cabriole supports; professionally refinished with overall even wear and rich patina

signed 1960s bench with floating rectangular upholstered seat resting on a walnut base with square-form tapering legs connected by two stretchers; makers label to inner stretcher; Jens Risom (1916-2016) was a Danish American furniture designer. An exemplar of Mid-Century modern design, Rison was one of the first designers to introduce Scandinavian design in the United States. His designs are on display at the Museum of Modern Art, the Rhode Island School of Design and the Cooper-Hewitt Design Museum;  professionally refinished and reupholstered

the rectangular top with d-end flaps all with kingwood crossbanding; fitted with a single drawer with blind drawer on the reverse; raised on tapering square supports ending in casters; overall patination

each with padded crest rail above an openwork back over a tight seat with a channeled apron; flanked by upright arm rests; professionally refinished and reupholstered

each bulbous lamp of white cased glass fitted with a walnut neck and base; good vintage condition with minor wear; re-wired

the richly patinated and well-figured cabinet of exotic jacaranda wood fitted with 2 drawers; raised on slatted chrome supports; excellent condition with minor rubbing to chrome

of warmly patinated cherrywood, the circular top above a deep apron fitted with a single drawer; all raised on turned supports joined by a shaped x-form stretcher; excellent antique condition; professionally polished

the square game table with 'floating' top of radiating oak veneer; above an ebonized body fitted with two drawers with oak secondary wood; raised on tapering, stepped quadrangular supports; professionally refreshed surface; good vintage condition

A large-scaled and elegantly designed French 1940s Klismos chair with deep incurved back with scrolled terminals; above a leather seat of criss-crossing straps all raised on dramatic splayed supports; purchased in Paris in 1993 (receipt attached); good vintage condition with sturdy frame and seat; some wear to painted surface; later leather strapwork

of sturdy construction consisting of a solid oval walnut top in a chevron pattern resting on a chrome quadruped base; a versatile piece that can be used as a desk, conference table or dining table; the wooden top has been professionally refinished and has a rich honey-colored patina; Florence Knoll (1917-2019) was an internationally renowned American architect, designer and entrepreneur who has been credited with bringing modernist design to office and residential interiors. Knoll Associates was a leader in the field of furniture and interior design.

the square upholstered seat with a low out-scrolled openwork backrest; all above an undulating apron raised on tassels; overall even wear and patina to re-gilded surface; newly upholstered 

the shaped back board joining a square hinged lid over a conforming tapering body with inlaid fork and knife on the front; age to leather hinge; minor wear overall.

the hand-carved walnut bear with expressive gaze fitted with glass eyes; most likely from the Black forest area in the Swiss city of Interlagen; with rich dark patina; good antique condition with minor wear

a tall and fantastic pair of sculptural arm chairs, each with tall back above a bucket seat flanked by outscrolled arms; raised on splayed walnut supports with a single wishbone support on the reverse; sturdy and stable with new upholstery; professionally refinished

each striking lamp with long flaring neck above an ovoid body decorated with ivory, brown and ochre perimeter stripes on a mottled pumice-colored ground; resting on splayed walnut bases with brass caps; height: 21.25" (top of ceramic)  34" (top of shade); good vintage condition with minor rubbing to surface; professionally rewired; no chips or cracks

the portly jug fitted with two handles below a large pouring spout; overall wear, pitting, indentations and patina  

A stunning ash desk designed by Paul László for Brown Saltman c.1950s ,USA as part of the "Basket Weave" collection; this classic California Modern design features two cabinet doors flanking the kneehole; one door opens to reveal an open shelf while the other provides three sliding drawers. It also has a center drawer with dividers for desk accessories and such. This piece can also be used as a console table. Stamped - Brown Saltman Co - South Gate, California; good vintage condition with professionally refinished surface

Each with rolled lip above a compressed lobed body all raised on a splayed base and square plinth; chips and weather surface

each finely rendered lithograph of various French aircrafts of the 1930's with identifying script; used for french airplane engine marketing material; later mattes and mahogany veneered frames

the bullet-form vase in gray glass with oculus opening above a frosted upper section over a carved faceted lower portion tapering to the base; this chiseled glass method is similar to the 'Battuto' style made by Ferro Battato in Murano; 'Rosenthal' acid etched signature to underside; good vintage condition with no chips or cracks; minor wear and abrasions overall and to underside

the 3-sided top above a paneled conforming body centering double-doors fitted with a solid brass latch; John Van Koert was a prominent New York designer who helped promote the fascination with Danish modern furnishings in the 1950's. In 1954, he was exhibition director of ''Design in Scandinavia,'' at the Brooklyn Museum of Art, introducing modern Scandinavian design to Americans. Mr. Van Koert's furniture designs for Drexel, were represented by prominent department stores such as Macy's and Bloomingdale's; good vintage condition with minor wear and patina; patina to brass