each richly-glazed lamp in a mottled chartreuse glaze with lobed collar above a short flaring neck over a lobed body resting on a splayed base; good vintage condition with no chips or cracks; rewired
of large scale, the robust lamp of octagonal baluster form with everted lip above an ovoid body all resting on a splayed foot and circular base; decorated overall in a rich drip glaze in colors of ochre, green, brown and ivory; 18.5" (top of ceramic) 30.5" (top of shade); good vintage condition with no chips or cracks; professionally rewired
each with flaring neck above a bulbous body; the textured surface covered in a deeply colored blue and teal drip glaze; excellent condition with no chips or cracks; professionally rewired
each ovoid lamp of impressive size with ribbed neck above a tapering body; all in a rich drip glaze of celadon and pale blue; excellent vintage condition with no chips or cracks; rewired
each large baluster-form lamp with a taupe-colored textured iridescent glaze at the shoulder cascading down to a rich emerald green striated perimeter band; resting on brown lacquered wooden bases; height: 17.5" (top of ceramic) 29.5" (top of shade); professionally rewired; good vintage condition with fine craquelure to glaze; minor wear and scuffing.
with waisted brass collar above a double-baluster ceramic body all in a richly-colored sapphire-blue drip glaze; excellent vintage condition with no chips or cracks; fine craquelure to glaze; rewired
each of ginger jar form with scalloped octagonal body; all in a richly-colored blue and green drip glaze; good vintage condition with minor wear; re-wired
one of the prettiest pairs of chinese lamps that we have had in our inventory; each of slender baluster form adorned with gilt meandering floral vines; raised on a turned giltwood base; excellent condition with minor even wear; rewired
of compressed form covered overall in an ivory and brown drip-glaze over a caramel ground; excellent vintage condition with no chips or cracks; rewired
each slender bottle-form ceramic lamp with graduated glazed surface of ivory, aqua and cobalt blue; all resting on a round brass base; professionally rewired; good vintage condition with only minor wear
each striking lamp with long flaring neck above an ovoid body decorated with ivory, brown and ochre perimeter stripes on a mottled pumice-colored ground; resting on splayed walnut bases with brass caps; height: 21.25" (top of ceramic) 34" (top of shade); good vintage condition with minor rubbing to surface; professionally rewired; no chips or cracks
the baluster-form lamp of translucent frosted glass raised on a giltwood base
the long flaring neck above a compressed lobed mid-section flanked by foliate loop handles; all over a flared base adorned with an acanthus leaf border; excellent condition with no chips.
each colorful bottle-form lamp adorned with painted circles in soft colors of blue, green, peach and yellow with a gold swirl overlay all on an ivory glazed ground; supported on brown painted metal bases; height: 23" (top of ceramic) 33.25" (top of shade); good vintage condition with minor rubbing to surface; professionally rewired
each boldly-shaped ovoid-form lamp of richly-colored turquoise crackle glaze; fitted with wooden caps and bases with brass fittings; excellent condition; one lamp of slightly darker hue; made by Frederick Cooper Lamp Company, Chicago (established 1923)
the large bottle-form lamp in a richly-textured burnt-orange crater-glaze; excellent condition with no chips or cracks
the thickly-modeled large vessel with exaggerated mouth above a long flaring neck over a bulbous body all in a richly-colored teal mottled drip glaze; excellent condition with no chips or cracks; original Jaru Pottery label
the large bottle-form lamp with long neck and tapering body all in a crater glaze
each large glazed ceramic baluster-form table lamp on later lucite bases designed by Swedish artist Ingrid Atterberg as part of the "Spiral' series, circa 1949, with alternating ochre and white stripes on a matte brown ground; impressed marks to underside; Ingrid Atterberg (1920-2008) was born in the northern Sweden city of Harnosand. She studied at Slojdforeningens School in Gothenburg. Ingrid came to the Upsala-Ekeby Pottery factory in 1944, staying on until 1964.
each portly lamp with everted neck above a compressed lobed body all over a splayed circular base; with ivory glazed surface and matching wooden caps; good antique condition with some chipping and patina to surface; professionally rewired
each in a rich egg yolk-yellow glaze with everted neck above an ovoid body with stylized laurel leaf perimeter band flanked by lions masks; all raised on a fluted splayed support resting on an ebonized wooden base; excellent vintage condition with no chips or cracks; wooden base refinished; rewired
each with short everted neck above a baluster-form body all ending in a splayed foot; with ebonized metal cap and wooden bases; all in a rich orange lustre glaze; undersides impressed RUSKIN / ENGLAND 1919; Ruskin Pottery was an English art pottery studio founded in 1898, and closing in 1935.
April showers brings May, actually, June––flowers; flowers bursting of vibrant beautiful color, just like this large pair of crackle-glaze ceramic lamps in a richly-colored turquoise by Frederick Cooper here at epoca. These lamps are a perfect example of the extraordinary quality associated with the Frederick Cooper Lamp Company established in Chicago in 1923. Frederick was a Chicago artist and was fascinated with the new invention of lamps and tried to incorporate the elements and flavors of American architecture of that time which has been carried on through the generations. Visit our gallery at 1700 16th street @ Kansas to see these and other fabulous lamps at epoca and the new home of Garden Court Antiques. See you soon!