each square tapered column of well-figured rock crystal, having four sides and a pyramidal top; resting on a lacquered base; good antique condition with no chips or cracks to crystal; some lifting to veneers on bases. 

Rock crystal is the purest variety of Quartz and is transparent and colorless. Its name derives from the Greek term krustallos meaning 'ice' and is the sister gemstone to colorful varieties of quartz, such as amethyst and citrine. 

each with four panels detailing various ways to prevent accidents and lessons learned, including 'Feu, Eau, Contagion, Empoisonnements, and Maison'; based on 19th century original lithographs by Emile Deyrolle; Les Fils d’Emile Deyrolle, Rue du Bac, Paris; restored ebonized wooden frames; some darkening, wrinkling, and foxing; PRICED PER PAIR

of superb quality with a rich patina, the solid mahogany oval top centering an inlaid shell motif with satinwood perimeter band and stringing; all resting on turned supports ending in pad feet; fitted with swing legs on either side with large knuckle joints constructed within the frame; the half-round leaves raise with wrought-iron hinges allowing the table to function as a breakfast table, serving piece, end table or game table;  Dimensions: 29.5" H x 38.75" W x 14.75" D (Closed) 49.5" L (Open) Condition: Good overall antique condition with signs of age and use including some surface abras

of good scale and quality, circa 1930; each high back dining chair with beige leather upholstery and birdseye maple frame, for S.Hille & Co, London, consisting of two arm and six side chairs, having a vasiform splat above a tight seat; raised on graceful splayed supports; professionally refinished; minor wear and patina to later leather upholstery; 

A large-scaled and elegantly designed French 1940s Klismos chair with deep incurved back with scrolled terminals; above a leather seat of criss-crossing straps all raised on dramatic splayed supports; purchased in Paris in 1993 (receipt attached); good vintage condition with sturdy frame and seat; some wear to painted surface; later leather strapwork

Fred Pye (b. 1882 England d. 1964 Ogunquit, ME) Oil on canvas; large and dramatic rocky seascape painting depicting a rocky shore (most likely Ogunquit, ME) with crashing and cresting waves under a partly sunny sky with billowing clouds; signed lower right; good condition with some craquelure in upper right portion of sky; relined; within the original white-washed and gilt wooden frame with beige linen slip. 

of classic Robsjohn-Gibbings design with its iconic profile featuring a framed upholstered back above a loose cushion seat flanked by open work arms; all raised on subtly flared supports; warm patina to well-figured walnut frame; professionally refinished; good sturdy condition; in need of reupholstering.

the meticulously crafted chest with book-match veneered rosewood rectangular top with concave front; above three similarly veneered drawers fitted with shell-form enameled pulls, centering well-figured walnut burl wood panels; raised on inlaid turned supports; with metal identification label "Robert W. Irwin, Grand Rapids"; excellent condition with refreshed finish; some rubbing to enameled pulls

the two-wheeled drinks trolley with turned handle joining a rectangular top within an openwork gallery all raised on wicker-wrapped supports joining a lower shelf; The Heywood Furniture Co. began in 1826 making wicker and rattan furniture. In 1897, the company merged with a competitor, Wakefield Rattan Co., to form the Heywood-Wakefield Co. Heywood-Wakefield’s iconic Streamline Modern furniture line was introduced at the 1933 Century of Progress International Exposition in Chicago. The soft-curved, light-colored look ushered in an age of furniture called midcentury modern.

the circular tabouret with new decking above a rope-twist giltwood frame with cabriole supports with knotted feet all joined by an x-form stretcher centering a robust central knot; furniture carved in this manner is generally associated with the Parisian upholsterer A.M.E. Fournier, who supplied at least one carved rope stool to the Musée National du Château de Compiègne; gilding refreshed; nice patina with overall even rubbing; structurally sound frame; new taupe leather upholstery with saddle-stitch detailing. 

of Georgian style in the French taste, the serpentine top with matchbook herringbone veneer within a cross-banded border; all above a Bombé-form body fitted with two doors opening to reveal three mahogany serpentine drawers; flanked by carved foliate festoons cascading to an acanthus leaf carved foot; all sides with tulipwood and amaranth classically-inspired inlay of lively acanthus scrolls, floral vines, ribbons and urns; good antique condition with minor veneer replacements; good solid construction; professionally refinished

each with round teak top raised on metal supports ending in teak feet; Albert Larsson was a Swedish carpenter and furniture maker from the Mid-century modern period. He established his own business Alberts Tibro in 1938, and after World War II the small production team began specializing in coffee tables and multifunctional height-adjustable tables. Throughout the following decades the company grew to become one of Sweden's most successful manufacturers.

each tall and finely crafted fluted bronze hall tree adorned with finely detailed gilt-bronze neoclassical decoration with berry finials, bows, ribbons, and tassels centering a trophy with lyre; the dramatic medusa mask emanating writhing snakes (for coats) with coiled snakes further down the shaft (for umbrellas); all over a square openwork base; purchased in 1994 from Leah's Antique Gallery, New York City (receipt attached); in good antique condition with minor wear to gilding and bronze; some oxidation to bases

As one person described Arthur Court's San Francisco shop, "it's a world of wonders - elegant and exotic". A new and innovative aluminum casting process led Arthur and Arthur Court Designs into a new era. His unique aluminum furniture and accessories featured cast antler chandeliers, chairs, tables and bookcases. 
Department stores across the United States brought his aluminum creations to loyal followers and collectors; reupholstered in brown cowhide. 
 

each neoclassical open armchair with beaded framed oval back above a bowed tight seat over a beaded apron flanked by scrolled arms and uprights with acanthus carving; raised on reeded and fluted supports with acanthus collar and ending in a spheroid foot; wear and patina to refreshed painted surface; sturdy frame and good antique condition with new upholstery

Hollywood Regency lounge chairs from the Sophisticate Collection for Tomlinson, 1950's; each stylish walnut and upholstered lounge chair with convex front and incurved back fitted with a loose seat and back cushions; raised on turned supports at the front with splayed legs at the rear; excellent vintage condition; professionally refinished and reupholstered

Each beautifully decorated chest with concave top with canted corners above a conforming body fitted with 2 short over 2 long drawers all raised on splayed bracket feet; with overall red ground and gilt decorated chinoiserie motifs including bird, floral and vine, architectural follies and waterscapes; good antique condition with refreshed surface; professionally restored with overall craquelure and patina; japanning possibly later

the framed incurved upholstered back above a loose cushion seat flanked by graceful sling-form arms; all raised on tapering turned supports ending in ebonized feet; good vintage condition; nice warm patina to professionally refinished surface; newly upholstered

the handsome credenza by John Stuart with its simple, straightforward design constructed of richly-patinated and well-figured tiger mahogany; the rectangular top above a conforming body fitted with three doors faced with beautiful bookmatch veneer; all raised on tapering quadrangular supports; good vintage condition with small areas of replaced veneer; professionally refinished.

the realistically and finely turned and carved life-size hat of well-figured burl and maple wood, with telescope (flat) crown above an incised trim band all over a wide undulating brim; signed and dated 'Johan Michelsen '91 #85' (an early example of his hat carvings, 85th hat to be produced); small repair to crown.

the lushly painted still life depicting a woven basket full of finely painted bearded irises, parrot tulips, hydrangeas and peonies with discreetly painted bees and a snail; all resting on a draped table; good antique condition; signed lower left: M. Luber München; height: 36" (overall)  26.75" (canvas), width: 28" (overall)  18.5" (canvas); Max Luber (1879-1950) was a German academic painter who studied and worked in Munich. His paintings primarily depict lush, dark still lifes in the Flemish style.