As one person described Arthur Court's San Francisco shop, "it's a world of wonders - elegant and exotic". A new and innovative aluminum casting process led Arthur and Arthur Court Designs into a new era. His unique aluminum furniture and accessories featured cast antler chandeliers, chairs, tables and bookcases. 
Department stores across the United States brought his aluminum creations to loyal followers and collectors; reupholstered in brown cowhide. 
 

each with central glass support surrounded by two tall opposing leaves of translucent gold aventurine glass all raised on a thick gold bullicante disk over a later Lucite base; height: 16.5" (top of glass) 27.5" (top of shade); good vintage condition with no chips or cracks; professionally rewired; later Lucite bases

Hollywood Regency lounge chairs from the Sophisticate Collection for Tomlinson, 1950's; each stylish walnut and upholstered lounge chair with convex front and incurved back fitted with a loose seat and back cushions; raised on turned supports at the front with splayed legs at the rear; excellent vintage condition; professionally refinished and reupholstered

this signed special edition art glass bowl is one of Blenko's yearly designer series offerings for 2001; the large handblown circular bowl with wide rim in a rich cerulean blue glass resting on a chamfered amber-colored foot; with acid etched signature to underside 'Richard Blenko 2001'; with maker's label 'Blenko Handcraft'; excellent condition with no chips or cracks

A stunning and rare ash credenza or sideboard designed by Paul László for Brown Saltman c.1950s ,USA as part of the "Basket Weave" collection; this classic California Modern design featuring two doors sheathed in convex square wooden tiles adhered in a basket weave pattern with alternating grain all flanked by three bookmatched drawers; raised on short tapering supports; Stamped - Brown Saltman Co - South Gate, California;  good vintage condition with warm patina; professionally refinished

the large sturdy hand-carved table of pegged construction with shaped rectangular top of matchbook European walnut veneer above a scalloped apron with rocaille carving; all raised on bold cabriole supports ending in hoof feet; structurally sound; intentionally distressed finish to imitate age; minor overall wear and rubbing; professionally polished and waxed

the expressive cockatoo with a prominent head crest and strong hooked beak perched upon a foliate branch-work base; with maker's marks to underside; Dux Porcelain began in 1860 by Eduard Eichler in what was then Duchov, Bohemia. The high quality pottery and porcelain figures produced there are now referred to by the abbreviated name, "Royal Dux." Ownership of the business changed frequently over the last 150 years. Bohemia became part of Czechoslovakia which was in turn controlled first by Germany then the Soviet Union.

of sturdy construction consisting of a solid oval walnut top in a chevron pattern resting on a chrome quadruped base; a versatile piece that can be used as a desk, conference table or dining table; the wooden top has been professionally refinished and has a rich honey-colored patina; Florence Knoll (1917-2019) was an internationally renowned American architect, designer and entrepreneur who has been credited with bringing modernist design to office and residential interiors. Knoll Associates was a leader in the field of furniture and interior design.

the large round mirror within a well-carved pale blue and silver-gilt frame capped with a shell motif over an openwork crest; all above an exuberantly carved frame with lively C-scrolls and acanthus leaves; purchased in 2022 from the estate of Palermo, Italy antique dealer Bartolomeo Rizzo; good antique condition with some replacements, elements re-glued; professionally restored with refreshed surface; nice overall even wear and rubbing to surface; later plate

Gorgeous bowl by master wood turning artist, Larry Witt. Witt is a Southwest artist, who is displayed in many galleries, and is collected all around the world. Witt composes his pieces using many different species of wood. Using no dyes or stains, it is the variety of natural colorations in his wood choices that define his work.This bowl is made of oak, maple and purpleheart woods, and is comprised of 161 separate pieces of wood. It has a wonderful, sweet smell. Amazing piece of art!

Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End with its wind whipped trees and branches and natural cathedrals, creating ‘magical spaces that are lit from above and glow from within, creating a kaleidoscope of colors and shapes”.

Night Vision  Series – watercolor on paper 2009-2010; a series of the night in urban San Francisco;  Artist William Stanisich brings to life with his watercolor paintings rich in color, motion and mood, this series of moving cars through a rainy night. William Stanisich born in 1947 in Cheyenne, Wyoming and raised in San Francisco, received his BA from Yale College (1969), attended courses at the San Francisco Art Institute (1964-5 and 1970), taught painting at the Urban School of San Francisco (1972-2001) and currently is a full-time painter here in San Francisco.

Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End with its wind whipped trees and branches and natural cathedrals, creating ‘magical spaces that are lit from above and glow from within, creating a kaleidoscope of colors and shapes”.

Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End with its wind whipped trees and branches and natural cathedrals, creating ‘magical spaces that are lit from above and glow from within, creating a kaleidoscope of colors and shapes”.

Land's End 2006 no. 6 - Oil On Canvas By William Stanisich, San Francisco presented by epoca Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End. Presented by epoca ph. (415) 864-6895. 

Milos 2006 no. 23, Watercolor On Paper by William Stanisich, San Francisco Presented by epoca, Milos Series: watercolor-on-paper ,2000-2013. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’.  San Francisco Painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated, “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”.

Speed 2010 no. 8, Watercolor On Paper By William Stanisich, San Francisco; Signed And Framed Dated 2010 Speed Series. Watercolor On Paper 2006 – 2008; A series of the night in urban San Francisco.  Artist William Stanisich brings to life with his watercolor paintings rich in color, motion and mood, this series of moving cars through a rainy night.

Night Vision Series – watercolor on paper 2009 - 2010; a series of the night in urban San Francisco;  Artist William Stanisich brings to life with his watercolor paintings rich in color, motion and mood, this series of moving cars through a rainy night.

Night Vision 2010 no. 7, Watercolor On Paper By William Stanisich, San Francisco; Signed And Framed Dated 2010 Speed Series – Watercolor On Paper 2006 – 2008; A series of the night in urban San Francisco;  Artist William Stanisich brings to life with his watercolor paintings rich in color, motion and mood, this series of moving cars through a rainy night.

Land's End 2003 no. 6 - Watercolor On Paper By William Stanisich, San Francisco presented by epoca  Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End ph. 415 864-6895 

Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End with its wind whipped trees and branches and natural cathedrals, creating ‘magical spaces that are lit from above and glow from within, creating a kaleidoscope of colors and shapes”.

Milos Series – watercolor on paper 2000-2013; A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’.  San Francisco painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”.

Milos 2006 no. 12, Watercolor By William Stanisich, San Francisco presented by epoca. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’. San Francisco painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”

Milos 2009 no. 17 Watercolor On Paper; William Stanisich, San Francisco Presented by epoca. Milos Series: watercolor-on-paper ,2000-2013. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’.  San Francisco Painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated, “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”.