the half-round top over a conforming base inlaid with satinwood inlay and ebony stringing; fitted with four drawers flanked by two hinged doors; raised on short tapering legs; paper label 'Han Larsen, Kallundborg, Kjobenhavn'; good antique condition with minor replacements; refreshed finish

each large glazed ceramic baluster-form table lamp on later lucite bases designed by Swedish artist Ingrid Atterberg as part of the "Spiral' series, circa 1949, with alternating ochre and white stripes on a matte brown ground; impressed marks to underside; Ingrid Atterberg (1920-2008) was born in the northern Sweden city of Harnosand. She studied at Slojdforeningens School in Gothenburg. Ingrid came to the Upsala-Ekeby Pottery factory in 1944, staying on until 1964.

each large lamp of bulbous form with long everted neck above on ovoid body raised on a brass base; all in a swirling silver and gold faux marble glaze; excellent vintage condition with minor wear; patina to metal bases; rewired 

of stylish mid-century design in the manner of Tommi Parzinger, with ivory-glazed oblelisk-form base emanating two deeply scrolled brass arms supporting candle form socket holders;  centering a cylindrical brass rod and finial; all atop a black marble base with white veining; 18.5" (top of ceramic)  35: (top of shade); good vintage condition with light overall wear; minor pitting to brass; professionally rewired. 

the tall and striking ribbed art glass lamp of conical form in luminous smoked glass all resting on a brass base; Empoli is known as the other Italian mid-century glass. Simpler in design than their Murano cousins, the simple traditional styles of Empoli glass were quickly adapted to the sparse abstract shapes of mid 20th century modernism. The vast majority of mid century-styled Empoli glass was made for the American market; height: 21.25" (top of glass)  32" (top of shade); good vintage condition with no chips or cracks; professionally rewired; even wear to re-painted base

Designed by Marbro Lamp Co., each ovoid-form lamp decorated with slender wheat sheaths resting on a gilt-metal base over an ebonized wooden stand; excellent condition with no chips or cracks; re-wired and re-gilded; signed on underside; Camille Tharaud first studied chemistry as a young man, but after an injury during WWI, he convalesced in Limoges, France where he began his work with porcelain, opening up his own factory in 1920.

each bulbous urn with gilt perimeter bands with raised decoration all on a luminous white ground; excellent vintage condition with minor rubbing to brass mounts; rewired

each good quality chest fitted with 2 mahogany-lined drawers with fruitwood stringing centering brass pulls; raised on tapering turned supports; excellent condition.

each with elegant flared neck flanked by clear aventurine glass handles all above a tapering body resting on a lobed aventurine splayed base; all over a conforming gilt-metal plinth; excellent condition; rewired; new lampshades as is.

each hour-glass shaped walnut lamp with three brass bands and waist; patination to brass; rewired; new shades 'as is'

the large mahogany oval tray centering am impressive satinwood shell motif surrounded by rosewood banding; raised on a later stand; excellent restored condition

the elongated bowl in colors of coral to citrine tapering to a clear glass foot; good vintage condition with surface abrasions

each tall vase of ovoid form with short neck above an ovoid body; the luminous glass with subtle white streaking; excellent condition with no chips or cracks; with foil labels

each incurved crest with greek key fret band above a padded back; over an upholstered seat flanked by downswept arms; raised on gracefully splayed legs ending in bronze spheroid feet; new leather upholstery; fully restored condition.

Each with sloping in-curved crest rail over vertical spiral-carved stiles; joining a U-shaped tight seat above a reeded apron all raised on cabriole supports joined by a carved X-form stretcher;  professionally restored with warm patina and new leather upholstery

a quality lamp made by Chapman Manufacturing Company,  USA, the swivel shade fitted with a standard socket and frosted glass panel raised on adjustable brass arms all over a rectangular base mounted with a toggle switch; professionally disassembled, cleaned and rewired; brass in good condition; ebonized elements re-painted.

the hinged circular top centering a beautifully inlaid checkboard on one side flipping to reveal an inlaid Parcheesi (Ludo) board on the reverse; raised in 4 dramatically incurved supports joined by a lower shelf fitted with a hidden compartment for game pieces; professionally refinished with minor warpage to top; Parcheesi is based on Pachisi, originated in India around the 4th century A.D. Its popularity headed west in the 1860s, first traveling to England, which had taken over rule of India from the British East India Company in 1858, and then further into Europe. 

originally used as traveling tea tables for the British in India; the octagonal top with central eight-pointed star medallion surrounded by floral and foliate motifs within a foliate vine perimeter band; raised on a hinged base with arabesque spandrels; good antique condition with overall warm patina; small areas of replaced inlay; top now affixed to base

fitted with two removable bentwood trays supported by a collapsible frame raised on circular supports ending in casters; maker's label adhered to inside of frame 'John Stuart, Inc, New York, Grand Rapids'; professionally refinished; some wear to casters

the frosted and ribbed bullicante (controlled bubble) ovoid shade emanating alternating clear glass foliate fronds; good vintage condition with no chips or cracks; professionally rewired; fitted with three lights

excellent condition; rewired

the framed in-curved back above a bowed upholstered seat flanked by openwork sides; all raised on tapering legs ending in casters; excellent vintage condition with new tan leather upholstery; refinished surface

An elegant and finely ; Labeled: Han Larsen, Kallundborg, Kjobenhavn; the half-round top over a conforming base inlaid with satinwood inlay and ebony stringing; fitted with four drawers flanked by two hinged doors; raised on short tapering legs; Circa 1880

each of voluptuous, elegant form in vibrant fuschia cased glass; raised on splayed gilt-wood bases; excellent condition; rewired