the square upholstered seat with a low out-scrolled openwork backrest; all above an undulating apron raised on tassels; overall even wear and patina to re-gilded surface; newly upholstered
the shaped leather seat above a conforming frame adorned with carved rocaille and foliate motifs all raised on cabriole supports joined by an undulating stretcher; good antique condition; professionally refinished with new embossed leather upholstery
always fun to see a new take on a classical design, this brass mirror inspired by Thomas Chippendale with its goose neck or broken arch pediment crest, reeded frame and floret details; good vintage condition with minor wear and patina
the thickly-modeled and tall vases in a richly-colored orange glass with clear base infused with black and white swirls; no chips or cracks
the well-patinated table of solid construction with round top raised on six splayed faux bamboo supports all joined by cross stretchers; overall even wear and oxidation to surface;
each good quality chest fitted with 2 mahogany-lined drawers with fruitwood stringing centering brass pulls; raised on tapering turned supports; excellent condition.
the large bottle-form lamp with long neck and tapering body all in a crater glaze
each with flaring neck above a tapering body; adorned with gilt perimeter bands depicting delicate meandering floral vines; raised on a metal base with chow feet; rewired; minor wear to gilding; shades as is.
each large scupture of assymetrical shape in an ivory glaze; excellent condition with no chips or cracks; stamped and labeled "Jaru 1984"
This expressive, forcefully-rendered horse head sculpture with flared nostrils and lively mane; raised on a separate base; fine overall craquelure; with minor chips and flakes
of varying heights, each with ruffled cup of striking orange glass; raised on clear glass stems; with foil labels; excellent condition with no chips or cracks
each striking lamp of deep purple bullicante and gold aventurine glass with an iridescent surface; raised on a brass octagonal base; excellent vintage condition with no chips or cracks; rewired
each with rectangular top above a swag-carved apron with giltwood tassel decoration all fitted with a single drawer; raised on square tapering supports over a splayed base; excellent condition
a modern interpretation of the neoclassical folding campaign chair; with brushed steel frame fitted with solid bronze finials and paw feet; excellent condition with overall even wear
of striking form with concave sides fitted with 2-doors to reveal oak-lined drawers; adorned overall with pewter mounts and supports; good vintage condition with minor repairs
each with cylindrical neck above a bulbous body all in a clear golden glass infused with translucent white swirls; refurbished with new brass caps and bases; rewired; excellent vintage condition.
each bottle-form lamp with long cylindrical neck above a bulbous body all in a peach and white crackle glaze with gilded highlights; by Frederick Cooper Lamp Co., Chicago; good vintage condition with no chips; fine overall craquelure to glaze; rewired
the eglomise border with serpentine crest within carved giltwood moldings surrounding a conforming mirror plate; excellent vintage condition with overall even wear
with high and enclosed hollowed-out back above a loose cushion seat; resting on wooden legs joined by an H-stretcher; excellent vintage condition; newly upholstered; the Porter's chair was placed at the front door to be used by a household servant who awaited a visitor's knock. The design enveloped the servant for warmth and protection from the cold breezes as the door was opened and closed.
the square top with exaggerated rounded corners inset with a clear glass top; raised on incurved steel supports all joined by a lower black glass shelf; excellent vintage condition
of solid gilt-bronze in the timeless neoclassical style favored by Louis XVI of France and revitalized by Maison Jansen in the 20th Century; the inset oxidized mirrored top with reeded apron and raised on reeded supports joining a similar lower shelf; good vintage condition with minor overall wear
each cylindrical cased glass lamp adorned with a gold and white harlequin pattern appearing to float above the silver ground; good vintage condition with minor rubbing to surface; no chips or cracks
each with incurved wedge-shaped tufted back above a generous seat all raised on turned wooden legs with brass sabots; excellent restored vintage condition with new tweed upholstery
of Art Deco and Neoclassical inspiration, the rectangular table with glass top resting on a sturdy chrome frame with tapering square-form legs capped with bold spheres; all joined by a shaped H-stretcher; excellent vintage condition with minor wear and patination to metal surface
William Stanisich Watercolors and other works presented by epoca Artist Statement: Why A Signature Style? by William Stanisich. I am drawn to specific light and idiosyncratic forms whenever I encounter them. A few years ago I had a recognition scene. I had been working to capture the light and inner forms of a number of places around the world. But what could be more idiosyncratic and inexhaustible than Land's End? [..] Two distinct series of Milos paintings are included in this website. I have been to Greece six times, never trying to recover antiquity but always seeking clarity and radiance. [..] I love to paint the Night. The first two series of watercolors in this website play with ambiguous spaces and veiled or insolent color, all at Night, which is itself ecstatic and sinister.