each oblong ceramic lamp with rich blue and burnt sienna drip glaze; excellent vintage condition with overall minor wear; re-wired
'Sand Dollar' pattern made by the McCoy Pottery Co., Roseville, Ohio; each double-handled vase of ovoid form in a matte bone-white glaze with relief decoration; now drilled as lamps with custom giltwood bases; marked 'USA' to underside; rewired; with minor manufacturing glaze imperfections; some fine craquelure to glaze; excellent vintage condition commensurate with age
from the collection of a notable Napa interior designer for his hacienda in La Peñita de Jaltemba, Mexico
the long flaring neck above a compressed lobed mid-section flanked by foliate loop handles; all over a flared base adorned with an acanthus leaf border; excellent condition with no chips.
each large-scaled bottle-form lamp consisting of overlapping leaves all in a white glaze; good vintage condition with minor firing cracks; re-wired
each finely carved lamp with cloud scrolls and lappet border at the neck, above a tapering body adorned with bold chrysanthemums and birds; raised on carved giltwood bases; good vintage condition with no chips or cracks; fine craquelure overall; rewired; wooden bases have been watergilded
of impressive size, the cased glass bowl with swirl decoration in brown, gold and copper on a butter-yellow ground; excellent condition
each of compressed spheroid form with incised swirl pattern retaining their chic original conical-form shades; good vintage condition with minor chipping along bottom edge of bases; signed 'O. DuBarry'
the ovoid pot with short neck above a tapering body adorned with carved relief decoration depicting parrots; patina and fine craquelure to glazed surface; repaired chip to inside of lip
each large and heavy hand-blown lamp with textured surface capped by a splayed crown over a waisted neck and spheroid body; all resting on a custom giltwood base; manufactured in Italy for the Marbro Lighting Company; excellent condition; rewired; later custom giltwood bases
each heavy hand-thrown stoneware lamp with incised abstract decoration; each signed "RT74"; possibly by artist Ron Taylor who studied under Ken Ferguson at the Kansas City Art Institute; good overall vintage condition; rewired
Designed by Marbro Lamp Co., each ovoid-form lamp decorated with slender wheat sheaths resting on a gilt-metal base over an ebonized wooden stand; excellent condition with no chips or cracks; re-wired and re-gilded; signed on underside; Camille Tharaud first studied chemistry as a young man, but after an injury during WWI, he convalesced in Limoges, France where he began his work with porcelain, opening up his own factory in 1920.
the large ovoid-shaped vessel with short neck above a tapering body; adorned with nine painted triangles all joined by crossing black stringing; excellent vintage condition with small repair to chip on foot
with pinched spout above a portly body with squared handle; all in a controlled dolomit glaze over brown in a striped pattern; signed 'Ceramano Hand Albeit' to underside; excellent vintage condition with minor surface rubbing.
the bottle-form vases now mounted as lamps enameled with cascading holly bush stems over a satin finished glass; excellent condition with no chips or cracks; Leune was a decorating workshop founded in the early 20th century, headed by Paul Daum. The blanks were supplied by Daum Freres. The workshop ceased operations in 1932.
each large anthemion with boldly scalloped edge; overall wear; great garden accessories
each signed and hand-thrown jar-form pot decorated with abstract foliate fronds; all glazed in earth tone colors of russet, brown and ochre; excellent vintage condition with no chips or cracks; rewired; Eric Norstad (1924-2013) was an American potter and architect who worked primarily on the west coast of the United States.
of large scale, the shimmering crystal vase with lobed mouth tapering to the base; with acid etched signature "Daum France" separated by the cross of Lorraine indicating early production pieces 1945-1950; excellent condition with no chips or cracks
the large desk with hand-tooled embossed leather writing surface above a paneled case finished with five drawers on front and back; the sides fitted with slide out writing areas with conforming leather tops; raised on shapely cabriole legs; excellent antique condition with professional repairs to include refreshed leather and refinished surface; areas of wear and patina to leather
with slender flaring neck above an ovoid body; composed of various laminated wooden sections turned on a lathe
each heavily potted ewer with flared neck with scrolled handle connecting to a portly body over a splayed foot; the textured surface decorated with floral and foliate stems in raw sienna, brown and mustard glazes; excellent condition.
Each large ginger jar with subtle celadon drip glaze with fine craquelure to surface; raised on turned giltwood bases; rewired; good vintage condition
each tall bottle-form lamp with a textured peach and white glaze all over a walnut base; good vintage condition with minor wear; re-wired
each shapely vase with everted neck above an ovoid body flanked by loop handles; each vase with a finely-rendered gilded neoclassical scene; no chips or cracks; overall even wear to glaze
