each bulbous lamp of white cased glass fitted with a walnut neck and base; good vintage condition with minor wear; re-wired

each inset glass top within a solid brass frame raised on quadrangular supports joined by a lower glass shelf; excellent condition with minor overall wear

each half-round moulding with floral and foliate carved reserves surrounding a beaded inner slip; with later antiqued plates; rubbing to gilding.

each of graceful pose with long curved necks and legs; all resting on circular black marble bases; wear and patina to brass; minor wear to marble

each with padded crest rail above an openwork back over a tight seat with a channeled apron; flanked by upright arm rests; professionally refinished and reupholstered

each with central shaft depicting bunched cattails with flat spikey leaves emanating two candle arms

Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End with its wind whipped trees and branches and natural cathedrals, creating ‘magical spaces that are lit from above and glow from within, creating a kaleidoscope of colors and shapes”.

Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End with its wind whipped trees and branches and natural cathedrals, creating ‘magical spaces that are lit from above and glow from within, creating a kaleidoscope of colors and shapes”.

Land’s End Series – oil on canvas and watercolor on paper 2000 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End with its wind whipped trees and branches and natural cathedrals, creating ‘magical spaces that are lit from above and glow from within, creating a kaleidoscope of colors and shapes”.

Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End with its wind whipped trees and branches and natural cathedrals, creating ‘magical spaces that are lit from above and glow from within, creating a kaleidoscope of colors and shapes”.

Land's End 2006 no. 6 - Oil On Canvas By William Stanisich, San Francisco presented by epoca Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End. Presented by epoca ph. (415) 864-6895. 

Land's End 2003 no. 6 - Watercolor On Paper By William Stanisich, San Francisco presented by epoca  Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End ph. 415 864-6895 

Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End with its wind whipped trees and branches and natural cathedrals, creating ‘magical spaces that are lit from above and glow from within, creating a kaleidoscope of colors and shapes”.

surmounted by an exuberant crest centering a boldly-scaled butterfly flanked by cascading floral vines; all over a circular mirror plate within a conforming beveled mirrored frame with reverse-etched floral and foliate vines; excellent condition with no chips or cracks; antiquing to silver; some glass rosette screw covers missing; Established in 1911, Mirror Fair (now known as Stephen Cavallo, a 3rd generation owner) is still in operation today in New York's Upper East Side and offers custom-made mirrors, bespoke cast-glass moldings and mirrored paneling still using the same centuries-old t

this classic design of aluminum construction with burgundy leather; original design from 1958, Eames Aluminum Group; 1980's; see '1000 chairs' by Charlotte and Peter Fiell pgs. 338-339; overall creasing and patina to leather with minor rubbing to metal

each bulbous urn with gilt perimeter bands with raised decoration all on a luminous white ground; excellent vintage condition with minor rubbing to brass mounts; rewired

each column of alternating marble and brass discs; raised on 4 Greek key feet; rewired; excellent condition; some rubbing to metal.

each clear glass cylinder adorned with applied bamboo branch work; excellent condition; rewired

manufactured by blenko glassworks as part of their experimental line these vases were never placed into production; with flared neck and ovoid body in a vibrant orange glass adorned with cobalt decoration; excellent condition.

each decorated urn with inverted lip flanked by double handles; the bulbous body tapering to a flared base; stamped "fac-simile of an antique vase; subject - paris seizing helen to carry her to troy;" minor repair to base

each with graceful incurved padded back above an openwork rail; the bowed seat raised on cabriole supports with splayed legs at the rear all joined by a turned H-stretcher; excellent restored condition with new upholstery

each with an embossed leather box seat above an ash frame with plain frieze apron raised on faux bamboo splayed legs all joined by a perimeter stretcher; excellent vintage condition; professionally polished and reupholstered

each heavily potted ewer with flared neck with scrolled handle connecting to a portly body over a splayed foot; the textured surface decorated with floral and foliate stems in raw sienna, brown and mustard glazes; excellent condition.