each striking lamp with coffered surface all in a matte white glaze; resting on a brass base; excellent vintage condition with no chips or cracks; minor surface wear; rewired
the large bottle-form lamp with long neck and tapering body all in a crater glaze
each finely carved lamp with cloud scrolls and lappet border at the neck, above a tapering body adorned with bold chrysanthemums and birds; raised on carved giltwood bases; good vintage condition with no chips or cracks; fine craquelure overall; rewired; wooden bases have been watergilded
each tall ovoid Paris Porcelain vase flanked by upright handles; the front of each depicting figures in a landscape setting; the reverse with a garden scene; adorned with gilt accents throughout; unmarked; excellent antique condition with no chips or cracks; slight gilt loss
Designed by Marbro Lamp Co., each ovoid-form lamp decorated with slender wheat sheaths resting on a gilt-metal base over an ebonized wooden stand; excellent condition with no chips or cracks; re-wired and re-gilded; signed on underside; Camille Tharaud first studied chemistry as a young man, but after an injury during WWI, he convalesced in Limoges, France where he began his work with porcelain, opening up his own factory in 1920.
consisting of one ovoid pot and a fish-mouth vase, each in a glossy light-chartreuse glaze contrasting with a matt brown background; Schlossberg Keramik was established in 1946 by Ilse and Theodore Stefan in the North Rhine-Westphalia region of Germany. The name was derived from its proximity to the foot of the 'schloßberg' or castle hill; excellent vintage condition with no cracks; minor overall rubbing to surface; some small fritting to rims
from the collection of a notable Napa interior designer for his hacienda in La Peñita de Jaltemba, Mexico
the globular pot with rolled lip tapering to the base; chipping and weathered surface
the long flaring neck above a compressed lobed mid-section flanked by foliate loop handles; all over a flared base adorned with an acanthus leaf border; excellent condition with no chips.
the large square inset glass top in a polished nickel and patinated brass frame raised on quadrangular supports joined by a lower glass shelf; excellent vintage condition with overall even wear and patina; signed 'Jean Charles"; Jean Charles Furniture produced a wide range of furniture in Paris over the last century closing in the late 1980`s. Jean Charles furniture appears consistently stamped with a logo of `JC` followed by `Jean Charles`.
each large-scaled urn with sweeping flared neck tapering to a flared foot; now drilled with later wooden mounts
each large-scaled bottle-form lamp consisting of overlapping leaves all in a white glaze; good vintage condition with minor firing cracks; re-wired
each large and heavy hand-blown lamp with textured surface capped by a splayed crown over a waisted neck and spheroid body; all resting on a custom giltwood base; manufactured in Italy for the Marbro Lighting Company; excellent condition; rewired; later custom giltwood bases
of impressive bulbous size, decorated overall with a watery green and blue thumb print drip pattern; resting on a gilt-metal base; excellent vintage condition with no chips or cracks; cleaned and rewired
a serenely rendered still life depicting a lush table-scape with an exotic pineapple, symbolizing hospitality, resting on a metal tray all amid a large urn and wine glasses; good condition; illegibly signed and dated lower right; all within the original ebonized wooden frame with gold slip
centering a triple-baluster column emanating scrolled solid-brass arms with original drip pans; terminating in a large sphere with ring finial; originally candle-lit but now electrified; excellent antique condition with overall even wear and patina; with original 1951 invoice from C.J.
each with domed lid above a tapering ribbed body over a splayed foot; all resting on a custom giltwood base; adorned overall in an underglaze blue with foliate perimeter band, floral stems and birds; excellent vintage condition with no chips or cracks; fine craquelure to glaze; now drilled; rewired
each large scupture of assymetrical shape in an ivory glaze; excellent condition with no chips or cracks; stamped and labeled "Jaru 1984"
each of compressed spheroid form with incised swirl pattern retaining their chic original conical-form shades; good vintage condition with minor chipping along bottom edge of bases; signed 'O. DuBarry'
the striking ovoid vessel with fish-mouth opening; painted overall with large leaves and bamboo shoots all on a white ground; with underglaze blue markings to underside; The first porcelain factory in the town of Marktredwitz opened in 1872 and was known under the name of Porzellanfabrik Jaeger, Thomas & Co. until Fritz Thomas quit in 1898, opening his own factory in 1903. In 1908, the “F. Thomas, Marktredwitz” factory was purchased by Rosenthal, ceasing operation in 1960.
the cup-shaped bowl with flared lip above a splayed foot; adorned overall with delicate floral stems; excellent condition.
a fine example from the Leeds factory Burmantofts faïence, with pierced neck and shoulder and adorned overall with incised decoration; excellent antique condition with overall minor wear consistent with age; stamped to underside 'Burmantofts Faience, 504 EAS', examples of Burmantofts faience can be found in the Victoria & Albert Museum Ceramic collection
each strikingly large porcelain vase hand-painted with richly-decorated gilt floral vines on a white ground; with honorific markings to underside; excellent condition with no chips or cracks; overall fine craquelure to glaze
