each shapely vase with everted neck above an ovoid body flanked by loop handles; each vase with a finely-rendered gilded neoclassical scene; no chips or cracks; overall even wear to glaze

each candlecup supported on a spiraling shaft all over a circular drip pan; good vintage condition with areas of wear; remants of maker's label to underside

 all in a richly-patinated well-figured burl walnut veneer with serpentine top above a conforming bombe body fitted with three drawers; all raised on cabriole supports ending in bronze sabots; excellent vintage condition with light wear; finish professionally refreshed 

each octagonal covered urn with large arching reserves adorned overall with floral and foliate stems; all raised on a giltwood base; excellent condition with some professional restorations; rewired

each ovoid-form lamp of frosted glass adorned with applied white circles divided by gilded beading; raised on a later stepped Lucite base; good vintage condition with minor wear; re-wired 

this large and elegant lamp with flared neck above a tapering body highlighted with gilt perimeter bands; resting on a reticulated brass base; excellent vintage condition with minor overall even wear; rewired

each tall vase with flaring neck above a bulbous body ending in a splayed foot; adorned overall with hand-painted lappet perimeter bands and floral vines; raised on custom wooden painted bases; good condition with one professionally repaired chip to underside of lip; professionally rewired 

the bottle-form vases now mounted as lamps enameled with cascading holly bush stems over a satin finished glass;  excellent condition with no chips or cracks; Leune was a decorating workshop founded in the early 20th century, headed by Paul Daum. The blanks were supplied by Daum Freres. The workshop ceased operations in 1932.

with ribbon crest above a circular backplate emanating 3 scrolled iron candlearms; all over a knotted ribbon ending in tassels; refreshed gilding with overall even patina; rewired

each surmounted by a bronze foliate ring above an octagonal ceramic body resting on a brass base; good vintage condition with no chips or cracks; brass bases with some minor wear; rewired

these rare and striking art glass decanters with bulbous stoppers above a graduated ruffled body; with 'Made in Italy' foil label to underside;  Empoli is known as the other Italian mid-century glass. Simpler in design than their Murano cousins, the simple traditional styles of Empoli glass were quickly adapted to the sparse abstract shapes of mid 20th century modernism. The vast majority of mid century-styled Empoli glass was made for the American market; excellent vintage condition with no chips or cracks to exterior; with polished pontil 

each large-scaled urn with sweeping flared neck tapering to a flared foot; now drilled with later wooden mounts

each large-scaled bottle-form lamp consisting of overlapping leaves all in a white glaze; good vintage condition with minor firing cracks; re-wired

centering a baluster-form support above a glass bowl emanating 6 scrolled candle-arms with deep cups surrounding lively flower and leaf inserts; composed of gold aventurine and clear glass; good vintage condition with some replaced stems

each strikingly large porcelain vase hand-painted with richly-decorated gilt floral vines on a white ground; with honorific markings to underside; excellent condition with no chips or cracks; overall fine craquelure to glaze

these elegant chandeliers composed of hand-forged gilt-metal frames sheathed in glass; emanating 6 scrolled candlearms with a central light within the fixture; excellent condition; professionally rewired and cleaned

truly a one-of-a-kind, chic server with rectangular inset top within a solid brass border adorned with over-scaled bronze pineapple finials; the 3 doors and sides adorned with lively brass scrollwork; all raised on cylindrical brass supports; excellent condition

the serpentine top above a bombe-form body fitted with three drawers adorned with bold bronze foliate mounts; all in a well-figured and richly patinated black walnut veneer; excellent antique condition with minor veneer replacements; later hardware

the rectangular plate within a reverse-painted mirrored frame decorated with graceful floral and foliate vines on a gold gilt ground.

Verre églomisé is a French term referring to the process of applying both a design and gilding onto the rear face of glass to produce a mirror finish. The name is derived from the 18th-century French decorator and art-dealer Jean-Baptiste Glomy, who was responsible for its revival.

each hand painted ginger jar with domed lid above a bulbous tapering body raised on a stained wooden base; painted with various figures in a landscape setting divided by cloud scroll perimeter bands; craquelure to glaze; good antique condition; now mounted as lamps; rewired

this large ever-so chic fixture composed of 12-arms with 2 lights per arm often attributed to Tommi Parzinger and manufactured by Lightolier; uses chandelier bulbs with a 60 watt maximum; canopy with Lightolier label; excellent vintage condition

each tall, slender ovoid-form glass lamp decorated with applied green vertical strands; raised on a gold and ebonized painted metal base; excellent vintage condition with no chips or cracks; rewired  

each tall lamp consisting of stacked faceted crystal orbs and cubes resting on a stepped base; excellent vintage condition; cleaned and rewired

each with brass fittings and of conical form above a square plinth with harlequin pattern of vertically arranged contrasting diamonds all on an ivory ground with gilt flecking; good vintage condition with minor wear and patina; rewired; height: 14.5" (top of porcelain)  23.5" (top of shade) width: 4.5"  depth: 4.5"