with giltwood neck above a turned columnar body of nicely figured Carrara marble all over a giltwood base; good vintage condition with minor chipping to edges; re-wired; neck and base re-gilded
each square stool composed of rectilinear tubes fitted with leather strapwork supporting loose cushions; good vintage condition with new leather upholstery; Jørgen Høj was originally trained as a metal worker and upholsterer at the Copenhagen School for Arts and Crafts. He led a successful design business until his death in 1994 working with such designers as Poul Kjaerholm and Bodil Kjaer
the domed lid with finial knob resting on a bulbous body tapering to the base with a flared foot; painted overall with blue and rouge-de-fer floral clusters within diaper perimeter bands; The historic production of Faenza majolica is recognized worldwide as one of the highest moments of artistic creativity expressed through pottery.
each with flared neck above a fluted cylindrical body adorned with finely detailed gilt-bronze grapevine swags; all raised on a giltwood base; stamped "Lampe A Moderateur Par Brevet D'Invention Et De Perfectionement"; excellent antique condition; rewired
Each ebonized table centering a floral and foliate medallion within a meandering foliate perimeter band; raised on reeded supports joined by similar stretchers; excellent antique condition; professionally restored and refinished
a rare pair of Barovier & Toso 1960s lamps composed of 2 clear bullicante (controlled bubble) conical form glass elements forming a pinched mid-section with gilt-metal ring; professionally rewired; excellent vintage condition
this rare architectural or pyramid Biedermeier furniture was created by the highest level craftsmen, having a rectangular top above a pediment frieze over three drawers flanked by Doric columns over block supports; refinished surface; good antique condition with overall even wear and patina
each with square mouth above a bulbous body all in a thick lava glaze with red glazed reserves; one with original label; excellent condition with no chips or cracks
each shapely octagonal lamp of deep teal crackle glaze raised on carved ebonized wooden bases; excellent vintage condition with no chips or cracks; rewired
the striking ovoid vase tapering to the base; the textured finish in black and white glaze with vibrant red streaking around the body; minor wear
West German Art Pottery vases with rectilinear body decorated in a rich royal-blue glaze with mottled drip-glazing to the shoulders; labeled with markings to underside; excellent condition with no chips or cracks.
each bottle-form lamp with long cylindrical neck above a bulbous body all in a peach and white crackle glaze with gilded highlights; by Frederick Cooper Lamp Co., Chicago; good vintage condition with no chips; fine overall craquelure to glaze; rewired
great 1960's design each with iridescent orange glaze resting on brass bases; in excellent vintage condition with no chips or cracks; minor wear to glaze; rewired
a well carved floral element of translucent marble; antique condition with some chips and patina; raised on a custom made steel base
each with slender waisted neck above an incised bulbous body raised on a chamfered plinth; old paper label 'SG Made in Italy"; excellent vintage condition with minor wear; rewired
the round top above a plain frieze apron fitted with a single drawer; raised on a tripod base of elegantly splayed and tapering supports with a waisted neck; good vintage condition with overall even wear and patina; minor repairs and re-gluing to veneer
each boldly-carved rectangular frame of lively scrolling acanthus leaves; age to later plates; even rubbing to gilded surface; some chipping and surface cracks
The well-figured half-round top with ebonized bullnose edge; above a plain frieze apron adorned with brass bosses; all raised on elegant splayed supports; staining and patina to top with one filled area
beautiful Italian design of collapsible scissor form fitted with a removable tray all raised on clear plastic casters; excellent vintage condition with even wear to warm patina
each with cartouche-shaped back above a generous upholstered seat flanked by outscrolled arms; all above a scalloped apron over cabriole supports; frame re-glued and strengthened; painted surface refreshed; re-gilded with white gold; overall wear and patina
the shaped faux marble top above a bombe-form case fitted with 2 drawers over 2 doors all raised on cabriole legs; the whole painted with foliate vines and floral garlands on a muted butter-yellow ground; refreshed surface with overall even wear
each constructed of mixed woods with rectangular tops centering an inlaid floral medallion within inlaid spandrels; above a conforming body fitted with two hinged doors centering inlaid floral reserves; above a scalloped apron raised on cabriole legs; one cabinet of later date with slightly darker inlay; good restored condition with overall patina and areas of replaced veneer; refinished surface
each tall bottle-form lamp with a textured peach and white glaze all over a walnut base; good vintage condition with minor wear; re-wired
with cylindrical spout above a bulbous body adorned overall with a fiery red-lava-over-brown glaze; excellent vintage condition with no chips or cracks; some wear to surface
epoca, located in the Design Center neighborhood of San Francisco, has been characterized as “blended eclectic” offering unique 20th century furnishings alongside traditional antiques and accessories.
Eric Petsinger:
Two things in Eric Petsinger’s life are truly memorable. The first is a day in 1968 when his mother left the house a brunette and came home a blonde. The second was opening epoca, the beautifully edited San Francisco gallery, a fixture in the San Francisco Design Center neighborhood since 2003. In epoca, Eric has created a layered inventory with a ‘something for everyone’ approach, blending American and European antiques with 20th century furnishings. Whether assisting an interior designer or an antiques enthusiast, Eric says, “Mix it up! Go ahead and put that shapely French rococo armchair next to a sleek John Widdicomb sofa and see how they bring out each other’s beauty.”