the shaped stool with a slip seat above a deep concave apron; all raised on exuberant acanthus carved cabriole legs ending in claw and ball feet; minor veneer replacements; refinished surface; wear consistent with age and use

of riveted hand-hammered construction the large oval body with rolled lip all flanked by lion ring handles; raised on four robust paw feet; good solid construction; wear consistent with age and use

A good example of Blenko hand-blown glass, each with long neck above a bulbous body fitted with a water-drop solid glass stopper all in a cerulean blue clear glass; with pontil marks to underside; crafted using the Venetian free-blown glass technique so slight variations may occur; good condition with no chips or cracks

the portly jug fitted with two handles below a large pouring spout; overall wear, pitting, indentations and patina  

 of extra large scale and composed of contrasting metals; with wide protruding mouth connected to the ovoid copper body by a brass riveted ring all joined by a large brass ear or handle; good antique condition with overall even wear and patination

of large scale and solid construction, the footed urn flanked by lion head handles and cast with guilloche and egg-and-dart bands; good antique condition with overall even wear and patina

the rectangular plate within a reverse-painted mirrored frame decorated with graceful floral and foliate vines on a gold gilt ground.

Verre églomisé is a French term referring to the process of applying both a design and gilding onto the rear face of glass to produce a mirror finish. The name is derived from the 18th-century French decorator and art-dealer Jean-Baptiste Glomy, who was responsible for its revival.

each of elegant ovoid form adorned with finely articulated floral stems and grotto foliage; excellent condition with a few professionally repaired tips; stamped 'made in france' for the export market

the round mirrored top inset within a giltwood frame all raised on three ebonized splayed supports joined by a lower scalloped stretcher; re-gilded, later mirror plate

Alamo Square 2014 - Oil On Canvas By William Stanisich, San Francisco; Signed And Framed Dated 2014 presented by epoca. “Its paths cling to the sides of steep hills. The views are spectacular and after the 1906 earthquake, it was here the surrounding neighborhood set up a tent city to take refuge”.

produced by one of the leading pottery companies of the late 19th century,  the fluted column with stepped cap and base; good condition with overall even wear; some chipping to glaze

the open back with carved Greek Key rail above reeded downscrolled arms with foliate carving; all raised on curule form legs joined by turned stretchers; good antique condition with deep patina and overall even wear; minor wear to upholstery 

The inset oval-form leather seat above a plain frieze apron; all raised on beautifully carved cabriole legs ending in hoof feet; excellent antique condition; professionally polished; new leather upholstery

perfect for a bar cart or an étagère, fitted with three shaped shelves each with perimeter gallery; all raised on turned supports ending in casters; good antique condition with overall minor wear to warm patina

each with tall upholstered back above a loose cushion seat flanked by padded arms; all raised on turned supports with splayed legs at the rear; excellent restored condition with new upholstery

each well-constructed bobbin turned spindle armchair of good proportions with padded armrests, upholstered decking and loose back and seat cushions; raised on turned front legs ending in brass casters; some discoloration to fabric but otherwise in good condition; minor wear and patina to wood; good quality reproductions

the handsome chest constructed during the Golden Age of Danish furniture (1800-1850) and composed of well-figured mahogany veneer fitted with three drawers inlaid with neoclassical decoration all over a scalloped apron and raised on tapering quadrangular supports; good antique condition with minor veneer repairs and overall even wear and patina

each with square mouth above a bulbous body all in a thick lava glaze with red glazed reserves; one with original label; excellent condition with no chips or cracks

the shaped back board joining a square hinged lid over a conforming tapering body with inlaid fork and knife on the front; age to leather hinge; minor wear overall.

each with spheroid body flanked by shell-form handles; raised on a lively dolphin support over a square base ending in shell feet; rewired and replated with new shades; excellent condition; shades as is

with flared neck above a lobed body all raised on a square plinth; good antique condition with overall weathered  and chipped surface 

the tall ovoid-shaped lamp resting on a square plinth all clad in a russet-colored leather with brass fittings; good vintage condition with overall even wear and patina to leather; rewired

the square-form flared opening above a slightly-bulbous body carved in opaque with an undersea nude male figure playing a harp surrounded by bubbles; for illustration of an example of this vase Glas in Schweden; 1915-1960, Prestal-Verlag, Munich, 1986

each with flaring neck above square-form tapering body all in a richly-colored red-orange glaze decorated with subtle gilt floral vines; resting on a wooden ebonized base; good vintage condition with no chips or cracks; rewired

each with square leather saddle-stitched seat above a Z-form chrome frame; good vintage condition with some rubbing to chrome; new leather upholstery