the oval plate within a punched iron border surrounded by a sloping openwork frame of graceful s-curves; excellent condition

centering a quatrefoil opening fitted with an antique mirror plate; within a robust frame; overall distressing to painted surface; overall excellent solid condition

the cartouche-shaped mirror within an elaborate giltwood frame of C-scrolls, rocaille, and floral carving; good antique condition with refreshed gilding; overall even wear

each rectangular carved framed backrest with padded oval insert joining curved arms flanking a tight seat; all raised on graceful tapering supports; excellent restored condition with fortuny upholstery

each with tall upholstered back above a loose cushion seat flanked by padded arms; all raised on turned supports with splayed legs at the rear; excellent restored condition with new upholstery

Six Provincetown photographs, each titled and signed in pencil on the matting; "One of Provincetown’s most colorful and creative artists was photographer John W. Gregory. Born in New York City, he grew up as the son of the city editor for the New York Tribune. After studying with John Sloane at the Art Students League in New York, he took up photography during World War II in Provincetown. His photographs were published by Time Magazine, the New York Times and the Associated Press. Seven of his photographs are included in the Smithsonian’s permanent collection.

each with arching mirror plate within a warmly patinated silver-leafed giltwood frame; overall even wear to surface; antiquing to plates

The slatted openwork seat flanked by incurved armrests  above a curule form base with scrolling elements; raw iron finish with overall even wear and patina

A Boldly Rendered Pair of French Art Nouveau Prints of Architectural Interior and Exterior Details by Ernest David; newly matted and framed.

the richly-patinated bust of a young girl with serene direct gaze and soft wavy hair; raised on a green marble plinth; excellent condition.

the upright glass stand raised on cylindrical rods; with protruding knobs suspending 2 tools; excellent vintage condition with overall minor wear

each with flaring neck above square-form tapering body all in a richly-colored red-orange glaze decorated with subtle gilt floral vines; resting on a wooden ebonized base; good vintage condition with no chips or cracks; rewired

each with long columnar neck above a bell-shaped body adorned with gilt banding and bold greek key motif; excellent condition with minor wear; rewired; new lampshades as is.

each strikingly large porcelain vase hand-painted with richly-decorated gilt floral vines on a white ground; with honorific markings to underside; excellent condition with no chips or cracks; overall fine craquelure to glaze

each large bottle-form lamp with iron-red decoration of elegant peacocks in a lush floral landscape setting; raised on giltwood bases; originally purchased at the Plaza House, Okinawa, Japan in 1964; minor wear with no chips or cracks; rewired; bases re-gilded

with elegant lines, each chair with upholstered back and seat resting on a graceful wooden frame with arching legs joined at the back; with splayed legs at the rear; excellent vintage condition with new upholstery

each with long slender neck above a compressed body; with brass caps and bases and elegant floral mounts; good vintage condition with no chips or cracks; professionally rewired; some age and patina to brass mounts

the winter green fiberglass top depicting a draped table cloth adorned with gilt fleur-de-lis decoration; raised on an iron tripod stand

the central supports of graduated stack glass orbs all emanating 6 deeply scrolled candle arms with glass drips pans and chrome candle sleeves; excellent vintage condition; rewired

Designed by Marbro Lamp Co., each ovoid-form lamp decorated with slender wheat sheaths resting on a gilt-metal base over an ebonized wooden stand; excellent condition with no chips or cracks; re-wired and re-gilded; signed on underside; Camille Tharaud first studied chemistry as a young man, but after an injury during WWI, he convalesced in Limoges, France where he began his work with porcelain, opening up his own factory in 1920.

with arching openwork top above a square-form body tapering to a foliate pendant knob; good antique condition; rewired with 4 standard sockets; later solid brass bobeches

a stylish pair of italian white-glazed urns with over-scaled flared reticulated neck over a bulbous mid-section with raised foliate decoration; raised on a splayed base resting on a black lacquer wooden plinth; excellent vintage condition with custom wooden base; rewired

each elongated form centering a vibrant anthemion motif flanked by lively scrollwork; patination to painted surface.

each depicting a 3-story building with accompanying floor plans; each titled 'Design for a First Class Tavern'; new mattes and frames; some discoloration.