each with spheroid body flanked by shell-form handles; raised on a lively dolphin support over a square base ending in shell feet; rewired and replated with new shades; excellent condition; shades as is

the best of post-war design, each lamp composed of stacked tri-color conical-form glazed elements with brass mounts; Gerald Thurston was one of the most creative American lighting designers of the postwar era. His innovative designs exemplify the streamlined forms of the mid 20^th century.

each with pierced oval-form cup raised on a graduated cylindrical base; marked 'Royal Haeger, USA' to underside; good vintage condition with minor wear

each elegant lamp of ovoid form with domed lid all over a splayed base; adorned overall with applied gilt decoration of meandering foliate vines and scrollwork; excellent vintage condition with no chips or cracks; some wear to giltwood base; professionally required

each with incurved back sloping to join a tight seat flanked by bowed arms ending in swan neck terminals; raised on cabriole legs; adorned overall with giltwood acanthus leaves, bellflowers and scrollwork; professionally restored with refreshed paint and gilding; overall even wear and patina; newly upholstered

with everted neck above an ovoid body over a lobed foot resting on a gilt-metal base; all in a smoky glass with controlled bubbles; excellent condition; rewired; lampshade as is.

this large and elegant lamp with flared neck above a tapering body highlighted with gilt perimeter bands; resting on a reticulated brass base; excellent vintage condition with minor overall even wear; rewired

of large scale with ruffled lip above an elliptical body with pinched mouth; excellent vintage condition with no chips or cracks; minor wear to underside

of graceful form with double-baluster support above a ribbed bowl emanating six S-shaped arms supporting ribbed bobeches; with acid-etched signature to bowl; excellent condition with no chips or cracks; re-wired for US voltage

depicting a wooded landscape in the impasto technique using thickly laid paint in soothing colors of blue and green; unsigned with artist label on verso; excellent clean surface; with later glazed custom oak frame and linen matte.

each of whimsical butterfly form and labeled 'farfalla' having chromed steel frames encircled by six lights and issuing curved arms ending in circular discs; good vintage condition; professionally cleaned and rewired

centering a baluster-form support emanating 12 horizontal arms over a cup-shaped bowl; all in a deep, amber-colored glass; excellent condition with no flaws

centering a baluster-form support above a glass bowl emanating 6 scrolled candle-arms with deep cups surrounding lively flower and leaf inserts; composed of gold aventurine and clear glass; good vintage condition with some replaced stems

the rectangular top with shaped ends over a conforming case incorporating two long drawers and a pair of paneled doors; raised on rear bracket and front bun feet; the whole retaining original pale-sage painted decoration on an ochre painted ground; originally purchased from Therien & Co., San Francisco; solid condition; overall wear and patina to surface

Designed by Marbro Lamp Co., each ovoid-form lamp decorated with slender wheat sheaths resting on a gilt-metal base over an ebonized wooden stand; excellent condition with no chips or cracks; re-wired and re-gilded; signed on underside; Camille Tharaud first studied chemistry as a young man, but after an injury during WWI, he convalesced in Limoges, France where he began his work with porcelain, opening up his own factory in 1920.

'Sand Dollar' pattern made by the McCoy Pottery Co., Roseville, Ohio; each double-handled vase of ovoid form in a matte bone-white glaze with relief decoration; now drilled as lamps with custom giltwood bases; marked 'USA' to underside; rewired; with minor manufacturing glaze imperfections; some fine craquelure to glaze; excellent vintage condition commensurate with age

the impressively large and heavy hot cast glass bowl with copper metal leaf adornment; excellent condition with no chips or cracks; George Bucquet and his small team of artisans use a process of pouring hot glass, thick and translucent, into hand-made molds; after up to eight days of cooling, each piece is hand painted using a metallic palette of gold, silver, and copper leaf. Bucquet has established a national reputation for his unique and striking cast glass bowls.

Each white enameled wall sconce emanating several rose-colored bell flowers above a cluster of white enameled leaves; each fitted with a single chandelier socket; professionally rewired; some chipping and discoloration to enameled surface

of varying heights, each with ruffled cup of striking orange glass; raised on clear glass stems; with foil labels; excellent condition with no chips or cracks

the inset glass top withing a bronze frame raised on cylindrical faux-marble metal supports ending in claw-and-ball feet all joined by an upper perimeter stretcher and lower x-form stretcher; good vintage condition with minor even wear and patina; new glass plate

each hand-blown white and clear glass cattail shade set into a brass back plate; no chips or cracks; some wear and patina to back plates; professionally rewired; priced individually $4,000 each

each with curvaceous opening with pinched lip above a cup-shaped body attached to a loop handle; raised on a circular base; professional repair to handle and lip; some wear and fine crackling to glaze.

each with tall incurved cartouche-shaped upholstered back with arbalète crest tapering to downswept padded arms flanking a loose cushion seat; all above a bowed scalloped apron raised on cabriole supports adorned with foliate carving; minor wear and soiling to fabric; one cushion with water stain; overall good vintage condition