each urn with egg-and-dart rim above a waisted neck over a lobed body raised on a splayed base; the urn resting on a separate graduated square plinth; good condition with nice weathered patina
each of shapely baluster form with flaring neck above a bulbous body with a flared foot; hand-painted overall with iron-red floral and foliate vines and clusters with flying birds on the rear; raised on wooden bases; good overall condition with no chips or cracks; professionally rewired
each constructed of mixed woods with rectangular tops centering an inlaid floral medallion within inlaid spandrels; above a conforming body fitted with two hinged doors centering inlaid floral reserves; above a scalloped apron raised on cabriole legs; one cabinet of later date with slightly darker inlay; good restored condition with overall patina and areas of replaced veneer; refinished surface
each with rectangular top above a swag-carved apron with giltwood tassel decoration all fitted with a single drawer; raised on square tapering supports over a splayed base; excellent condition
each tall well-figured square-form balustrade all over a giltwood base; good antique condition with overall even wear; now mounted as lamps; rewired; one with professional repair
each tapering square-form lamp supported on gilt-metal mounts capped with ibex heads and terminating in hoof feet; all over an ebonized wooden base; good vintage condition with nno chips or cracks; some pitting to metal surface; professionally rewired
each hexagonal lamp with everted neck above a tapering body; all in a rich teal blue drip-glaze over an olive glazed ground; good condition with no chips or cracks; professionally rewired
a modern interpretation of the neoclassical folding campaign chair; with brushed steel frame fitted with solid bronze finials and paw feet; excellent condition with overall even wear
how fantastic is this dressing cabinet/chest?; flip-up top with interior mirror and fitted compartment; above a shaped front with two bi-fold doors with interior drawers; the upper section with two small drawers; excellent restored condition; stamped 'John Widdicomb, Grand Rapids'
of varying heights, each with ruffled cup of striking orange glass; raised on clear glass stems; with foil labels; excellent condition with no chips or cracks
of impressive bulbous size, decorated overall with a watery green and blue thumb print drip pattern; resting on a gilt-metal base; excellent vintage condition with no chips or cracks; cleaned and rewired
each with shaped top above a bombé-form body fitted with 3 drawers all raised on cabriole supports; beauitful rich patina; refinished surface; paper lining to drawers Carved accents on base. Measuring: 24 1/4" x 12 1/2" x 27"
each hand-blown white and clear glass cattail shade set into a brass back plate; no chips or cracks; some wear and patina to back plates; professionally rewired; priced individually $4,000 each
a true statement piece of impressive scale with long flaring neck above a bulbous body covered in a deeply-colored olive green glaze; excellent vintage condition with minor wear
this explosive brutalist iron nail sculpture contrasting the cold black steel iron nails and the warm buffed-brass brazing combing artistic design, geometric form and the high quality of the braze; excellent vintage condition with no visible condition issues, signed by the artist
the tall slender ewer with pinched spout above an ovoid body with graceful looped handle; all in a luminous raku glaze with areas of teal showing through; typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional japanese method. the western process can give a great variety and depth of colors and surface effects as seen with this vase; good vintage condition with no chips or cracks
the tapering openwork support above 6 scrolled arms ending in a glass orb pendant knob; excellent vintage condition; rewired
with arching framed crest rail with double-caned back above an elongated caned seat with bowed end; all raised on 6 fluted turned supports; excellent restored antique condition with new caning; nice overall even patina to paint and gilding
with everted neck above a compressed body covered overall in an iridescent multi-layered glaze of cobalt blue, greens and yellow; incised signature to underside; The Western version of Raku was developed in the 20th century by studio potters. Typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional Japanese method. The Western process can give a great variety and depth of colors and surface effects as seen with this pot; good vintage condition with no chips or cracks
incised signature to underside "Dave & Boni Deal 88"; of tall ovoid shape decorated overall with impressed leaves on a metallic, rainbow effect raku glaze; the western version of raku was developed in the 20th century by studio potters. typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional Japanese method. the western process can give a great variety and depth of colors and surface effects as seen with this vase; good vintage condition with no chips or cracks
super good quality with elegant shape and small size, the serpentine parquetry top above a bombé body fitted with 2 oak-lined drawers all raised on splayed legs ending in hoof feet; maker's label 'Auffray & Co. NYC" Auffray's & Co. originated in France in the early 1800's. It established a NYC workroom and showroom on 3rd Avenue in 1941. It later spent 40 years on 56th Street and now resides 200 Lexington Avenue in the Design Building. Auffray produced superb quality French reproduction furniture for high-end department stores such as Gimbels and B.
William Stanisich Watercolors and other works presented by epoca Artist Statement: Why A Signature Style? by William Stanisich. I am drawn to specific light and idiosyncratic forms whenever I encounter them. A few years ago I had a recognition scene. I had been working to capture the light and inner forms of a number of places around the world. But what could be more idiosyncratic and inexhaustible than Land's End? [..] Two distinct series of Milos paintings are included in this website. I have been to Greece six times, never trying to recover antiquity but always seeking clarity and radiance. [..] I love to paint the Night. The first two series of watercolors in this website play with ambiguous spaces and veiled or insolent color, all at Night, which is itself ecstatic and sinister.
