each finely rendered lithograph of various French aircrafts of the 1930's with identifying script; used for french airplane engine marketing material; later mattes and mahogany veneered frames

each with four panels detailing various ways to prevent accidents and lessons learned, including 'Feu, Eau, Contagion, Empoisonnements, and Maison'; based on 19th century original lithographs by Emile Deyrolle; Les Fils d’Emile Deyrolle, Rue du Bac, Paris; restored ebonized wooden frames; some darkening, wrinkling, and foxing; PRICED PER PAIR

each striking lithograph with classical figures at various pursuits on a black ground; later ebonized frames and slips with hand-wrapped linen mattes.

each with arbalète-form crest above an incurved upholstered back over a loose cushion seat; flanked by upholstered arms all raised on gadrooned uprights and legs; professionally reupholstered and refinished; good overall condition

each of graceful art deco design with gently incurved upholstered back flanked by padded arms joining conical terminals; all above a tight seat raised on tuned supports; good condition professionally refinished and reupholstered 

the inset leather top within a a stepped molded frame above an apron fitted with 5 drawers with oak secondary wood; the side panels centering carved floral clusters; the finished paneled back allows the desk to be floated; all raised on reeded bulbous supports ending in wooden casters; good restored condition with refinished surface; leather with nice rich patina

the well-detailed studies depicting a tented ceiling and a restaurant wall in rich layered colors; with new art nouveau style giltwood frames. (1 available)

of neoclassical style, the oval inset beveled glass top within a nickel-plated frame; all raised on cylindrical supports ending in toupie feet all joined by a shaped stretcher; good vintage condition with some abrasions to glass and metal; minor pitting on feet; small interior chip to glass along edge

of good scale and quality, circa 1930; each high back dining chair with beige leather upholstery and birdseye maple frame, for S.Hille & Co, London, consisting of two arm and six side chairs, having a vasiform splat above a tight seat; raised on graceful splayed supports; professionally refinished; minor wear and patina to later leather upholstery; 

the well-detailed study of a Parisian room interior depicting a staircase and entitled "Escalier" in rich layered colors; with new Art Nouveau style giltwood frames; plate is in good clean condition 

each of rectangular form with raised offset concentric rings or 'ripples' all in a deep blue on black glaze; excellent vintage condition with no chips or cracks; STEULER was founded in Höhr-Grenzhausen, a center of the ceramic industry in the Rhineland's Kannenbäckerland, in 1917.  STEULER reached its artistic zenith in the 1960s and '70s and is best known today for the inspiring designs of Cari Zalloni. Here's a fine specimen from Cari Zalloni's shapely and colorful 'Zyklon' line of 1968 for STEULER KERAMIK.

a well-thought out composition as the table plain draws the viewer into the room of a seated woman with distant gaze dressed in a blue jacket; the table set with a bowl of fruit, a goblet and plant; all within a silver-leafed carved wooden frame with linen slip; excellent condition professionally cleaned and restored; unsigned; later frame

pencil with wash; minor discoloration; within a later ebonized walnut frame; stamped 'Atelier Garnier, Lyon'

each large-scaled urn with sweeping flared neck tapering to a flared foot; now drilled with later wooden mounts

the wide bowl with flared lip above a tapering body all raised on a raised foot; the underside with recessed frosted geometric design; excellent condition.

each column of alternating marble and brass discs; raised on 4 Greek key feet; rewired; excellent condition; some rubbing to metal.

the original mirrored top above an openwork frieze raised on exaggerated openwork cabriole supports; overall even rubbing to gilded surface; antiquing and surface wear to mirrored top

the central supports of graduated stack glass orbs all emanating 6 deeply scrolled candle arms with glass drips pans and chrome candle sleeves; excellent vintage condition; rewired

the upright glass stand raised on cylindrical rods; with protruding knobs suspending 2 tools; excellent vintage condition with overall minor wear

the oval plate within a punched iron border surrounded by a sloping openwork frame of graceful s-curves; excellent condition

of graceful form with sloping barrel-back above a loose cushion; the back fitted with a bentwood rib cascading to the floor providing support to the front; supported at the rear with a central curved rectilinear leg; excellent antique condition; professionally refinished; newly upholstered in a butter-yellow linen fabric

each depicting an etruscan urn with detail images and inscriptions written below; from the book 'Picturae Etruscorum in Vasculis' by Giovanni Battista Passeri; later French mattes and giltwood frames; excellent condition.

Jules Leleu (French 1883-1961); executed in a well-figured tiger-mahogany with mahogany secondary wood, having a shaped top, above the four drawer case with chromed pulls all flanked by two doors; raised on splayed supports with chrome sabots; a similar model can be seen in Yvonne Brunhammer, Le Style 1925, Editions Baschet et Cie, Paris, p. 45 & Francoise Siriex, The House of Leleu pgs. 46, 47; excellent vintage condition with refinished surface