each hand-blown white and clear glass cattail shade set into a brass back plate; no chips or cracks; some wear and patina to back plates; professionally rewired; priced individually $3,800 each

of baluster form with long neck and everted lip above an ovoid body with splayed foot; the densely-painted and colorful flowers at the shoulder above delicate cascading wisteria; excellent vintage condition with no chips or cracks; only minor wear; professionally rewired; vase now drilled and mounted as a lamp

an english 19th century chromolithograph; a well-rendered picture depicting a hand-colored pineapple; ; minor discoloration; later acid-free matte and gilt-wood frame.

produced by one of the leading pottery companies of the late 19th century,  the fluted column with stepped cap and base; good condition with overall even wear; some chipping to glaze

From the artist: Old fishing boats have always fascinated me. Those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty.

Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento. 

from the artist: Old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty. Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento

from the artist: I've long been inspired by old things. The texture and play of light on a weathered surface are the things that spark my imagination. I seek to capture a building's essence in my paintings, in a time less hurried with a calmness of spirit. Their strong simple shapes inspire me to try to somehow preserve their beauty captured at a moment in time.

Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento

Signed lower left; Paul Immel was born in Helena, Montana in 1864. Immel studied at the Ball School of Art in Minneapolis and in 1924 moved to Los Angeles where he further studied at Otis Art Institute, later moving to Seattle, Washington. Immel is known for his watercolor floral studies and was a member of the Puget Sound Group of Northwest Painters and the Northwest Watercolor Society; excellent condition with nice clear colors; some wear to blonde-stained wooden frame

with its thick and bold brush strokes creating a textured surface depicting the artist's emotional energy; signed and dated on verso by Salt Lake City artist 'Ann Gallagher 1972 SLC'; good overall condition with clean surface; wear to ebonized wooden frame

a delightful bronze sculpture of a well-delineated sparrow perched upon a bamboo branch surrounded by cattails and reeds all emanating from a foliate ring; the whole resting on a well-figured circular black marble base; etched signature 'Lake Geneva Studio';  Lake Geneva Studio was a well-known bronze sculpture studio founded by sculptor Siri Schillios in Lake Geneva, Wisconsin. The studio operated from the early 1970s until the early 2000s; good vintage condition with overall warm patina

the meticulously detailed engraving depicting a pineapple specie as a flowering bud and in its mature state; with original description page verso; minor discoloration; with later acid-free matte and giltwood frame.

each well-executed plaque of impressive scale depicting a moody forest scene and a tranquil lake setting; all within custom ebonized moulded frames with giltwood slips; excellent antique condition with no chips or cracks to ceramic; minor professional repair to one frame

the domed lid with finial knob resting on a bulbous body tapering to the base with a flared foot; painted overall with blue and rouge-de-fer floral clusters within diaper perimeter bands; The historic production of Faenza majolica is recognized worldwide as one of the highest moments of artistic creativity expressed through pottery.

a large and rare set of German Black Forest furniture with chair and ottoman; with oval back above a tight seat all surrounded by a robust frame symmetrically constructed of entwined fallow antlers; good sturdy construction with nice patina; suede upholstery in good condition with some fading and wear

the hand-carved standing bear with forward gaze and glass eyes holding a barrel for matches in front of a larger barrel for cigar storage; all over an oval carved base fitted with a cup-shaped ash tray; most likely from the Black forest area in the Swiss city of Interlagen; originally used to hold cigars but could be used on a desk as a pen or trinket holder; good antique condition with rich patina and minor wear; with an old split to the base

Each beautifully decorated chest with concave top with canted corners above a conforming body fitted with 2 short over 2 long drawers all raised on splayed bracket feet; with overall red ground and gilt decorated chinoiserie motifs including bird, floral and vine, architectural follies and waterscapes; good antique condition with refreshed surface; professionally restored with overall craquelure and patina; japanning possibly later

one of the best examples of a spoon back chair with its tall incurved back with an inlaid stylized floral and foliate motif;  the down-swept arms above a box seat raised on console legs with carved volutes and lotus leaves at the knee; professionally restored with new black boar-skin upholstery

the scalloped top centering an oval medallion radiating coved reserves above a conforming body fitted with brass bale handles;  finely decorated with gilded figures in a garden landscape with pavilions and dragons; the interior fitted with a removable tray; lacking lock; professionally restored with some losses and infilling; crackling to lacquer

this elegant period candle and electric chandelier from Austria's Leopold II reign, the graduated gilt-bronze hexagonal frame with neoclassical relief and filigree decoration adorned with crystal pendants and beads; emanating six candle arms and now modified with six electric sockets within the body of the fixture; good antique condition; professionally restored with some replaced crystals; even wear and patina 

each tall and finely crafted fluted bronze hall tree adorned with finely detailed gilt-bronze neoclassical decoration with berry finials, bows, ribbons, and tassels centering a trophy with lyre; the dramatic medusa mask emanating writhing snakes (for coats) with coiled snakes further down the shaft (for umbrellas); all over a square openwork base; purchased in 1994 from Leah's Antique Gallery, New York City (receipt attached); in good antique condition with minor wear to gilding and bronze; some oxidation to bases

a fantastic example of Gothic revival furniture, the robust pair of ebonized Gothic style arm chairs with padded back with openwork pointed arch crest flanked by turned stiles; above a tight seat flanked by padded arms with over-scaled spheroid terminals; all raised on turned supports ending in wooden casters; finish professionally refreshed; wear to casters; good antique condition; newly upholstered

Land’s End Series – oil on canvas and watercolor on paper 2000 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End with its wind whipped trees and branches and natural cathedrals, creating ‘magical spaces that are lit from above and glow from within, creating a kaleidoscope of colors and shapes”.