each of urn form having an everted rim above a cylindrical body above a bulbous mid-section all above a splayed foot; raised on fluted giltwood bases; made of a striated teal glass adorned with a gilt painted perimeter band of anthemia and palm leaves with additional banding below; water-gilded caps and bases; professionally rewired; some rubbing to gilded bases and decoration; some bubbling to interior surface of urns

the meticulously crafted chest with book-match veneered rosewood rectangular top with concave front; above three similarly veneered drawers fitted with shell-form enameled pulls, centering well-figured walnut burl wood panels; raised on inlaid turned supports; with metal identification label "Robert W. Irwin, Grand Rapids"; excellent condition with refreshed finish; some rubbing to enameled pulls

pencil with wash; minor discoloration; within a later ebonized walnut frame; stamped 'Atelier Garnier, Lyon'

the handsome and richly-patinated English table in the Neo-Gothic taste with long rectangular top within a half-bullnose molding; above a frieze apron fitted with two drawers; raised on bold quadrangular neo-gothic supports all joined by a lower shelf; the whole supported on four compressed bun feet; good antique condition with overall wear and patina; old stains and watermarks; professionally refinished 

of sturdy construction consisting of a solid oval walnut top in a chevron pattern resting on a chrome quadruped base; a versatile piece that can be used as a desk, conference table or dining table; the wooden top has been professionally refinished and has a rich honey-colored patina; Florence Knoll (1917-2019) was an internationally renowned American architect, designer and entrepreneur who has been credited with bringing modernist design to office and residential interiors. Knoll Associates was a leader in the field of furniture and interior design.

each hand-blown white and clear glass cattail shade set into a brass back plate; no chips or cracks; some wear and patina to back plates; professionally rewired; priced individually $3,800 each

this elegant period candle and electric chandelier from Austria's Leopold II reign, the graduated gilt-bronze hexagonal frame with neoclassical relief and filigree decoration adorned with crystal pendants and beads; emanating six candle arms and now modified with six electric sockets within the body of the fixture; good antique condition; professionally restored with some replaced crystals; even wear and patina 

having curved front with five inlaid doors, all raised on turned and flared feet with brass terminals; the center door opens to reveal sycamore-veneered drawers; the right door opens to reveal a mirrored and glass bar compartment;  excellent condition
 

the rectangular quarter-veneered top with banding and molded edge over a burlwood frieze drawer above a scalloped apron; all raised on cabriole supports ending in pad feet; overall wear and patina; brasses replaced

The serpentine marble top above a conforming body having two drawers fitted with foliate bronze hardware all over a scalloped apron. adorned overall with floral and foliate inlaid olivewood reserves on a black walnut ground; good antique condition with small areas of replaced veneer; professionally refinished; some age and patina to later marble top

with baluster support above a glass bowl emanating 6 scrolling candle-arms with boldly-scaled cups; adorned overall with floral and foliate stems; the whole over a triple-sphere pendant; professionally cleaned and re-wired with plug-in arms for easy assembly/disassembly; excellent vintage condition with no chips or cracks

the lushly painted still life depicting a woven basket full of finely painted bearded irises, parrot tulips, hydrangeas and peonies with discreetly painted bees and a snail; all resting on a draped table; good antique condition; signed lower left: M. Luber München; height: 36" (overall)  26.75" (canvas), width: 28" (overall)  18.5" (canvas); Max Luber (1879-1950) was a German academic painter who studied and worked in Munich. His paintings primarily depict lush, dark still lifes in the Flemish style.

the beveled rectangular plate surrounded by a giltwood frame with half-turnings and carved rosette corners; wear to later gilding; age to plate.

with tole candlecup above a well-carved graduated support raised on a tripartite base; excellent restored condition with areas of refreshed gilding.

the gilt-metal frame emanating 6 scrolling arms; adorned overall with 3 crystal obelisks and multiple pendants; excellent condition

the long shaft of stacked glass orbs above a spheroid body emanating 6 scrolled arms; of white striated glass with gold inclusions; excellent condition with no chips or cracks; can be shortened.

the baluster support surrounded by 8 deeply scrolled arms joining a bowl with faceted pendant; excellent condition; rewired

the central cluster column support emanating 6 scrolled arms supporting upright torches; adorned overall with brass strapwork and spheres; overall even patination

centering a baluster-form support above a glass bowl emanating 6 scrolled candle-arms with deep cups surrounding lively flower and leaf inserts; composed of gold aventurine and clear glass; good vintage condition with some replaced stems

Of large scale, the well-delineated and intricately carved head of a bear with hat motif lid; the expressive face with glass eyes and large snout; most likely from the Black forest area in the Swiss city of Interlagen; good antique condition with overall even wear and patina