a wonderful period English George III hand-carved tilt-top supper/tea table with shell and leaf carved top with circular reserves, over a turned baluster support issuing three downswept legs terminating in ball and claw pad feet; the English supper table became popular during the reign of King George II and continued into the late 18th century; repair to edge of top; refinished surface

of superb quality with a rich patina, the solid mahogany oval top centering an inlaid shell motif with satinwood perimeter band and stringing; all resting on turned supports ending in pad feet; fitted with swing legs on either side with large knuckle joints constructed within the frame; the half-round leaves raise with wrought-iron hinges allowing the table to function as a breakfast table, serving piece, end table or game table;  Dimensions: 29.5" H x 38.75" W x 14.75" D (Closed) 49.5" L (Open) Condition: Good overall antique condition with signs of age and use including some surface abras

the cartouche mirror plate within a conforming giltwood frame with floral crest above an openwork frame of acanthus and rocaille carving all flanked by the mythical Ho Ho bird with one bird upright and the other downward; the Ho Ho bird was originally seen in Asian artwork and symbolizes good fortune and longevity; overall even wear and patina to re-gilded surface; later plate

the open cartouche-shaped back with elaborately carved vasiform splat profusely carved with rocaille, C-scrolls and floral motifs above a drop-in seat with mohair upholstery; flanked by supported S-scrolled arms with lively floral carving; the seat rail with carved fretwork design; all raised on similarly carved cabriole legs ending in a trifid pad foot; finish professionally refreshed; new mohair upholstery; good antique condition with even wear and patina

the rectangular quarter-veneered top with banding and molded edge over a burlwood frieze drawer above a scalloped apron; all raised on cabriole supports ending in pad feet; overall wear and patina; brasses replaced

The exuberantly carved openwork crest composed of dramatic interlacing C-scroll motifs with floral and foliate elements cascading down the sides; all surrounding the original beveled mirror plate within a relief-carved molding; warm patina and rubbing to water-gilded surface; areas of refreshed gilding; with some professional repairs to frame

In two parts, the top section with molded crown over three short drawers above three graduated long drawers, the base with three long drawers all supported on bracket feet; later pierced brass bat pulls; crossbanded inlay to drawer edges; overall good solid antique condition appropriate to age; overall wear and patina; areas of replaced veneer; shrinkage to oak side panels; professionally refinished

the exuberantly carved pagoda crest surrounded by lively acanthus leaves, c-scrolls and grotto motifs cascading down to an openwork frame; wear and rubbing to gilding; with professional repairs; refreshed gilding; some age to later plate

Each beautifully decorated chest with concave top with canted corners above a conforming body fitted with 2 short over 2 long drawers all raised on splayed bracket feet; with overall red ground and gilt decorated chinoiserie motifs including bird, floral and vine, architectural follies and waterscapes; good antique condition with refreshed surface; professionally restored with overall craquelure and patina; japanning possibly later

the half-round top above a conforming apron centering a foliate reserve flanked by swag festoons and carved paterae with fluted panels; all raised on tapering quadrangular supports adorned with cascading bell-flowers all ending in a spade foot; good antique condition with professionally refinished surface

signed 1960s bench with floating rectangular upholstered seat resting on a walnut base with square-form tapering legs connected by two stretchers; makers label to inner stretcher; Jens Risom (1916-2016) was a Danish American furniture designer. An exemplar of Mid-Century modern design, Rison was one of the first designers to introduce Scandinavian design in the United States. His designs are on display at the Museum of Modern Art, the Rhode Island School of Design and the Cooper-Hewitt Design Museum;  professionally refinished and reupholstered

an impressively long bench ideal for a hallway or bedroom, in the Baroque taste with rectangular upholstered tight seat above an ornate and symmetrically carved openwork apron with shell motifs flanked by lively scrollwork; all raised on scrolled supports terminating in acanthus leaves over a lobed foot; all joined by cross stretchers; overall dark patina with subtle areas of gilding; professionally restored with refreshed finish; one stretcher replaced; good solid condition; newly upholstered

of Georgian style in the French taste, the serpentine top with matchbook herringbone veneer within a cross-banded border; all above a Bombé-form body fitted with two doors opening to reveal three mahogany serpentine drawers; flanked by carved foliate festoons cascading to an acanthus leaf carved foot; all sides with tulipwood and amaranth classically-inspired inlay of lively acanthus scrolls, floral vines, ribbons and urns; good antique condition with minor veneer replacements; good solid construction; professionally refinished

the handsome and richly-patinated English table in the Neo-Gothic taste with long rectangular top within a half-bullnose molding; above a frieze apron fitted with two drawers; raised on bold quadrangular neo-gothic supports all joined by a lower shelf; the whole supported on four compressed bun feet; good antique condition with overall wear and patina; old stains and watermarks; professionally refinished 

Of fine quality, the tall and impressive cabinet in the neoclassical taste with canted corners all capped by a pierced gallery above a case fitted with two hinged doors of book-matched mahogany veneer centering inlaid shell medallions below drapery festoons within well-carved framed reserves; the lower section fitted with three long drawers with inlaid stringing and half-round shell motifs; all flanked by fluted pilasters; the side panels with similar inlay; the whole raised on splayed bracket feet; good antique condition with professional restorations; refinished surface; portions of the g

the large mahogany oval tray centering am impressive satinwood shell motif surrounded by rosewood banding; raised on a later stand; excellent restored condition

the well-figured round top with an inlaid laurel-leaf and interlaced ribbon perimeter border; above a plain frieze apron with inlaid beading; raised on graceful splayed legs joining a lower shelf; excellent antique condition; professionally refinished

the circular top with demi-bullnose edge all in a richly-colored book-match burl walnut veneer with a satinwood and ebony inlaid perimater band; raised on a turned baluster support with lappet carving the whole raised on burl wood cabriole supports; professionally refinished with overall even wear and rich patina

the rectangular upholstered seat above a scalloped Moorish-style apron all raised on cabriole legs ending in a trifid foot; overall warm patina to surface; newly upholstered with sturdy frame

each with leather saddle seat seeming to float above an ebonized wooden base with turned legs fitted with brass caps and feet; new tan leather upholstery; good vintage condition with minor marks and wear; The G Plan Story: G Plan can trace its roots back to 1898, when Ebenezer Gomme began handcrafting furniture in his workshop. In 1953, his grandson Donald launched the G Plan brand and with it a post-war furniture revolution. Over the years G Plan has created some of the most enduring and iconic furniture of the 20th century.

the open back with carved Greek Key rail above reeded downscrolled arms with foliate carving; all raised on curule form legs joined by turned stretchers; good antique condition with deep patina and overall even wear; minor wear to upholstery 

the large sturdy hand-carved table of pegged construction with shaped rectangular top of matchbook European walnut veneer above a scalloped apron with rocaille carving; all raised on bold cabriole supports ending in hoof feet; structurally sound; intentionally distressed finish to imitate age; minor overall wear and rubbing; professionally polished and waxed

this handsome bench features a long rectangular upholstered seat; raised on four barley twist supports with square block joints ending in compressed bun feet; all connected by a turned cross stretcher of similar style; beautiful deep patina with overall even wear; good antique condition with restored finish; later upholstery

the hand-tooled leather top with incurved front above an apron fitted with five drawers; raised on reeded support ending in brass casters; good antique condition; new antiqued leather top with gilt hand-tooling