Night Vision  Series – watercolor on paper 2009-2010; a series of the night in urban San Francisco;  Artist William Stanisich brings to life with his watercolor paintings rich in color, motion and mood, this series of moving cars through a rainy night. William Stanisich born in 1947 in Cheyenne, Wyoming and raised in San Francisco, received his BA from Yale College (1969), attended courses at the San Francisco Art Institute (1964-5 and 1970), taught painting at the Urban School of San Francisco (1972-2001) and currently is a full-time painter here in San Francisco.

Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End with its wind whipped trees and branches and natural cathedrals, creating ‘magical spaces that are lit from above and glow from within, creating a kaleidoscope of colors and shapes”.

Land’s End Series – oil on canvas and watercolor on paper 2000 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End with its wind whipped trees and branches and natural cathedrals, creating ‘magical spaces that are lit from above and glow from within, creating a kaleidoscope of colors and shapes”.

Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End with its wind whipped trees and branches and natural cathedrals, creating ‘magical spaces that are lit from above and glow from within, creating a kaleidoscope of colors and shapes”.

Land's End 2006 no. 6 - Oil On Canvas By William Stanisich, San Francisco presented by epoca Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End. Presented by epoca ph. (415) 864-6895. 

Milos 2006 no. 23, Watercolor On Paper by William Stanisich, San Francisco Presented by epoca, Milos Series: watercolor-on-paper ,2000-2013. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’.  San Francisco Painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated, “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”.

Speed 2010 no. 8, Watercolor On Paper By William Stanisich, San Francisco; Signed And Framed Dated 2010 Speed Series. Watercolor On Paper 2006 – 2008; A series of the night in urban San Francisco.  Artist William Stanisich brings to life with his watercolor paintings rich in color, motion and mood, this series of moving cars through a rainy night.

Night Vision Series – watercolor on paper 2009 - 2010; a series of the night in urban San Francisco;  Artist William Stanisich brings to life with his watercolor paintings rich in color, motion and mood, this series of moving cars through a rainy night.

Night Vision 2010 no. 7, Watercolor On Paper By William Stanisich, San Francisco; Signed And Framed Dated 2010 Speed Series – Watercolor On Paper 2006 – 2008; A series of the night in urban San Francisco;  Artist William Stanisich brings to life with his watercolor paintings rich in color, motion and mood, this series of moving cars through a rainy night.

Land's End 2003 no. 6 - Watercolor On Paper By William Stanisich, San Francisco presented by epoca  Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End ph. 415 864-6895 

Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End with its wind whipped trees and branches and natural cathedrals, creating ‘magical spaces that are lit from above and glow from within, creating a kaleidoscope of colors and shapes”.

Milos Series – watercolor on paper 2000-2013; A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’.  San Francisco painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”.

Milos 2006 no. 12, Watercolor By William Stanisich, San Francisco presented by epoca. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’. San Francisco painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”

Milos 2009 no. 17 Watercolor On Paper; William Stanisich, San Francisco Presented by epoca. Milos Series: watercolor-on-paper ,2000-2013. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’.  San Francisco Painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated, “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”.

Milos 2006 no. 24, Watercolor On Paper By William Stanisich, San Francisco presented by epoca.  A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’. San Francisco painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”

Milos 2000 no. 1, Watercolor On Paper By William Stanisich, San Francisco presented by epoca. Milos Series, watercolor on paper, 2000-2013. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’ phone (415) 864-6895. 

the framed incurved upholstered back above a loose cushion seat flanked by graceful sling-form arms; all raised on tapering turned supports ending in ebonized feet; good vintage condition; nice warm patina to professionally refinished surface; newly upholstered

from his Potrero Hill studio, San Francisco artist Bill Stanisich would lay down his brush and gaze down onto Yerba Buena Island, the Bay Bridge and surrounding water.  What he saw was ever-changing so he decided to capture on paper the various moods of mother nature. On still, clear nights, the water was a sheet of glass and Yerba Buena Island's silhouette soaked up the darkness creating a black void, while the tips of the Bay Bridge Towers emited beacons of light in the distance. When it rained, vague shadows were barely visible through the wet, dark skies.

of good scale and quality, circa 1930; each high back dining chair with beige leather upholstery and birdseye maple frame, for S.Hille & Co, London, consisting of two arm and six side chairs, having a vasiform splat above a tight seat; raised on graceful splayed supports; professionally refinished; minor wear and patina to later leather upholstery; 

a pair of flame mahogany side tables by Pierre Chareau (b. Bordeaux, France 1883 d. New York 1950); each hexagonal top of bookmatch veneer flame mahogany raised on a tulip-form slatted support; all over a conforming stepped base; good antique condition; professionally refinished 

the handsome credenza by John Stuart with its simple, straightforward design constructed of richly-patinated and well-figured tiger mahogany; the rectangular top above a conforming body fitted with three doors faced with beautiful bookmatch veneer; all raised on tapering quadrangular supports; good vintage condition with small areas of replaced veneer; professionally refinished.