of impressive scale with stately presence, the Baroque Flemish Style cushion frame finely painted to replicate the rich, amber-like tones and distinctive radiating patterns of genuine tortoiseshell; the double-recessed frame with outer cushion molding all separated by bands of ebonized moldings; all surrounding a beveled mirror plate; excellent condition with only minimal wear 

each well-executed plaque of impressive scale depicting a moody forest scene and a tranquil lake setting; all within custom ebonized moulded frames with giltwood slips; excellent antique condition with no chips or cracks to ceramic; minor professional repair to one frame

the large richly-patinated mahogany tray of abalete form with thick ogee perimeter molding all flanked by openwork foliate handles; professionally refinished; replaced screws to underside

Of large scale, the well-delineated and intricately carved head of a bear with hat motif lid; the expressive face with glass eyes and large snout; most likely from the Black forest area in the Swiss city of Interlagen; good antique condition with overall even wear and patina

This Impressive, 18th Century, French Régence Ormolu-Mounted Rosewood & Kingwood veneered Commode retains it’s original hand chiseled serpentine front rouge marble-top. This Régence Commode has five drawers with herringbone, and crossbanded inlaid rosewood and kingwood parquetry retaining its original Gilt-Ormolu and Gilt Hardware. Mimicking the bottom two rows of drawers is the top row consisting of two drawers flanking the faux center with escutcheon fabricating the look of a three drawer commode.

each in a rich egg yolk-yellow glaze with everted neck above an ovoid body with stylized laurel leaf perimeter band flanked by lions masks; all raised on a fluted splayed support resting on an ebonized wooden base; excellent vintage condition with no chips or cracks; wooden base refinished; rewired

of stylish mid-century design in the manner of Tommi Parzinger, with ivory-glazed oblelisk-form base emanating two deeply scrolled brass arms supporting candle form socket holders;  centering a cylindrical brass rod and finial; all atop a black marble base with white veining; 18.5" (top of ceramic)  35: (top of shade); good vintage condition with light overall wear; minor pitting to brass; professionally rewired. 

each half-round moulding with floral and foliate carved reserves surrounding a beaded inner slip; with later antiqued plates; rubbing to gilding.

the cartouche-shaped mirror within an elaborate giltwood frame of C-scrolls, rocaille, and floral carving; good antique condition with refreshed gilding; overall even wear

originally used as traveling tea tables for the British in India; the octagonal top centering a large stylized floral medallion surrounded foliate stems all within a perimeter border of a meandering foliate vine; raised on a hinged base with arabesque spandrels; good antique condition with overall warm patina; small replacements to inlay; two spandrels on base replaced; top now affixed to base

with tole candlecup above a well-carved graduated support raised on a tripartite base; excellent restored condition with areas of refreshed gilding.

The Marbro Lamp Company was established by Morris Markoff and his brother (Mar-bro) after World War II in the garment district of Los Angeles. While specializing in a wide selection of antiques and decorative accessories, they are best known for their high quality lamps. Lamp parts were sourced from all over the world, but always assembled in their LA shop; this fine example of a thickly modeled faceted crystal lamp with gilt-metal mounts; no chips or cracks; rewired

the elegantly long rectangular cork top with flared ends raised on pierced splayed wooden supports; excellent condition; original design from 1948  

this handsome chest of bombé-form with serpentine top above a conforming body fitted with 3 drawers adorned with bold solid bronze handles; excellent antique condition with overall even wear

the original rectangular plate surrounded by a deeply, well-carved frame of robust cascading laurel leaves; the crest and lower rail with lively foliage, stylized flowers and grapes; antiquing to plate; patination to later paint and gilding.

with a nod to the Napoleon III carved ropetwist stools by Fournier, this similarly carved chair in a ropetwist style with knotted feet; the framed cartouche-shaped upholstered back above a tight seat all raised on splayed supports; good vintage condition with overall even wear and patina; newly upholstered

the central cluster column support emanating 6 scrolled arms supporting upright torches; adorned overall with brass strapwork and spheres; overall even patination

of overall rich patina, the circular dish top with ribbed edge above a turned baluster support raised on 3 splayed legs with spheroid feet; repairs to base of support; overall age and warm patina; small age crack to top

the open back with carved Greek Key rail above reeded downscrolled arms with foliate carving; all raised on curule form legs joined by turned stretchers; good antique condition with deep patina and overall even wear; minor wear to upholstery 

the open cartouche-shaped back with elaborately carved vasiform splat profusely carved with rocaille, C-scrolls and floral motifs above a drop-in seat with mohair upholstery; flanked by supported S-scrolled arms with lively floral carving; the seat rail with carved fretwork design; all raised on similarly carved cabriole legs ending in a trifid pad foot; finish professionally refreshed; new mohair upholstery; good antique condition with even wear and patina

the long neck with bulbous mid-section of carved foliate motifs; raised on a tripartite base on 3 scrolled feet; restored condition.

each with square, richly-figured macassar veneered tops cantilevered on a chrome base; excellent vintage condition with minor wear to chrome; tops professionally refinished 

each with central glass support surrounded by two tall opposing leaves of translucent gold aventurine glass all raised on a thick gold bullicante disk over a later Lucite base; height: 16.5" (top of glass) 27.5" (top of shade); good vintage condition with no chips or cracks; professionally rewired; later Lucite bases