the exuberantly carved pagoda crest surrounded by lively acanthus leaves, c-scrolls and grotto motifs cascading down to an openwork frame; wear and rubbing to gilding; with professional repairs; refreshed gilding; some age to later plate
the half-round glass top with ogee edge resting on a conforming brass plated openwork frame raised on four columnar supports ending in foliate scrolled feet all joined by a lower stretcher; good vintage condition with no chips or cracks to top; antiqued brass finish with nice patina
the thick oval glass top with ogee edge resting on a conforming neoclassical style brass base raised on four columnar supports terminating in hoof feet all joined by incurved perimeter stretchers; good vintage condition with minor pitting and patina; sturdy frame; no chips or cracks to glass with some wear to surface
with a nod to the Napoleon III carved ropetwist stools by Fournier, this similarly carved chair in a ropetwist style with knotted feet; the framed cartouche-shaped upholstered back above a tight seat all raised on splayed supports; good vintage condition with overall even wear and patina; newly upholstered
a rococo style mirror with a modern twist; the oval plate within a gilt-metal frame consisting of lively C-scrolls and foliate sprays; excellent vintage condition with overall even wear to newly gilded surface
the long seat of slatted wood flanked by incurved arms with ball-form handholds; raised on a folding scissors double base; the term Savonarola derives from the chair on which the Savonarola used to sit in the convent of San Marco in Florence. The chair is named for the Italian Renaissance religious zealot Girolamo Savonarola; wear and patina to surface; movement to hinged frame; 2 ball-form handles replaced
a stylish French 1940s brass rectangular coffee table with inset black glass top; with black glass top inset within a brass frame raised on reeded supports with stylized melon-form caps all joined by a lower x-form stretcher; later glass; good vintage condition with overall even wear and patina
each composed of a metal frame with wooden top and side panels; fitted with 2 metal faux-bamboo doors with antiqued mirrored panels; excellent restored condition with replaced tops
well-carved giltwood wall mirror with a pagoda-form pediment above an open-work carved foliate frame; excellent antique condition with overall even rubbing to water-gilded surface; later mirror plate
each custom made chair by Lx Rossi with in-curved sloping back cascading down to outscrolled terminals; flanked by a bowed loose cushion over a plain frieze apron all resting on tapering turned supports; the frame veneered in a taupe-colored shagreen; excellent condition; newly upholstered
this elegant period candle and electric chandelier from Austria's Leopold II reign, the graduated gilt-bronze hexagonal frame with neoclassical relief and filigree decoration adorned with crystal pendants and beads; emanating six candle arms and now modified with six electric sockets within the body of the fixture; good antique condition; professionally restored with some replaced crystals; even wear and patina
the scrolled openwork back with craved green man mask flanked by lively floral and foliate scrollwork above a classical flaming urn flanked by serpent handles; good restored condition with re-glued and refinished frame; refreshed leather seat
of elegant form, the long upholstered seat with scrolled ends above a plain frieze apron all raised on splayed supports ending in incised brass sabots; professionally restored frame with refreshed finish; newly upholstered
BIOGRAPHY
Bill Bloomfield engages the intersecting qualities between art and architecture through vibrant, hard-edge paintings inspired by the effect of light. Bill has a Bachelor of Architecture from Virginia Tech. As part of his thesis he studied color and form through silk screen printing and continues this exploration today through his paintings.
STATEMENT
of classic Robsjohn-Gibbings design with its iconic profile featuring a framed upholstered back above a loose cushion seat flanked by open work arms; all raised on subtly flared supports; warm patina to well-figured walnut frame; professionally refinished; good sturdy condition; in need of reupholstering.
vintage Curtis Jeré metal wall sculpture depicting the iconic Conservatory of Flowers in San Francisco; large scale dimensional wall sculpture composed of detailed brass and wire-work with benches, lamposts and urns on pedestals; signed on upper left eave of roof 'C. Jeré'; good vintage condition; oxidation in areas and overall patina; some tarnish to the brass
