Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End with its wind whipped trees and branches and natural cathedrals, creating ‘magical spaces that are lit from above and glow from within, creating a kaleidoscope of colors and shapes”.

Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End with its wind whipped trees and branches and natural cathedrals, creating ‘magical spaces that are lit from above and glow from within, creating a kaleidoscope of colors and shapes”.

Land's End 2006 no. 6 - Oil On Canvas By William Stanisich, San Francisco presented by epoca Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End. Presented by epoca ph. (415) 864-6895. 

Milos 2006 no. 23, Watercolor On Paper by William Stanisich, San Francisco Presented by epoca, Milos Series: watercolor-on-paper ,2000-2013. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’.  San Francisco Painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated, “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”.

Speed 2010 no. 8, Watercolor On Paper By William Stanisich, San Francisco; Signed And Framed Dated 2010 Speed Series. Watercolor On Paper 2006 – 2008; A series of the night in urban San Francisco.  Artist William Stanisich brings to life with his watercolor paintings rich in color, motion and mood, this series of moving cars through a rainy night.

Night Vision Series – watercolor on paper 2009 - 2010; a series of the night in urban San Francisco;  Artist William Stanisich brings to life with his watercolor paintings rich in color, motion and mood, this series of moving cars through a rainy night.

Night Vision 2010 no. 7, Watercolor On Paper By William Stanisich, San Francisco; Signed And Framed Dated 2010 Speed Series – Watercolor On Paper 2006 – 2008; A series of the night in urban San Francisco;  Artist William Stanisich brings to life with his watercolor paintings rich in color, motion and mood, this series of moving cars through a rainy night.

Land's End 2003 no. 6 - Watercolor On Paper By William Stanisich, San Francisco presented by epoca  Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End ph. 415 864-6895 

Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End with its wind whipped trees and branches and natural cathedrals, creating ‘magical spaces that are lit from above and glow from within, creating a kaleidoscope of colors and shapes”.

Milos Series – watercolor on paper 2000-2013; A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’.  San Francisco painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”.

Milos 2006 no. 12, Watercolor By William Stanisich, San Francisco presented by epoca. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’. San Francisco painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”

Milos 2009 no. 17 Watercolor On Paper; William Stanisich, San Francisco Presented by epoca. Milos Series: watercolor-on-paper ,2000-2013. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’.  San Francisco Painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated, “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”.

Milos 2006 no. 24, Watercolor On Paper By William Stanisich, San Francisco presented by epoca.  A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’. San Francisco painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”

Milos 2000 no. 1, Watercolor On Paper By William Stanisich, San Francisco presented by epoca. Milos Series, watercolor on paper, 2000-2013. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’ phone (415) 864-6895. 

BIOGRAPHY

Bill Bloomfield engages the intersecting qualities between art and architecture through vibrant, hard-edge paintings inspired by the effect of light. Bill has a Bachelor of Architecture from Virginia Tech. As part of his thesis he studied color and form through silk screen printing and continues this exploration today through his paintings. 

STATEMENT

BIOGRAPHY

Bill Bloomfield engages the intersecting qualities between art and architecture through vibrant, hard-edge paintings inspired by the effect of light. Bill has a Bachelor of Architecture from Virginia Tech. As part of his thesis he studied color and form through silk screen printing and continues this exploration today through his paintings. 

STATEMENT

BIOGRAPHY

Bill Bloomfield engages the intersecting qualities between art and architecture through vibrant, hard-edge paintings inspired by the effect of light. Bill has a Bachelor of Architecture from Virginia Tech. As part of his thesis he studied color and form through silk screen printing and continues this exploration today through his paintings. 

STATEMENT

BIOGRAPHY

Bill Bloomfield engages the intersecting qualities between art and architecture through vibrant, hard-edge paintings inspired by the effect of light. Bill has a Bachelor of Architecture from Virginia Tech. As part of his thesis he studied color and form through silk screen printing and continues this exploration today through his paintings. 

STATEMENT

BIOGRAPHY

Bill Bloomfield engages the intersecting qualities between art and architecture through vibrant, hard-edge paintings inspired by the effect of light. Bill has a Bachelor of Architecture from Virginia Tech. As part of his thesis he studied color and form through silk screen printing and continues this exploration today through his paintings. 

STATEMENT

BIOGRAPHY

Bill Bloomfield engages the intersecting qualities between art and architecture through vibrant, hard-edge paintings inspired by the effect of light. Bill has a Bachelor of Architecture from Virginia Tech. As part of his thesis he studied color and form through silk screen printing and continues this exploration today through his paintings. 

STATEMENT

from his Potrero Hill studio, San Francisco artist Bill Stanisich would lay down his brush and gaze down onto Yerba Buena Island, the Bay Bridge and surrounding water.  What he saw was ever-changing so he decided to capture on paper the various moods of mother nature. On still, clear nights, the water was a sheet of glass and Yerba Buena Island's silhouette soaked up the darkness creating a black void, while the tips of the Bay Bridge Towers emited beacons of light in the distance. When it rained, vague shadows were barely visible through the wet, dark skies.

of superb quality with a rich patina, the solid mahogany oval top centering an inlaid shell motif with satinwood perimeter band and stringing; all resting on turned supports ending in pad feet; fitted with swing legs on either side with large knuckle joints constructed within the frame; the half-round leaves raise with wrought-iron hinges allowing the table to function as a breakfast table, serving piece, end table or game table;  Dimensions: 29.5" H x 38.75" W x 14.75" D (Closed) 49.5" L (Open) Condition: Good overall antique condition with signs of age and use including some surface abras

a serene impressionistic sunlit scene of a couple in the foreground seated in a gondola facing the viewer with a typically-dressed gondolier standing at the stern; with the towering St. Mark's Campanile and striking Basilica softly lit in the background; signed lower right; site dimensions: 11.5" x 11.5", overall dimensions: 16.5" x 16.5"; Raul Jose Mina Mora (Minamora) was born in Santa Ana, El Salvador in 1915, the son of a wealthy coffee plantation owner. Minamora came to San Francisco in 1924 where he studied at the California School of Fine Arts (San Francisco).

each of brushed solid brass with a clean and simple cup-shaped design; no longer in production; some patina and rubbing to frames and mirror plates