the turned column-form lamp of nicely figured Carrara marble raised on a stepped base with brass detailing; minor overall wear; rewired

the large bottle-form lamp with long neck and tapering body all in a crater glaze 

Each tall lamp with striking drip glaze in deep greens and blues; raised on a brushed brass base; rewired; good vintage condition with no chips or cracks

the rectangular dish top with raised molded edge above a plain frieze apron above a rolled perimeter molding; raised on elegantly-shaped cabriole supports with shell carved knees all ending in pad feet; overall good sturdy construction with nice color; refinished with minor even wear

stylish living from the 1950's, the square table on down-turned legs; with graceful side chairs with open trellis-work seats over splayed supports; structurally sound and in good vintage condition

of large scale, the shimmering crystal vase with lobed mouth tapering to the base; with acid etched signature "Daum France" separated by the cross of Lorraine indicating early production pieces 1945-1950; excellent condition with no chips or cracks

the lively carved rocaille crest with plump fruit and Hoho bird cascading over the rectangular frame adorned with meandering floral festoons; overall patina and rubbing to gilded surface; later beveled plate

the richly patinated solid cherrywood rectangular top with canted corners above a conforming base raised on four boldly scrolled openwork trestle supports all joined by a cross stretcher; excellent condition.

the shaped top wit 2 zinc-lined compartments over a deep apron; raised on cabriole supports joined by a shaped stretcher; excellent restored condition

each of voluptuous, elegant form in vibrant fuschia cased glass; raised on splayed gilt-wood bases; excellent condition; rewired  

Designed by Marbro Lamp Co., each ovoid-form lamp decorated with slender wheat sheaths resting on a gilt-metal base over an ebonized wooden stand; excellent condition with no chips or cracks; re-wired and re-gilded; signed on underside; Camille Tharaud first studied chemistry as a young man, but after an injury during WWI, he convalesced in Limoges, France where he began his work with porcelain, opening up his own factory in 1920.

of impressive scale, the orb-form lamp of mercury glass fitted with an ebonized wooden cap and base; good vintage condition with age to silvering; re-wired

each with rectangular top above a swag-carved apron with giltwood tassel decoration all fitted with a single drawer; raised on square tapering supports over a splayed base; excellent condition

of ribbed baluster form with splayed scalloped foot resting on a giltwood base; excellent condition; rewired

each large lamp of a soft amethyst art glass with controlled bubbles and silver aventurine; raised on a clear glass scalloped base; excellent condition with no chips or cracks; rewired

the Calacatta Viola marble top with bowed front and concave sides inset within an ogee molded edge; over a deep apron with rocaille and acanthus carving; raised on cabriole supports with similar rocaille and acanthus decoration with cascading bell flowers all ending in foliate carved feet; joined by an x-form stretcher of alternating C-scrolls culminating in a lively rocaille carved flourish; good antique condition with overall wear and patina with minor chipping; small areas of refreshed gilding; some discoloration to original top with old repair to one corner 

composed of interlocking antlers resting on a circular wooden base; general marks, rubbing and wear; antlers painted with some chipping; professionally rewired

The slatted openwork seat flanked by incurved armrests  above a curule form base with scrolling elements; raw iron finish with overall even wear and patina

the large square inset glass top in a polished nickel and patinated brass frame raised on quadrangular supports joined by a lower glass shelf; excellent vintage condition with overall even wear and patina; signed 'Jean Charles"; Jean Charles Furniture produced a wide range of furniture in Paris over the last century closing in the late 1980`s. Jean Charles furniture appears consistently stamped with a logo of `JC` followed by `Jean Charles`.

the tall ovoid-shaped lamp resting on a square plinth all clad in a russet-colored leather with brass fittings; good vintage condition with overall even wear and patina to leather; rewired

good solid construction, the brass frame with upright handle, fitted with two glass shelves all raised on casters; good vintage condition with overall even wear to brass; new glass panels

the long rectangular tray with a deep gallery pierced with shaped handles; raised on a later mahogany stand; deep overall patina; some shrinkage and fading to tray bottom

a rare pair of Barovier & Toso 1960s lamps composed of 2 clear bullicante (controlled bubble) conical form glass elements forming a pinched mid-section with gilt-metal ring; professionally rewired; excellent vintage condition