Made in France from French limestone, the table is comprised of a thick round top with bullnose edge and graduated circular base. New with only minimal wear expected; table is ideal for exterior or interior design projects. Due to the custom nature of each table, stone variations will occur; available in custom sizes and carved bluestone

Made in France from French limestone, the table is comprised of a thick round top with bullnose edge and barrel-form support. New with only minimal wear expected; table is ideal for exterior design projects. Due to the custom nature of each table, stone variations will occur 

truly a one-of-a-kind, chic server with rectangular inset top within a solid brass border adorned with over-scaled bronze pineapple finials; the 3 doors and sides adorned with lively brass scrollwork; all raised on cylindrical brass supports; excellent condition

the pastoral setting depicting three grazing cows in a lush green field below billowing clouds; signed 'A J Groenewegen' lower left

from the bay area figurative movement; artist note: "toni could adopt any guise. as you see in these drawings, she could be worldly or virginal, voluptuously naked or costumed, topped by one of her many hats. she could be young, middle-aged or timeless, she could evoke a classical goddess, an african queen, a con- temporary urbanite, a peasant maid."

from the bay area figurative movement; artist note: "toni could adopt any guise. as you see in these drawings, she could be worldly or virginal, voluptuously naked or costumed, topped by one of her many hats. she could be young, middle-aged or timeless, she could evoke a classical goddess, an african queen, a con- temporary urbanite, a peasant maid."

from the bay area figurative movement; artist note: "toni could adopt any guise. as you see in these drawings, she could be worldly or virginal, voluptuously naked or costumed, topped by one of her many hats. she could be young, middle-aged or timeless, she could evoke a classical goddess, an african queen, a con- temporary urbanite, a peasant maid."

the octagonal forest-green marble top with painted inlaid scrollwork surrounded by floral and foliate decoration; all raised on a neoclassical style Michael Taylor faux stone cross tripod lyre base; overall good condition with some minor chips to base; minor even wear to top

each well constructed chest fitted with 2 drawers with inset reserves and brass pulls; raised on tapering supports; drawer interiors of solid oak; John Stuart furniture labels inside drawers; professionally refinished  

this cleverly designed mid-century set of nesting tables designed by Bertha Schaefer (American 1895-1971) for M. Singer & Sons with rectangular case table fitted on the underside with 4 round drop-leaf slide-in collapsible tables suspended from slots; with label 'M. Singer & Sons, New York  Chicago'; In 1924 Schaefer founded Bertha Schaefer Interiors. Her company designed Bauhaus-inspired furniture and interiors for both residences and businesses.

After studying design in New York and Milan, Eggarat Wongcharit returned to his native Thailand and embarked on creating furniture designs of his own.  Taking his inspiration from the fluidity of nature, Wongcharit combines Southeast Asian craftsmanship with modern design and technology, creating uniquely styled pieces for the global market. His designs have been awarded the 2006 TIFF (Thailand International Furniture Fair) and the Silpathorn Award for Design from Thailand's Ministry of Culture.

from the Bay Area Figurative Movement; Artist note: "Toni could adopt any guise. As you see in these drawings, she could be worldly or virginal, voluptuously naked or costumed, topped by one of her many hats. She could be young, middle-aged or timeless, she could evoke a classical goddess, an African queen, a con- temporary urbanite, a peasant maid."

one of the prettiest pairs of chinese lamps that we have had in our inventory; each of slender baluster form adorned with gilt meandering floral vines; raised on a turned giltwood base; excellent condition with minor even wear; rewired

Signed on reverse 'Dutch Galliot at Harbour Mouth'; a galiot was a type of Dutch merchant ship similar to a ketch, with a rounded fore and aft with flat bottoms to sail in shallow waters; excellent restored condition with professional repair; some wear to original giltwood frame; overall craquelure to glaze

the large square inset glass top in a polished nickel and patinated brass frame raised on quadrangular supports joined by a lower glass shelf; excellent vintage condition with overall even wear and patina; signed 'Jean Charles"; Jean Charles Furniture produced a wide range of furniture in Paris over the last century closing in the late 1980`s. Jean Charles furniture appears consistently stamped with a logo of `JC` followed by `Jean Charles`.

the 3-sided top above a paneled conforming body centering double-doors fitted with a solid brass latch; John Van Koert was a prominent New York designer who helped promote the fascination with Danish modern furnishings in the 1950's. In 1954, he was exhibition director of ''Design in Scandinavia,'' at the Brooklyn Museum of Art, introducing modern Scandinavian design to Americans. Mr. Van Koert's furniture designs for Drexel, were represented by prominent department stores such as Macy's and Bloomingdale's; good vintage condition with minor wear and patina; patina to brass

each well-rendered painting depicting mounds of cherries and raspberries in bowls on a black ground; in period gilded frames; newer mattes and gilt fillets; vibrant and clear colors; rubbing and patina to gilding

a serenely rendered still life depicting a lush table-scape with an exotic pineapple, symbolizing hospitality, resting on a metal tray all amid a large urn and wine glasses; good condition; illegibly signed and dated lower right; all within the original ebonized wooden frame with gold slip
 

the moody painting depicting a London bus stop in the rain; painted in the impasto style with a layered painted surface created with thick knife strokes in colors of blue and purple; signed lower left; with title and signature on reverse; some wear to original frame

the impressionist painting with thickly applied paint depicting sailboats at dock with dramatic cloud-filled sky; signed on front lower right; good clean painting with bright colors; in a carved giltwood frame; even wear to gilding;  panel: 13" X 19.5", overall: 20" x 26"