of sleek mid-century design with an elegant profile, James Mont's King Cole chair was deigned for one of his most notable commissions, the King Cole Penthouse in Miami; having a beech bentwood openwork barrel back with sloping arms all above a saddle seat and conforming apron; raised on tapering turned supports; professionally restored and structurally sound; refinished and reupholstered in black leather
the large oval-form mirror within a well-carved pale blue and silver-gilt frame capped with a shell motif over an openwork crest; all above an exuberantly carved frame with lively C-scrolls and acanthus leaves; ex-collection Bartolomeo Rizzo, Palermo, Italy; good antique condition with some replacements, elements re-glued; professionally restored with refreshed surface; nice overall even wear and rubbing to surface; later plate
of elegant form, the long upholstered seat with scrolled ends above a plain frieze apron all raised on splayed supports ending in incised brass sabots; professionally restored frame with refreshed finish and gilding; overall even wear an rubbing; newly upholstered
this Impressive 18th Century French Régence Ormolu-mounted rosewood-veneered commode signed 'JB Hedouin' Master Cabinetmaker, Paris; featuring a bombé-form body fitted with four drawers of herringbone parquetry inlay with oak secondary structure; retaining its original ormolu and hardware all of grand scale and typical of the rocaille period; the original 1938 Catalog Label on reverse; professionally restored with some veneer replacements; French polished and bronze lightly cleaned; good antique condition; later Gris St. Anne marble top.
Ideal for a smaller space, of polished and brushed chrome construction supporting three beveled glass shelves all joined by columnar supports; the whole flanked by scrolled handles and raised on steel casters; good vintage condition with some surface abrasions and rubbing; scratches and wear to glass shelves
Fred Pye (b. 1882 England d. 1964 Ogunquit, ME) Oil on canvas; large and dramatic rocky seascape painting depicting a rocky shore (most likely Ogunquit, ME) with crashing and cresting waves under a partly sunny sky with billowing clouds; signed lower right; good condition with some craquelure in upper right portion of sky; relined; within the original white-washed and gilt wooden frame with beige linen slip.
a large and handsome hand-crafted antique American half-hull wooden boat builder's model of a sloop with fin keel and spade rudder all constructed of laminated mahogany in a warm honey-toned patina; mounted on the original wooden frame fitted with two eye hooks; the half-hull models were used to commemorate the launching of a vessel
each plaster baluster-form lamp by the Bradburn Gallery covered in a celadon painted linen with hand-painted colorful birds perched on a meandering foliate branch speckled with purple berries; height: 16" (top of plaster) 27" (top of shade); gilt embossed maker's mark to underside; good condition with minimal wear; professionally rewired
each artist-signed lamp of baluster form with waisted neck above an ovoid body all over a splayed foot; resting on a turned gold-painted wooden base; each adorned with well-executed hand-painted exotic birds resting on a meandering floral and foliate branch; height: 18.5" (top of porcelain) 30.5" (top of shade); marked 'Made in Italy' to underside; good condition with no chips or cracks; professionally rewired; minor wear to wooden bases
the circular top with demi-bullnose edge all in a richly-colored book-match burl walnut veneer with a satinwood and ebony inlaid perimater band; raised on a turned baluster support with lappet carving the whole raised on burl wood cabriole supports; professionally refinished with overall even wear and rich patina
