Night Vision 2010 no. 7, Watercolor On Paper By William Stanisich, San Francisco; Signed And Framed Dated 2010 Speed Series – Watercolor On Paper 2006 – 2008; A series of the night in urban San Francisco; Artist William Stanisich brings to life with his watercolor paintings rich in color, motion and mood, this series of moving cars through a rainy night.
Night Vision Series – watercolor on paper 2009 - 2010; a series of the night in urban San Francisco; Artist William Stanisich brings to life with his watercolor paintings rich in color, motion and mood, this series of moving cars through a rainy night.
Speed 2010 no. 8, Watercolor On Paper By William Stanisich, San Francisco; Signed And Framed Dated 2010 Speed Series. Watercolor On Paper 2006 – 2008; A series of the night in urban San Francisco. Artist William Stanisich brings to life with his watercolor paintings rich in color, motion and mood, this series of moving cars through a rainy night.
Milos 2006 no. 23, Watercolor On Paper by William Stanisich, San Francisco Presented by epoca, Milos Series: watercolor-on-paper ,2000-2013. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’. San Francisco Painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated, “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”.
Milos Series – watercolor on paper 2000-2013; A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’. San Francisco painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”.
Milos 2006 no. 12, Watercolor By William Stanisich, San Francisco presented by epoca. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’. San Francisco painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”
Milos 2000 no. 1, Watercolor On Paper By William Stanisich, San Francisco presented by epoca. Milos Series, watercolor on paper, 2000-2013. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’ phone (415) 864-6895.
Milos 2006 no. 24, Watercolor On Paper By William Stanisich, San Francisco presented by epoca. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’. San Francisco painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”
Milos 2009 no. 17 Watercolor On Paper; William Stanisich, San Francisco Presented by epoca. Milos Series: watercolor-on-paper ,2000-2013. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’. San Francisco Painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated, “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”.
epoca presents San Francisco Artist, William Stanisich, Watercolors and other works "The world’s magnificence has been enriched by a new beauty, the beauty of speed." -- Filippo Marinetti In brilliant colors complemented by velvety blacks and the virginal white of untouched paper, William Stanisich’s nocturnal street scenes are a paradoxical combination of speed and utter stillness. In these virtuoso watercolors, every surface pictured, wet with rain, has been transformed into a vehicle for light.
The paintings themselves tell their story, of color applied and moved; of how an artist can take water, paper, and pigment and make moving pictures--in more than one sense of the word. Studying them, you can almost hear the sound of cars on wet pavement; of horns and engines, speeding away from you, into the night.