each bulbous lamp with frosted overlay on a clear gold ground; the frosted glass finely etched exposing the gold luster glass beneath cresting a perimeter band of classical figures; raised on giltwood bases; height: 13" (top of glass)  24.5 (top of shade); minor wear and rubbing to glass surface; no chips or cracks; professionally rewired

A pair of Royal Crown Derby vases ca. 1893 having relief gilt floral and fruit motif encircling the bodies with Art Nouveau pattern at the flared necks, all on a pink ground; each having an iron red overglaze Derby Crown mark with interlacing D's above cypher indicating year 1893; gentle wear commensurate with age including slight wear to gilding; one minuscule fleabite at lower edge of one vase; slight crazing along bottom edge of one vase.

each well-rendered painting depicting mounds of cherries and raspberries in bowls on a black ground; in period gilded frames; newer mattes and gilt fillets; vibrant and clear colors; rubbing and patina to gilding

each with long neck above a bulbous body; adorned overall with a gold and white mottled surface with applied colorful flecks in red, yellow and green; excellent vintage condition with no chips or cracks; rewired; nice patina to brass bases

fitted with four amboyna matchbook-veneered doors opening to reveal 3 sycamore-veneered drawers; all above a scalloped apron raised on splayed legs with brass caps; excellent condition; with original retail label 'Mauri Muebles, Buenos Aires'

each hand-blown vase of striking size with everted lip and short neck above a ribbed cylindrical body all resting on a Lucite base; good condition with no chips or cracks; minor surface abrasions commensurate with age; professionally rewired with later Lucite base

the thickly-modeled large vessel with exaggerated mouth above a long flaring neck over a bulbous body all in a richly-colored teal mottled drip glaze; excellent condition with no chips or cracks; original Jaru Pottery label

Three globular forms with narrow mouths; comprising blue glaze example, dark purple glaze example, and black glaze with ocher accent; the blue vase with "Otto 98", the purple vase with "Otto 02", the black vase with "Otto 99"; excellent condition with minimal wear

Maison Jansen was a Paris-based interior decoration office founded in 1880 by Dutch-born Jean-Henri Jansen; the beveled mirror plate within a giltwood frame surrounded by a chamfered mirrored border of eglomise panels; good vintage condition with no chips or cracks to glass; later beveled plate; overall even wear and rubbing to giltwood frame 

signed 1960s bench with floating rectangular upholstered seat resting on a walnut base with square-form tapering legs connected by two stretchers; makers label to inner stretcher; Jens Risom (1916-2016) was a Danish American furniture designer. An exemplar of Mid-Century modern design, Rison was one of the first designers to introduce Scandinavian design in the United States. His designs are on display at the Museum of Modern Art, the Rhode Island School of Design and the Cooper-Hewitt Design Museum;  professionally refinished and reupholstered

from his Potrero Hill studio, San Francisco artist Bill Stanisich would lay down his brush and gaze down onto Yerba Buena Island, the Bay Bridge and surrounding water.  What he saw was ever-changing so he decided to capture on paper the various moods of mother nature. On still, clear nights, the water was a sheet of glass and Yerba Buena Island's silhouette soaked up the darkness creating a black void, while the tips of the Bay Bridge Towers emited beacons of light in the distance. When it rained, vague shadows were barely visible through the wet, dark skies.

the lushly painted still life depicting a woven basket full of finely painted bearded irises, parrot tulips, hydrangeas and peonies with discreetly painted bees and a snail; all resting on a draped table; good antique condition; signed lower left: M. Luber München; height: 36" (overall)  26.75" (canvas), width: 28" (overall)  18.5" (canvas); Max Luber (1879-1950) was a German academic painter who studied and worked in Munich. His paintings primarily depict lush, dark still lifes in the Flemish style.

Peter Hamlett (American 1919-1972) signed Oil on Board, dated 1966 verso; the lush impressionist style still life painting with thick broad brushstrokes depicting a tablescape setting with a copper pot, various vegetables and a bottle of wine; signed lower left and verso and titled 'Staff of Life' Laguna Beach 1966; Born in 1919 in Mokanshan, China during a time of political unrest, Peter Hamlett, a seascape painter, left China at age 18 when he graduated from Shanghai American School.

the 3-sided top above a paneled conforming body centering double-doors fitted with a solid brass latch; John Van Koert was a prominent New York designer who helped promote the fascination with Danish modern furnishings in the 1950's. In 1954, he was exhibition director of ''Design in Scandinavia,'' at the Brooklyn Museum of Art, introducing modern Scandinavian design to Americans. Mr. Van Koert's furniture designs for Drexel, were represented by prominent department stores such as Macy's and Bloomingdale's; good vintage condition with minor wear and patina; patina to brass

the tall and striking ribbed art glass lamp of conical form in luminous smoked glass all resting on a brass base; Empoli is known as the other Italian mid-century glass. Simpler in design than their Murano cousins, the simple traditional styles of Empoli glass were quickly adapted to the sparse abstract shapes of mid 20th century modernism. The vast majority of mid century-styled Empoli glass was made for the American market; height: 21.25" (top of glass)  32" (top of shade); good vintage condition with no chips or cracks; professionally rewired; even wear to re-painted base

$5,500/pair; each of brushed solid brass with a clean and simple cup-shaped design; no longer in production; some patina and rubbing to frames and mirror plates

each of rectangular form with raised offset concentric rings or 'ripples' all in a deep blue on black glaze; excellent vintage condition with no chips or cracks; STEULER was founded in Höhr-Grenzhausen, a center of the ceramic industry in the Rhineland's Kannenbäckerland, in 1917.  STEULER reached its artistic zenith in the 1960s and '70s and is best known today for the inspiring designs of Cari Zalloni. Here's a fine specimen from Cari Zalloni's shapely and colorful 'Zyklon' line of 1968 for STEULER KERAMIK.