each with incurved upholstered back above a loose cushion seat flanked by squared arms over a u-shaped frame with inlaid marquetry; excellent restored condition with new boar skin upholstery

the bullet-form vase in gray glass with oculus opening above a frosted upper section over a carved faceted lower portion tapering to the base; this chiseled glass method is similar to the 'Battuto' style made by Ferro Battato in Murano; 'Rosenthal' acid etched signature to underside; good vintage condition with no chips or cracks; minor wear and abrasions overall and to underside

the open back with carved Greek Key rail above reeded downscrolled arms with foliate carving; all raised on curule form legs joined by turned stretchers; good antique condition with deep patina and overall even wear; minor wear to upholstery 

a rare Art Deco cabinet with rectangular top with notched corners above a conforming body fitted with two hinged doors opening to reveal a divided interior; all raised on long sweeping cabriole supports ending in a splayed foot; all in a richly-colored and well-figured macassar veneer; good vintage condition; professionally refinished with small areas of replaced veneer

each cube-form chair with 'floating' backrest above a tubular chromed steel base; newly upholstered in a butter-yellow velvet with foam wrapped down cushion and seat; minor wear to chrome; Milo Baughman (American, 1923–2003) was a furniture designer who was born in Goodland, KS. After studying at the Art Center School of Los Angeles and the Chouinard Art Institute, he joined Frank Brothers as a custom furniture designer. In 1947, Baughman established Milo Baughman Design, Inc.

vintage Curtis Jeré metal wall sculpture depicting the iconic Conservatory of Flowers in San Francisco; large scale dimensional wall sculpture composed of detailed brass and wire-work with benches, lamposts and urns on pedestals; signed on upper left eave of roof 'C. Jeré'; good vintage condition; oxidation in areas and overall patina; some tarnish to the brass

An unusual pair of hand-blown clear and gold aventurine Venetian candlesticks with large-scale dolphin connectors made by Salviati, circa 1920's featuring dramatic full-bodied upward-facing dolphins; raised on a splayed quilted foot with removable quilted bobeche; excellent condition with no chips or cracks;

each of good proportion the ribbon crest above an oval caned back over a serpentine caned seat flanked by open arms; all raised on turned fluted supports ending in toupie feet; good restored condition with professionally restored finish with newly upholstered loose cushions; cane in overall good condition; caned seats replaced 

Designed by Marbro Lamp Co., each ovoid-form lamp decorated with slender wheat sheaths resting on a gilt-metal base over an ebonized wooden stand; excellent condition with no chips or cracks; re-wired and re-gilded; signed on underside; Camille Tharaud first studied chemistry as a young man, but after an injury during WWI, he convalesced in Limoges, France where he began his work with porcelain, opening up his own factory in 1920.

a good example of American Abstract Expressionism by established contemporary artist Jan Wunderman, depicting stacked asymmetrical rock-like forms, which is rooted in the artist's nod towards nature; painted in translucent tones retaining a rich and strong color sense which is part of the artist's vocabulary; signed 'wunderman' lower left; good overall vintage condition with minor wear to the canvas; some scratches to the wooden frame

each meticulously detailed engraving depicting various pineapple species; minor discoloration; with later acid-free mattes and giltwood frames.

each of urn form having an everted rim above a cylindrical body above a bulbous mid-section all above a splayed foot; raised on fluted giltwood bases; made of a striated teal glass adorned with a gilt painted perimeter band of anthemia and palm leaves with additional banding below; water-gilded caps and bases; professionally rewired; some rubbing to gilded bases and decoration; some bubbling to interior surface of urns

in the neoclassical taste decorated in a silver and gold leaf finish; the reeded central support joined at the mid-section with a gadrooned sphere and acanthus leaf collars all above a tapering reeded base ending in a berry finial; emanating six scrolled gilt-iron candle arms supporting beaded bobeches; overall even wear and patina to new gilded surface; in good working order

an english 19th century chromolithograph; a well-rendered picture depicting a hand-colored pineapple; ; minor discoloration; later acid-free matte and gilt-wood frame.

produced by one of the leading pottery companies of the late 19th century,  the fluted column with stepped cap and base; good condition with overall even wear; some chipping to glaze